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RARE MASTERWORKS FROM THE GRAY COLLECTION
ON VIEW AT THE ART INSTITUTE OF
CHICAGO
100+
Works Include Rubens, Tiepolo, Degas, Picasso, Matisse, Miró, and
More
Gray Collection: Seven Centuries of Art
on View September 25, 2010-January 2, 2011
Over the
past 45 years, Richard Gray, one of America's foremost modern and contemporary
art dealers, and his wife, art historian and author Mary Lackritz Gray, have
gathered a remarkable collection representing seven centuries of creativity. On
September 25, 2010, the Art Institute of
Chicago will present the first-ever exhibition of their collection.
Gray Collection: Seven
Centuries of Art, on view through
January 2, 2011, in the Richard and Mary
L. Gray Wing (Galleries 124-127) of the museum, features 121 works from
the 15th through the 21st centuries--from Francesco Salviati through Vincent van
Gogh and David Hockney--and includes a generous promised gift of nine works to
the museum's Department of Prints and Drawings.
"One of the great
pleasures of working at the Art Institute is the opportunity to work with
collectors such as the Grays," said James Cuno, President and Eloise W. Martin
Director of the Art Institute. "Richard's pre-eminence as an art dealer and
Mary's knowledge as an art historian make their collection truly significant in
terms of its depth, quality, and range. We are deeply grateful for their
generosity to the museum and for their willingness to share this landmark
collection with the public."
The range of the collection begins with
Francesco Bonsignori's late-15th-century portrait of an old man. Through
drawings by such artists Perino del Vaga (follower of Raphael), Annibale and
Ludovico Carracci, Guercino, and Salvator Rosa, viewers can witness the
transitions from the High Renaissance to Mannerism, the Baroque, and beyond in
Italy. The focus of the collection shifts from Italy to France in the 17th
century with the drawings of Nicholas Poussin, Charles-Antoine Coypel,
Fragonard, David, and Ingres, among other artists. Many of the works in this
section of the exhibition are portraits, academic studies, and military
subjects. Poussin's
Studies after Andrea Mantegna, Giulio Romano,
and the Antique from 1635/40 (a promised gift to the museum) is mostly
likely one of the artist's largest surviving sheets and a very rare example of
his graphic production. Géricault, Delacroix, and Daumier are all
represented here, as are Degas, Odilon Redon, and several luminous studies by
Georges Seurat, whose masterpiece A Sunday on
La Grande Jatte--1884 is one of the signature works of the Art
Institute.
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The Gray Collection is rich in the works of the Post-Impressionists and early
modernists, and the exhibition includes a landscape study by Vincent van Gogh
and a small oil portrait from 1883/85 by Cézanne of his future wife. It
also boasts seven drawings by Picasso, four by Matisse, and two memorable
watercolors by Kandinsky that demonstrate both his energetic abstraction and his
calculating geometric precision. From the organic ethereality of Miró and
the robust volumes of Léger the exhibition moves to post-war artists in the
United States, including several Woman
studies by de Kooning, a brash charcoal-and-ink representation of Chicago
by Franz Kline, and portraits by Richard Diebenkorn, Alex Katz, and David
Hockney.
The private collection of the Grays has been formed over more than
half a century. Their first work on paper was a Paul Klee lithograph received as
a wedding present in 1953; ten years later, the Richard Gray Gallery was
founded, exposing the couple to a much more encyclopedic view of art, as Mr.
Gray helped major museums and private individuals form their
collections.
Gray Collection: Seven
Centuries of
Art
is complemented by a full-color, fully illustrated catalogue published
by the Art Institute of Chicago and distributed by Yale University Press.
Suzanne Folds McCullagh, exhibition curator and the Anne Vogt Fuller and Marion
Titus Searle Curator of Earlier Prints and Drawings at the Art Institute,
presents a brief introduction to the collection, followed by detailed entries by
more than 50 experts on the various works. Lawrence Weschler's interview with
Richard and Mary Gray sheds light on the personalities who built the collection
and the motivation behind its formation, and an essay by drawings scholar
François Borne offers a penetrating perspective on the art of drawing.
The
publication, designed by Massimo Vignelli, is a testament to the renowned
aesthetic eye of the collectors. Gray
Collection: Seven Centuries of Art is available at the Art Institute's
Museum Shop for $50.00.
About Richard
and Mary Gray
Richard (Dick) Gray is the owner of the Richard Gray
Gallery. Mary Lackritz Gray is an art historian and the author of A Guide to Chicago's Murals and A Guide to Chicago's Public
Sculpture
. Both of the Grays have been active and sustained supporters of many
cultural institutions in Chicago, including the David and Alfred Smart Museum of
Art at the University of Chicago, WTTW/Chicago, the Newberry Library, the
Chicago Humanities Festival, and the Chicago Symphony Orchestra. Richard Gray
has been a life trustee of the Art Institute of Chicago since 2004.
Gray Collection: Seven Centuries of
Art is organized by the Art Institute of Chicago and curated by Suzanne
Folds McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier
Prints and Drawings.
Image credit: Vasily Kandinsky, Untitled, c.1915. Watercolor and touches of
gouache, on ivory wove paper; 290 x 229 mm. The Richard and Mary L. Gray
Collection.
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Thanksgiving Day, Christmas Day, and New Year's Day.
ADMISSION
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Includes all special exhibitions
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$12.00 Includes all special exhibitions
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Members
always free
Free
Evenings are free to all. City of Chicago residents with Chicago
Public
Library cards can borrow a "Museum Passport" card from any
library
branch for free general admission to the nine members of Museums in
the
Park, including the Art Institute of Chicago.
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