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Indepth Arts News: "Brad Kahlhamer: Almost American" 2000-12-03 until 2001-02-11 Madison Art Center Madison, WI, USA United States of America
Kahlhamer paints monumental images of grand American landscapes.
Challenging this tradition of realism with powerfully loose brushstrokes and
high-keyed colors, he conjures up the visionary tradition of Native American
art. At the same time, his work recalls the street-inspired work of Jean-Michel
Basquiat and the vibrant color of German expressionists like Emil Nolde.
Central to Kahlhamer's work is his compelling biography. Born in Tucson,
Arizona in 1956, he was put up for adoption, an experience shared by many
American Indian children of his generation. Adopted by a German-American
family, he grew up without knowledge of his tribal affiliation. His art centers
on his displaced Native American identity filtered through his
experience as a member of a middle-class white family. After earning a BFA
from the University of Wisconsin-Oshkosh in 1980, Kahlhamer toured with a
rock band and designed product packaging for Topps Chewing Gum-life
experiences which continue to inform his work. Popular culture references and a
recurring cast of characters, surrogates for the artist and those close to him,
populate the expressionistic landscapes, relating narratives that join personal
experiences and Native American history.
Brad Kahlhamer: Almost American is co-organized by the Aspen Art Museum
and the Madison Art Center. Major funding for the project and its Madison
presentation was provided by a grant from the Ameritech Foundation; a grant
from the Dane County Cultural Affairs Commission with additional funds from
the Madison Community Foundation and the Overture Foundation; The Art
League of the Madison Art Center; the Exhibition Initiative Fund; the Madison
Art Center's 2000-2001 Sustaining Benefactors; and a grant from the Wisconsin
Arts Board with funds from the State of Wisconsin. The Aspen Art Museum
presentation is sponsored by the AAM National Council, with additional
support provided by Nancy and Robert Magoon.
IMAGE:
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Painterly Photographs: The Raymond E. Kassar Collection Call to Artists: Mish, Mosh and More LIGHT x EIGHT: THE HANUKKAH PROJECT 2000 Hannah Barrett and Henry Samelson Picturing the Past: Piranesi to Pearlstein Carsten Hoeller: Synchro System PETER FISCHLI, DAVID WEISS: Visible World, Suddenly this Overview, Big Questions – Small Questions der körpererfüllte Raum fort und fort : the body-filled space goes on and on Humanity Refigured: Henry Moore and Postwar British Sculpture Fabric of Enchantment: Indonesian Batik from the North Coast of Java Close-Ups: Prints and Drawings by PUDLO PUDLAT Indivisible: Stories of American Community William Merritt Chase: Modern American Landscapes, 1886–1890 Anarrations: Anneke A. de Boer, Fow Pyng Hu, Gabriel Lester, Pia Wergius OUT OF AFRICA: Sub-Saharan Traditional Arts Still Life Paintings from the Collection Night: Chris Faust and Mike Lynch THE BEAUTY OF JAPAN PHOTOGRAPHED Call to Artists: Invitation to take part in the EMAF 2001 with artworks and projects Sound Installation by Emilia Telese & Tim Mark Didymus Surprise - A Christmas Exhibition Women In Photography International Creates Millennium Archive Richard Nagler Photography Competition for 2000 |
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