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Indepth Arts News: "Washington Project for the ArtsCorcoran presents an Extended Evening of Video Viewing" 2001-01-17 until 2001-01-17 Corcoran Gallery of Art Washington, DC, USA
WPAC in cooperation with Goethe-Institut Washington presents video work from around the globe- a selection of video works by artists participating in WPAC's Video Call, works by young German video artists as organized by the Halle für Kunst Lüneburg, and in light of the upcoming Inauguration in Washington, DC, special screenings of Antonio Muntadas' Political Advertisement 2000 and Johan Grimonprez's Dial H.I.S.T.O.R.Y - videos that explore the role of media throughout the final three decades of the 20th century in shaping public opinion.
WHERE
DATE
TIME
RSVP THE PROGRAM
I. With Special Introductory Presentation: 6:00pm - 7:00pm
Political Advertisement 2000, Antonio Muntadas, 60 minute video
edited by Muntadas and Marshall Reese
Political Advertisement, now in its sixteenth year, depicts the styles and evolution of political spots over the past half century. Muntadas and Reese have created a rare and spellbinding media topology. The result according to curator Christopher Phillips, is simultaneously hilarious and chilling.
II. A Selection of Video Works from WPAC's Video Call 2000: 7:00pm - 8:00pm
Shibboleth, 2000
Lake, 2000
I Don't Know How to Love Him, 1999
AD Vice, 1999
Ordinary Eternal Machinery, 1999
Survival Skills
III. SURFACE / SURPLUS
A Presentation of Video Works by Young Artists Selected by Heike Munder, Halle für Kunst Lüneburg, Germany: 8:00pm - 9:00pm
Rodeo, 2000
Leidenschaften/Passions, 1996
I Closed My Eyes, 1997
Melting Away, 1997
Telemistica, 1999
Jewels, 1997
No Sunshine, 1997
CNN-Question and Answer, 1997
Different Games, 1999
INTERMISSION
IV. Special Closing Presentation: 9:15pm - 10:30pm
Dial H.I.S.T.O.R.Y, Johan Grimonprez, 1995-97
68 minute video
Premiered at Dokumenta X, Grimonprez presents a video-film chronology of airline highjackings around the world. The fictional narrative soundtrack is inspired by Don DeLillo's novels White Noise and Mao II which the artist regards as highlighting the value of the spectacular in a catastrophic culture. The powerful work combines photographs, digital images, news, reports, clips from science fiction movies, and other found footage to denounce the media's obsession with disaster and investigate how the media shapes reality and history. Grimonprez says that he wants to detect the impact of images on our feelings, our knowledge and memory.
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