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"Surrounding Interiors: Views Inside the Car"
2002-02-21 until 2002-06-09
Davis Museum and Cultural Center
A place both personal and anonymous, private and public, hermetic and permeable, the interior
of the car is the subject of Surrounding Interiors: Views Inside the Car. Like the mind, the car interior is a control center of sorts, a center of psychic and social activity that frames a
particular view of the world outside, occasionally offering the outsider glimpses within, notes Judith Hoos Fox,
curator at the Davis Museum and Cultural Center (DMCC) and exhibition organizer. Substantial portions of our
lives along with significant moments occur while we're in cars. The experience of being inside a car has not
been the subject of an exhibition until now.
This exhibition features 24 works by 17 contemporary artists in photography, video, sculpture, painting and
multi-media who explore the mutable nature of the car interior. Works by artists Andrew Bush, Nan Goldin and
Alex Harris (photography); Sophie Calle and Cate Snook (video); Dan Devine, Edward and Nancy Reddin Kienholz,
Theophilus Nii Anum Sowah, Andrea Zittel (sculpture); Blake Rayne and James Rosenquist (painting), and Peter
Cain, Patrick Killoran, Lorna Simpson and Daniel Storto (multi-media) are included. Some of the works have been
created from the artist's perspective of being inside the car, sharing space and experience with their subject;
other artists act as voyeurs into this private but vulnerable interior. Blake Rayne's paintings Autumn Drive Part
I and II convey the blank quality of the car interior while Cate Snook's video installations take the viewer to a
territory that questions the boundaries between inner vision and outer reality.
Sculptor Andrea Zittel's escape vehicles, customized to their owner's specifications, resemble small trailers.
Viewed in the living rooms of their owners these works encapsulatethe feeling of personal sanctuary found in a
car. The handbuilt coffins of Ghanianculptor Theophilus Nii Anum Sowah relate the association of the car with
status and death. In Ghana handbuilt replicas of cars have become popular as coffins in a recent tradition that
celebrates the deceased by burying them in a cherished object.
Andrew Bush's photographs pierce the protective shield drivers and passengers feel as they drive, deep in
reverie and unaware of being observed. A video projection created by Bush will premier at the exhibition.
Sophie Calle presents an unglamorized version of romance in her video Double Blind, made with ex-groom Greg
Shephard documenting their trip across the U.S., complete with their wedding in a drive-through chapel.
An exhibition catalogue has been produced by 2wiceVisualCulturalDocument, a semi-annual interdisciplinary
arts journal published by the 2wice Arts Foundation. J. Abbott Miller is editor and designer of 2wice.
Contributors to the catalogue offer unique perspectives on our intimate connection to the automotive interior.
The catalogue presents essays by DMCC Curators Judith H. Fox and Lucy Flint-Gohlke, Rock and Roll writer Greil
Marcus, Film historian Paul Arthur, Automotive expert Phil Patton, Essayist Tobi Tobias, Art editor David Frankel,
Professor of Visual Studies Giuliana Bruno, Editor/Designer J. Abbott Miller, Photographer Andrew Bush,
Cinematographer Adam Bartos and Writer and Editor James Wolcott.
May 28, 1998, Jorge
Alberto Roja's 1951 Plymouth,
of Haban Vieja Street (calle Sol y
Cuba) Facing North, 1998.
print, 47 x 59 inches.
Gift of the
From the exhibition
Surrounding Interiors: Views Inside