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Indepth Arts News: "Promised Land: Bonita Alice" 2005-04-19 until 2005-05-08 NSA Gallery Durban, , ZA South Africa
The work describes our heightened need for a personal heaven - known or unknown - as a means to hold safe, that which may otherwise be light enough to float away - life and memory. In a series of mostly sculptural works, ash, wool dust, velvet and antique furniture combine eccentrically in often prosaic and familiar configurations. Dust is reconstituted in drawings and ash enclosed and contained in paper and velvet. A silhouetted tree-scape falling across a line of nostalgic washboards blocks (or fulfills) the vision that lives on for us no matter how persistently our need to see it is frustrated. The forms and surfaces are lush and mysterious. They are white rather than black, and insist that death is a well! -deserved end to the efforts of life - even proposing the necessity for an award. It denies us our own stubborn denial of transience.
The work feels like a consolidation of this artist's earlier tendencies to re-engage traditional processes - esp. wood-carving and oil painting - but here it is untethered and oxygenated. As a result, the viewing of the new work is likely to feel more easily rewarding and probably surprisingly entertaining. Without relinquishing the characteristic restraint of previous works, Alice explores the possibilities of scale; vertically, in a neck-craning tower of plush and teetering 3m stack of chairs, and, horizontally, in a 9 metre strip of painted canvas.
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