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Indepth Arts News: "Parallel Dimension: Elizabeth Zvonar" 2007-08-01 until 2007-09-01 Artspeak Vancouver, BC, CA
Parallel Dimension approaches the instability of perceptual experience. Working with a glass bender, Zvonar will replace one of Artspeak's storefront windows with a distorted duplicate. The installation will be on display round-the-clock for the month of August while the gallery is closed. The distortion created by Zvonar's window will highlight and challenge the audience's expectations of art-viewing, window-shopping and pedestrian browsing. The bowing of the window and the resulting distortion in both its transparency and reflection (in contrast to the expectation of the window as a stiff and straightforward material) suggests the warping of reality. This warping can be specifically linked to cinema and television and the inevitable caricaturization of "reality," but can also extend to local social realities. The title evokes a quasi-futuristic universe, yet hinges on an antiquated notion of that future. In its focus on the experience of looking and its disruption of the expected, Zvonar's Parallel Dimension open-endedly questions perceptual constructions and accepted knowledge.
Elizabeth Zvonar is a Vancouver based artist. Since graduating from Emily Carr Institute in 2001, her work has been shown in local, national and international exhibitions, including at the Contemporary Art Gallery, Vancouver; Cohan and Leslie Gallery, New York; Western Front Gallery; Vancouver; Queensland University of Technology; Brisbane; Geisai, Tokyo; and Consolidated Works, Seattle, amongst others.
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Investigating perception and the abstract aspects of knowledge, Elizabeth Zvonar's practice is rooted in the experiential. Whether weighing in on the meaning of luck (good and bad), examining utopic and futuristic impulses (in the forms and symbols of yogic practices or within the nostalgia of youth and music cultures), her work troubles the distinctions between belief and so-called truth. Recently, Zvonar has been working with mirrors, glass and reflection in her consideration of perception and experience. Her paired mirrors create infinite reflections that both incite notions of the future as well as a slippage into the past. These reflective works provide a context for her most recent project at Artspeak.
