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Indepth Arts News: "46th Biennial Exhibition: Media/Metaphor" 2000-12-09 until 2001-03-05 Corcoran Gallery of Art Washington, DC, USA
Media/Metaphor features new experiments by fifteen artists
who live and work in the United States: Shimon Attie, Victor
Burgin, Y. David Chung, Chuck Close, Sharon Daniel, Nan
Goldin, Gary Hill, Vik Muniz, David Reed, Michal Rovner, Ben
Sakoguchi, Lorna Simpson, Jennifer Steinkamp and Jimmy
Johnson, and Lisa Yuskavage. Their work examines a variety of
questions about how we see and construct our world from all
the information we receive. How do the fundamental changes in
how we live and communicate affect our perceptions,
relationships, and actionsNULL What role does technology play in
refocusing and reshaping our ideasNULL How do new forms of
expression emerge from traditions and how is our culture and
the art it engenders affected by themNULL
From its inception in 1907, almost one hundred years ago, the
Corcorans Biennial Exhibition has presented contemporary
American painting, emphasizing its importance as a creative
process within the context of American visual culture. In its
previous forty-five installments the exhibition has examined this
one expressive medium as it evolved through a century of
explosive scientific, technological, and cultural growth. At the
dawn of a new era the themes of the exhibition have been
redrawn, to look at the art of our time at this key transitional
moment.
Each of the artists in Media/Metaphor looks to the traditions
and language of art, building upon conventions to investigate
their interests in groundbreaking ways. They use a variety of
tools: paintbrushes, photographs, cameras, video, computers,
imaging software, digital printers, and the Internet. Ideas and
direction from one medium influence the others, meshing
fluidly at times and colliding at others.
Each of these artists confronts and refers to artistic traditions in
a variety of ways. In doing so, they create new models that
extend the meaning of painting, photography, and photo-based
media into alternate spheres. Historic forms, such as the
photographic daguerreotype, merge here with contemporary
paintings, cinema-size multi-channel video projections, and the
Internet to speak about the intricate relationships between
traditional and contemporary media.
-Philip Brookman IMAGE:
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Painterly Photographs: The Raymond E. Kassar Collection Call to Artists: Mish, Mosh and More LIGHT x EIGHT: THE HANUKKAH PROJECT 2000 Hannah Barrett and Henry Samelson Picturing the Past: Piranesi to Pearlstein Carsten Hoeller: Synchro System PETER FISCHLI, DAVID WEISS: Visible World, Suddenly this Overview, Big Questions – Small Questions der körpererfüllte Raum fort und fort : the body-filled space goes on and on Humanity Refigured: Henry Moore and Postwar British Sculpture Fabric of Enchantment: Indonesian Batik from the North Coast of Java Close-Ups: Prints and Drawings by PUDLO PUDLAT Indivisible: Stories of American Community William Merritt Chase: Modern American Landscapes, 1886–1890 Anarrations: Anneke A. de Boer, Fow Pyng Hu, Gabriel Lester, Pia Wergius OUT OF AFRICA: Sub-Saharan Traditional Arts Still Life Paintings from the Collection Night: Chris Faust and Mike Lynch THE BEAUTY OF JAPAN PHOTOGRAPHED Call to Artists: Invitation to take part in the EMAF 2001 with artworks and projects Sound Installation by Emilia Telese & Tim Mark Didymus Surprise - A Christmas Exhibition Women In Photography International Creates Millennium Archive Richard Nagler Photography Competition for 2000 |
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