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"Ancestry and Innovation : African American Art from the American Folk Art Museum"
2009-07-31 until 2009-10-11
Gibbes Museum of Art
Charleston, SC, USA United States of America

The Gibbes Museum of Art will present the Smithsonian traveling exhibition Ancestry & Innovation: African American Art from the American Folk Art Museum from July 31 – October 11, 2009. The range of artistic expressions by self-taught African American artists from the rural South and the urban North is explored in this exhibition culled from the American Folk Art Museum’s rich holdings.  Ancestry & Innovation: African American Art from the American Folk Art Museum highlights complex and vibrant quilts, paintings, works on paper and sculpture by contemporary African American artists.

Comprising nine quilts and nearly thirty works of art in various media, Ancestry & Innovation includes paintings by an elder generation of creators, such as David Butler, Sam Doyle, Bessie Harvey and Clementine Hunter; works by contemporary masters, such as Thornton Dial Sr.; and provocative pieces by emerging artists, such as Kevin Sampson and Willie LeRoy Elliot. Juxtaposed with richly patterned and graphically exciting quilts, the exhibition celebrates the ongoing contribution of black artists to the kaleidoscope of American cultural and visual experience.

“We’re delighted that objects from New York’s American Folk Art Museum will be featured throughout our second floor galleries in this exciting exhibition offered through the Smithsonian. The folk art tradition is a strong component of the history of art in the South.  Ancestry & Innovation allows us to provide a context for this creative story,” noted Gibbes Executive Director Angela Mack.

Stacy C. Hollander, senior curator and director of exhibitions at the American Folk Art Museum, and Brooke Davis Anderson, director and curator of The Contemporary Center at the museum, are the curators of the exhibition. “The unique presentation of vibrant quilts in conjunction with sculpture and painting enriches the viewer’s appreciation for the complexity and vitality of African American expression,” said Stacy C. Hollander.


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