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Indepth Arts News: "Tomoko Yoneda - An End is A Beginning" 2008-09-12 until 2008-11-30 Hara Museum of Contemporary Art Tokyo, , JP
As a photographer, Yoneda is loyal to photography as a medium for observing and recording a subject. In her continuing series Scene (1998-), the photographs she takes are seemingly of mountains, beaches and urban scenes. These sites, however, are actually the settings of historical events that link to collective memories in terms of nation, race and society, such as, former battlefields of the World War I and II. The significance of each place, however, is apparent only from the title; what is revealed by the picture is merely a banal landscape. Monuments are often erected at public spots to allow the memory of an historical event or person to be shared. Such “memory-evoking devices” are either missing or hard to find at the sites depicted in Scene. Nonetheless, these places are indelibly etched by the historical moment or memory.
This way of “seeing the invisible” may be said to be the defining trait of Yoneda’s photography. When viewers become aware of this, they may begin to sense something strangely disquieting in the tranquil scenes presented to them. They may also rediscover through Yoneda’s work an appreciation for the power of the camera lens to express individual points of view.
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