login   password  artist portfolio  gallery portfolio  MYabsolutearts 
absolutearts.com
 
help   |  media kit   |  about us   |  services   |  contact  
  NEWEST TRENDS                .   SEARCH   .   BUY   .   JOIN   .   COLLECT   .   RESEARCH   .   READ  .   DISCUSS  
Indepth Arts News:

"Keiko Miyata || Silent Pop Violence"
2000-07-08 until 2000-08-05
97-99 Gallery
London, , UK United Kingdom

Initially a painter, Keiko Miyata began working with childrens toys when she was employed as a stuffed toy designer during her degree. From this grew a fascination with the conventions of childrens toys and their interaction with popular culture. The inspiration for her current work is diverse, ranging from more obvious globalised Japanese cultural icons, such as Pokemon and Tamagotchi, to drawings that children have sent into the magazine Shogaku 2 Nennsei, for which she writes a regular column.

Miyatas hybrid creatures vary in size and personality, from the saccharine, such as ‘super lucky’ & ‘super happy’, to her more menacing pokemon-esque series ‘age 3’. With Age 3 the Tamagotchi cyber-pet becomes no longer hyper-real and pocket-sized but demands attention, towering monster sized and saturated in colour. These ‘not so cuddly toys’, whilst negotiating an ultra-kitsch within a polemic also found in surrounding Koon’s work, also question gendering.  Her creatures are essentially asexual and reside neither in childishness nor within an adult (re-)construction of reminiscence.

Whether being surrounded by girliness is your idea of a worst nightmare or dreams come true, there is a sense in which an obvious association with the Playboy bunny-girl is negated. In the context of an exhibition these objects invert or remove all of the prosaic attributes of the “toy” defined as

1. an object designed to be played with,
2. something that is a non-functioning replica of something else,
3. any small thing of little value,
4. something small or miniature,
5. to play, fiddle, or flirt.

Miyatas creatures have travelled widely in Japan, including Tokyo Pop at Hiratsuka Museum of Art, and A*MUSE*LAND (sic)  at the Hokkaido Museum of Art, but this will be their first trip outside Japan. For Silent Pop Violence the gallery will be taken over by an array of Miyatas creatures, the focal being a bear and a rabbit, both currently age 3.

Whatever your take on game playing is, the characters of Miyata’s in the show at 97-99, beg the question as to what extent toys R  us...


Related Links:


 
Syncretism : Steven Rehfeld and Guy Clement Cohen - Art People Gallery


Work by John Powell Selected for Through the Eyes of Love Exhibition - ArtCenter of South Florida - Miami Beach Community Health Center


Once Upon a Graffiti by Helene Mukhtar - Ion Studio


Corporeal Dream : A Solo Exhibition by Lie Fhung - SIGIarts


Call for Artists : Proposals for Public Art Project - Southern Alberta Art Gallery


Call for Artists : Community Arts Initiative - The Artist Project - Museum of Fine Art Boston


Alexis Harding : Bi-product Depositories - Mummery + Schnelle Gallery


der PROZESS : hunchentoot goes out 2 - Enda Odonoghue to Take Part - hunchentoot Galerie


INTIMACY AND DESECRATION : The Body, Gender and Identity - CACT - centro d'arte contemporanea ticino


Mark Edward Harris : The Art of the Japanese Bath - Kopeikin Gallery


 

indepth arts search:     
 
Free Arts News Subscription | Browse the Arts | Artist Portfolios | International Arts News | Arts News Archive | Privacy Policy