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Indepth Arts News: "Manfred Pernice" 2000-12-17 until 2001-02-11 Witte de With Center for Contemportary Art Rotterdam, , NL
The sculptures are constructed from simple materials like wood and chipboard and
consist of composite forms of boxes and containers. They function as an installation
which the viewer can walk through but also serve as pedestals or columns on which
posters or photographs, newspaper reports, videos and light flashes find a place.
The drawings and models preceding the installations which fill the space are often
parts of the whole. Although Pernice takes great pains to integrate his installations
with the space, his work can not be called site specific. The installations are
composed long before they are shown in a specific space. Yet they do not have a
definite character; the strength of the installations is on the contrary to be found in
the unfinished state of the works. They contribute to a process in which each work
has its own place. Some of the works - the larger ones in particular - can be adapted
time and again to fit each space and to evoke a new experience.
The exhibition in Witte de With incorporates three large installations. 1a-Dosenfeld
'00 (2000), which could recently be seen in a solo exhibition of Pernice's work in the
Kunsthalle Zürich, is spread out in the various rooms with its combination of low
columns and containers. Bad, bath (1999) which was shown earlier in the Anton
Kern Gallery in New York for which it was originally produced, takes on a new
appearance in Witte de With's specific exhibition rooms. 109 (1998) is reconstructed
and supplemented with new elements for the exhibition. In Witte de With the works
are presented within the theme of the harbor. The desolate atmosphere
characterizing that area is enhanced by the many container-works selected by
Pernice, such as Bell II (1998) and Block (1997). One work in the exhibition forms a
beacon in the vast container landscape. O. Dose (2000), realized very recently, was
situated on a roundabout in Hamburg until a short while ago. The heavy sculpture
which gives out a light flash provided the viewers with a place to return to time and
again.
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Painterly Photographs: The Raymond E. Kassar Collection Call to Artists: Mish, Mosh and More LIGHT x EIGHT: THE HANUKKAH PROJECT 2000 Hannah Barrett and Henry Samelson Picturing the Past: Piranesi to Pearlstein Carsten Hoeller: Synchro System PETER FISCHLI, DAVID WEISS: Visible World, Suddenly this Overview, Big Questions – Small Questions der körpererfüllte Raum fort und fort : the body-filled space goes on and on Humanity Refigured: Henry Moore and Postwar British Sculpture Fabric of Enchantment: Indonesian Batik from the North Coast of Java Close-Ups: Prints and Drawings by PUDLO PUDLAT Indivisible: Stories of American Community William Merritt Chase: Modern American Landscapes, 1886–1890 Anarrations: Anneke A. de Boer, Fow Pyng Hu, Gabriel Lester, Pia Wergius OUT OF AFRICA: Sub-Saharan Traditional Arts Still Life Paintings from the Collection Night: Chris Faust and Mike Lynch THE BEAUTY OF JAPAN PHOTOGRAPHED Call to Artists: Invitation to take part in the EMAF 2001 with artworks and projects Sound Installation by Emilia Telese & Tim Mark Didymus Surprise - A Christmas Exhibition Women In Photography International Creates Millennium Archive Richard Nagler Photography Competition for 2000 |
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