Lee Bontecou: All Freedom in Every Sense April 21-August 30, 2010 The Werner and Elaine Dannheisser Gallery, Fourth Floor
Featuring
three sculptures and more than a dozen works on paper by American artist Lee
Bontecou (b. 1931), this intimate installation spans four decades of the
artist's career, from 1958 to 1998. Known for her richly evocative forms that
conjure biological, geological, and technological motifs, Bontecou has
described "the natural world and its wonders and horrors" as a central
preoccupation of her career. Among the earliest works presented are large
drawings made of velvety soot and wall-mounted sculptures composed of salvaged
canvas stitched to elaborate welded steel armatures. The centerpiece of the
installation—on view in this building for the first time—is a recently acquired
suspended sculpture that was one of the highlights of the artist's 2004
retrospective at MoMA QNS. This large untitled mobile is composed of sections
of translucent wire mesh and small porcelain orbs attached to an intricate
network of wire that radiate from a central blue porcelain sphere. Made over an
18-year period from 1980 to 1998, it presents a galaxy of forms and represents
a fulfillment of Bontecou's longstanding desire to create art that encompasses
"as much of life as much of life as possible—no barriers—no boundaries—all freedom
in every sense." The installation is organized by Veronica Roberts, Curatorial Assistant, Department of Paintings and Sculpture.
SPONSORSHIP: This exhibition is made possible by BNP Paribas and is presented in conjunction with MoMA's publication of Modern Women: Women Artists at The Museum of Modern Art (June 2010).
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