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Indepth Arts News: "Tea, Poetry, and Rimpa: Works From Japan" 2000-07-01 until 2001-05-01 Philadelphia Museum of Art Philadelphia, PA, USA
Among the works shown in Tea, Poetry, and Rimpa are painted wood Votive Plaques of the Thirty-six Immortal Poets (1698), an exceedingly
rare and complete set on loan to the Museum by Dr. Luther W. Brady, Jr. The votive plaques (known as ema) were most likely commissioned for
display in a shrine or temple. Each ema presents a poem inscribed in calligraphy accompanied by an imaginary portrait of its author, one of a
group of preeminent writers designated the Thirty-six Immortal Poets (or Sanjurokkasen). Another highlight of Tea, Poetry, and Rimpa is a
poem with calligraphy by Konoe Nobutada (1565-1614) who, with Koetsu and Shokado Shojo, was acclaimed one of the Three Brushes of the
Kan'ei Era.
Rimpa first emerged in the early 17th century, and traces its lineage to the paintings, lacquerware and book designs of Koetsu (1558-1637) and
Tawaraya Sotatsu (active ca. 1600 - 40). Displayed in Tea, Poetry, and Rimpa are paintings, prints, laquerware, ceramics and textiles by artists
who adopted the style and subject matter of Koetsu and Sotatsu, including Ogata Korin (1658-1716) and his brother Ogata Kenzan (1663-1743),
Sakai Hoitsu (1761-1828), Morimura Hogi (1805-1862), and Kamisaka Sekka (1866-1942). One spectacular Rimpa-style screen of Autumn
Flowers included in the exhibition was once in the collection of the Philadelphia artist Mary Cassatt.
Some of Hon'ami Koetsu's most remarkable creations are related to his love of tea and teabowls. Tea, Poetry, and Rimpa presents teabowls
made by the Raku family of potters, with whom Koetsu worked. Also showcased in the installation are other objects used in the Japanese tea
ceremony (chanoyu)--during which powdered green tea is prepared by a tea master in the company of guests--ranging from tea scoops and
kettles to lacquer incense containers and charcoal baskets.
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