login   password  artist portfolio  gallery portfolio  MYabsolutearts 
absolutearts.com
 
help   |  media kit   |  about us   |  services   |  contact  
  NEWEST TRENDS                .   SEARCH   .   BUY   .   JOIN   .   COLLECT   .   RESEARCH   .   READ  .   DISCUSS  
Indepth Arts News:

"Soundwork 4.0: Craigie Horsfield in Collaboration with Camille Dings, Reinier Rietveld, Mark Ritsema and Rutger Wolfson "
2002-03-17 until 2002-05-12
De Vleeshal
Middelburg, , NL Netherlands

Soundwork 4.0 is a four hour long sound installation, consisting of eight audio channels (stereo is two channels). The especially composed and recorded sound material moves through the space of De Vleeshal's Gothic architecture over eight loudspeakers.

Soundwork 4.0 is made by a collective, consisting of Camille Dings, Craigie Horsfield, Reinier Rietveld, Mark Ritsema and Rutger Wolfson. It is the fourth soundwork in a series, the first of which was executed in Württembergischer Kunstverein in Stuttgart in 1999. At that time, Horsfield was known for his photographic work, his participation in socially engaged projects (La ciutat de la gent, Fondacio Antoní Tapies, 1995-1996 and Rotterdam project , Witte de With, 1998), and the development of theories of relation, conversation and slow time. For the Stuttgart project, however, Horsfield invited sound technicians and musicians Dings and Rietveld, musician and composer Ritsema and musician and curator Wolfson - who have all played together in bands - to join him in creating a soundwork. The Stuttgart sound installation was Horsfield’s first sound piece since his pioneering work with sound of the 1970’s. Since Stuttgart, the same collective has constructed sound works in the Ravenstijn Galerij (2000), and at the Frith Street Gallery in London (2001).

Because of its length, it is almost impossible, physically, to experience Soundwork 4.0 in one visit. In its development of an architecture of sound and its attention to the social condition of space, Soundwork 4.0 can also be thought of more as a sound environment, rather than a soundwork. It is an environment to return to again and again; a place where time seems to slow down and things can simply be, without having to justify their existence. Although Soundwork 4.0 appears to add nothing visual to De Vleeshal, it does provoke questions concerning the idea of the museum and changing society.


Related Links:


 
Jeff Ramirez : This is the life - These are the real things - Cella Gallery


Call for Artists : LIQUID CITIES - International Video Art Limousine Festival . London, April 2010 - International ArtExpo


Rita Kashap Homage to Friedrich S. - Galerie Vinogrado


Romance, Passion, Eroticism : The Art of Love to Feature Work by Walter King - Galleria Evangelia


The Thoughts Series by D. Lammie-Hanson - Big Top Art Gallery


Call for Artists : Seeking 300 Glass Pieces - Saco Msueum


EDGE OF INDONESIA - Edge Gallery


Suzi Evalenko - What Mattered Most : A Life in Art and Letters - First Street Gallery


Wayne Quilliam : Photography in Context of Indiginous Australian Culture - Art Place Berlin - The Forum for Contemporary Art and Intercultural Project at Park Inn


Tim Etchells : A Solo Exhibition - Gasworks Gallery


Alberto Giacomett i: Woman with Chariot. Triumph and Death - Stiftung Wilhelm Lehmbruck Museum


Street Seen : The Psychological Gesture in American Photography, 1940-1959 - Milwaukee Art Museum


Tino Sehgal - Guggenheim Museum


Donnie 2010 : Contest and Exhibit - Karin Kuhlmann Earns Honorable Metion - MOCA, the Museum of Computer Art


 

indepth arts search:     
 
Free Arts News Subscription | Browse the Arts | Artist Portfolios | International Arts News | Arts News Archive | Privacy Policy