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Indepth Arts News: "VULNERABLE: Peter Liashkov, Susan Rankaitis" 2004-08-05 until 2004-09-25 ANDLAB Los Angeles, CA, USA United States of America
Liashkov's large scale, iconic nudes are executed in charcoal, crayon, acrylic, pastel, oil, and metallic powders and pigments on a surface called Synskin. The vellum-like translucent fiberglass has flesh-like properties that are especially well suited to the artist's purpose. Working from live models, Liashkov's paintings evoke the universal
condition of fragility through his depiction of the particular--the facial expressions, body language, and ethereal spaces occupied by his figures. In a piece entitled, Arm, 2004, the addition of a plastic prosthetic arm creates further tension between natural flesh and manufactured limb.
Rankaitis's intricately layered montages begin with up to 100 exposed negatives on light sensitive photographic paper. Her creative, alchemical processes include drawing, painting, photography, and collage, as well as bleaching, tinting, and staining. The artist's engagement with "shifting questions from information systems" result in complex works that combine imagery drawn from a wide range of sources. These include landscapes, technology, and diagrams and symbols describing scientific principles. Among Rankaitis's work in the current show is a study for a project exploring different forms of vulnerability in the brain, and her sculpture, Rocket Lure, 1990.
Both Rankaitis and Liashkov have taught art for many years. Rankaitis holds the endowed Fletcher Jones Chair in Art at Scripps College in Claremont; Liashkov has instructed students at Art Center College of Design in Pasadena for more than 25 years. This show marks the first time these artists have exhibited together since 1985, when they participated in a three-artist show at the University of Southern California's Fisher Gallery.
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