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Indepth Arts News: "EXODUS: between promise and fulfilment" 2003-06-22 until 2003-08-03 Kettle's Yard Gallery, University of Cambridge Cambridge, , UK United Kingdom
Photographs from the Ordnance Survey of the Peninsula of Sinai 1869 by Sgt.
James McDonald (1822-1885)
David Austen
Sgt.McDonald returned with over a hundred albumen print plates. They record
the purported sites of the Burning Bush and Ten Commandments and include
images of the large tablets or stele’s with Egyptian inscriptions that lay
strewn across the area and several panoramas showing the vertiginous scale
and bleakness of the barren desert landscape. Despite their historical,
factual function, Sgt McDonald’s photographs are full of paradoxes: they
represent a land of ‘recorded visions’, a space where heaven and earth meet
and the dynamic that exists between the immediate and the remote -the
promise and its fulfilment- is brought to bear on the field of
representation. ‘Exodus’ will include thirty of these photographs and the
work of seven contemporary artists.
The artists included here are not, however, necessarily acknowledging Sgt.
McDonald’s work; nor, giving their widely divergent working practices, were
they expected to. They were chosen because of certain shared affinities with
these photographs: an interest, for example, in the tension between the
abstractions of space and the specifities of place; the physical act of
delineating boundries - whether pictorial or literal; and, crucially, the
manner in which they reconceptualise Sgt. McDonald’s depictions of a
fluctuating site of representation and the space between the promise of
representation and its fulfilment. IMAGE:
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