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Indepth Arts News:

"RECENT ACQUISITIONS OF CONTEMPORARY ART 1997 TO 2000"
2000-08-16 until 2000-10-08
Winnipeg Art Gallery
Winnipeg, MB, CA Canada

Every year, many exciting works of art are added to The Winnipeg Art Gallery’s collection. This exhibition includes a selection of contemporary works that have entered the collection since 1997. Most of them have been generously donated by private collectors and artists.

The Winnipeg Art Gallery also purchases contemporary art. Many of these acquisitions are made with the assistance of the Canada Council for the Arts Acquisitions Assistance Program, which assists in the purchase of major contemporary Canadian art which meets the Canada Council’s criteria. Trudy Golley’s Empyreal Cadence, 1996, and Murray Favro’s Snow on Steps, 1994, falls into this category. Steve Gouthro’s Building, 1990, is being purchased through the President’s Appeal 2000, a special fundraising campaign designated for the purchase of three major works by contemporary Manitoba artists. The other two works, House of Tea, 1997-1998, by Esther Warkov, and Sandy Bay, 1998-99, by Robert Houle, will be exhibited at the National Gallery of Canada over the summer.

Many factors and individuals play a role in deciding what becomes part of a public gallery’s collection. Consideration is given to the work of art’s provenance—its aesthetic value, its condition, and its history of ownership and exhibition.

Another important factor is its relevance to the collection. Based on existing strengths in the collection and its collecting mandate, a gallery may only acquire certain types of art. Some galleries might only collect the art of a particular people (Inuit art), or works in only one media (ceramics), or even the work of one artist, for example, the Andy Warhol Museum in Pittsburgh. The WAG’s mandate, on the other hand, is far reaching, encompassing historical, contemporary, decorative, Inuit, and photographic work by Manitoba, Canadian, and international artists.

Frequently a work is accepted because it directly relates to other works in the collection. For example, a gallery may have something from one period of an artist’s career, but not from another. This is the case with Paterson Ewen’s Untitled (Amsterdam) c.1961, a recent donation from Kenneth James Hughes, Winnipeg. This exceptional and rarely seen early work from Ewen’s Montreal period complements his other work in the collection Untitled (Iceberg), which dates from 1974.

This exhibition will provide an opportunity to see other recently acquired works by Manitoba, Canadian, and international artists including Karl Beveridge and Carol Conde, Aganetha Dyck, Arthur Mackay, Jack Shadbolt, Doug Walker, and Andy Warhol. Text panels about the acquisition process and informative labels for individual works will explain how a collection is built one piece at a time.

This exhibition is sponsored by the Volunteer Committee to The Winnipeg Art Gallery.

James Patten
Curator, Contemporary Art and Photography


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