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Indepth Arts News: "Winslow Homer: The Civil War Years and Winslow Homer: The Gloucester Years (Focus Gallery 3) " 2000-12-02 until 2001-03-04 Columbia Museum of Art Columbia, SC, USA
Newspaper illustrations at the time were using an improved method of
woodblock reproduction know as wood engraving. Using the end grain of boxwood, the illustrator could draw finer lines than the traditional,
clumsier wood block. Homer, at first, drew either directly on the block or work closely with the engraver (some twenty different engravers have
been identified) in the early days. On the front lines during the war, he sent in sketches, which were faithfully engraved in New York at Harper's Weekly
Once the war was over, his interest turned to watercolors and oils. The
major exception was the Gloucester series in 1873 and 1874. In a final series for Harper's Weekly he produced twenty-two genre scenes
including Snap-the-Whip. There has been some discussion over the years among scholars as to whether these are by Winslow Homer or
after Winslow Homer. Current thinking places them in the former, rather than the latter category, and as such are legitimate works of art
by a prominent American artist. As Homer matured and refined his style and technique, the engravings became better artistically and as a result,
the later prints are more appealing than the earlier efforts.
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Painterly Photographs: The Raymond E. Kassar Collection Call to Artists: Mish, Mosh and More LIGHT x EIGHT: THE HANUKKAH PROJECT 2000 Hannah Barrett and Henry Samelson Picturing the Past: Piranesi to Pearlstein Carsten Hoeller: Synchro System PETER FISCHLI, DAVID WEISS: Visible World, Suddenly this Overview, Big Questions – Small Questions der körpererfüllte Raum fort und fort : the body-filled space goes on and on Humanity Refigured: Henry Moore and Postwar British Sculpture Fabric of Enchantment: Indonesian Batik from the North Coast of Java Close-Ups: Prints and Drawings by PUDLO PUDLAT Indivisible: Stories of American Community William Merritt Chase: Modern American Landscapes, 1886–1890 Anarrations: Anneke A. de Boer, Fow Pyng Hu, Gabriel Lester, Pia Wergius OUT OF AFRICA: Sub-Saharan Traditional Arts Still Life Paintings from the Collection Night: Chris Faust and Mike Lynch THE BEAUTY OF JAPAN PHOTOGRAPHED Call to Artists: Invitation to take part in the EMAF 2001 with artworks and projects Sound Installation by Emilia Telese & Tim Mark Didymus Surprise - A Christmas Exhibition Women In Photography International Creates Millennium Archive Richard Nagler Photography Competition for 2000 |
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