![]() |
| ||
| NEWEST TRENDS . SEARCH . BUY . JOIN . COLLECT . RESEARCH . READ . DISCUSS | |||
|
Indepth Arts News: "Open House Celebration to Inaugurate Large-Scale Work in Fluorescent Light by Dan Flavin" 2000-10-07 until 2000-10-08 Chinati Foundation Marfa, TX, USA United States of America
The Chinati Foundation is pleased to announce the inauguration of a new permanent
installation in colored fluorescent light by Dan Flavin. The event will be the highlight of the
museum's annual Open House celebration on October 7 and 8. Occupying six former army
barracks, Dan Flavin's untitled (Marfa project) will be the artist's largest work and a
monumental example of his site-specific installations. Originally commissioned by the Dia
Art Foundation in the early 1980s, Flavin's Marfa project explores on a grand scale the use
of colored light in space. The work stands as a pinnacle in the distinguished career of one
of the most innovative artists of the twentieth century. Flavin began the plans for the Marfa
project in 1981, he later completed the design for the installation six months before his
death in November of 1996.
Artist Donald Judd (1928-1994) founded the Chinati Foundation, an independent
museum for contemporary art in far West Texas, in 1986. Chinati's mission is to present
and preserve installations of large-scale artworks or large groups of work permanently, in a
natural situation, and according to the artists' directives. The permanent collection is
exhibited at the former army Fort D.A. Russell, and includes works by Carl Andre, Ingólfur
Arnarsson, John Chamberlain, Donald Judd, Ilya Kabakov, Barnett Newman, Claes
Oldenburg and Coosje van Bruggen, David Rabinowitch, and John Wesley. The addition
of Dan Flavin's work to the permanent collection fulfills one of Judd's original goals for the
museum.
Dan Flavin, untitled (Marfa project)
The six buildings at Chinati incorporate four colors: pink, green, blue, and yellow; the first
two buildings feature pink and green; the next two, yellow and blue; and the last two
buildings bring all four colors together. Daylight penetrates only through two windows at
the end of each long arm of the U, permitting a view out onto the vast West Texas
landscape. The Marfa project is a culmination of Flavin's subtle yet spectacular use of color
and light in relation to specific architectural situations.
|
|
|
|
|
|
|
|
||