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Indepth Arts News: "Masters of American Comics" 2005-11-20 until 2006-03-12 UCLA Hammer Museum Museum of Contemporary Art at Los Angeles (MOCA) Los Angeles, CA, USA United States of America
Following its Los Angeles debut, the exhibition travels to the
Milwaukee Art Museum (April 27 - August 13, 2006) and The Jewish Museum,
New York, and the Newark Museum, New Jersey (September 15, 2006 - January
28, 2007).
Unprecedented in its scope, the exhibition provides understanding and
insight into the medium of comics as an art form. The work in Masters of
American Comics will be organized chronologically to be on view
simultaneously at both Los Angeles institutions. Special admission offers
and shared membership benefits will be available during the run of the
exhibition.
"Among the most innovative and influential art forms of the 20th
century, comics have made a singular impact on visual culture that
continues to this day," said MOCA Director Jeremy Strick. "This museum
partnership underscores the importance of the art form and the
extraordinary contributions of these 15 artists."
Comic strips and comic books were among the most popular and influential
forms of mass media in the 20th century, and have been described as "one
of America's few indigenous art forms" by Art Spiegelman. These 15 comic
art masters defined an original form and raised it to the highest levels
of artistic expression, reflecting on American culture with critical
insight as well as popular appeal.
"Comic strips and comic books are quintessential components of American
culture," said Hammer Director Ann Philbin. "We are very pleased to
present an extensive exhibition that brings to light the work of these 15
cartoonists and establishes their roles as significant American artists
with mesmerizing storytelling abilities, brilliant draftsmanship, and
often biting social commentary."
EXHIBITION
Masters of American Comics is the first art museum exhibition to
examine comic strips and books on this expansive scale, with over 900
objects on view at the two institutions. Each artist is represented by
in-depth groupings presented as a series of individual retrospectives
featuring a range of each artist’s works from conceptual sketches and
finished drawings to printer’s proofs, tear sheets, printed newspapers,
comic books, and graphic novels. The exhibition environment and display
cases are specifically designed by Chu + Gooding Architects, unifying the
presentations at both museums, and highlighting the individual
contributions of the artists and the ways in which they reinvented the
medium to significantly influence their peers and subsequent generations.
Comic strips from the first half of the 20th century will be shown at the
Hammer Museum in Westwood, and comic books from the 1940s onward will be
featured at MOCA in Downtown Los Angeles. At the Hammer, the exhibition
traces the beginnings of American newspaper comic strips through the
influential work of such pioneering comic artists as Winsor McCay (Little
Nemo in Slumberland) and George Herriman (Krazy Kat), who set the stage by
defining the formal attributes of the genre in the early 1900s. Focusing
on the great achievements of this new art form through the century’s first
decades, the Hammer’s presentation also includes the groundbreaking work
of Lyonel Feininger (The Kin-der-Kids and Wee Willie Winkie’s World), E.C.
Segar (Thimble Theatre), Frank King (Gasoline Alley), Chester Gould (Dick
Tracy), Milton Caniff (Terry and the Pirates), and Charles M. Schulz
(Peanuts).
At MOCA, the second part of the exhibition will consider comic books
from the early Golden Age to the rise of the independent comics movement.
Comic books began as a form in which newspaper comics were reprinted and,
with the rise of such series as Will Eisner’s The Spirit and Jack Kirby’s
Captain America and Fantastic Four, became the dominant popular medium for
narrative illustration. In addition to Kirby, particular attention is also
paid to Harvey Kurtzman, whose MAD Magazine transformed the medium into
one capable of great artistic expression and social commentary beginning
in the early 1950s. By the mid-1960s, R. Crumb’s work in Zap Comix added a
new level of personal expression and extended the significant role of
independent and underground comic books and graphic novels. This medium
continues to evolve today through the innovations of such artists as Art
Spiegelman (Maus, and In the Shadow of No Towers), Gary Panter (Jimbo),
and Chris Ware (Jimmy Corrigan: The Smartest Kid on Earth).
IMAGE
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The history of one of America's great popular art forms is traced in the
landmark exhibition Masters of American Comics, co-organized by the Hammer
Museum and The Museum of Contemporary Art, Los Angeles (MOCA) and on view
simultaneously at both museums November 20, 2005 through March 12, 2006.
It is the first major museum exhibition to examine the development of
comic strips and books from their genesis at the beginning of the 20th
century to the present through in-depth presentations of 15 influential
artists. Masters of American Comics features a staggering 900 sketches,
drawings, proofs, newspaper Sunday pages, and comic books by Winsor McCay,
Lyonel Feininger, George Herriman, E.C. Segar, Frank King, Chester Gould,
Milton Caniff, Charles M. Schulz, Will Eisner, Jack Kirby, Harvey
Kurtzman, R. Crumb, Art Spiegelman, Gary Panter, and Chris Ware.
