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"American Modern : Abbott, Evans, Bourke-White"
2010-10-02 until 2011-01-02
Amon Carter Museum
Fort Worth, TX, USA

On October 2, the Amon Carter Museum of American Art presents American Modern: Abbott, Evans, Bourke-White. This special exhibition explores the work of three of the foremost photographers of the twentieth-century and the golden age of documentary photography in America. American Modern will be on view through January 2, 2011; admission is free. Featuring more than 140 photographs by Berenice Abbott (1898–1991), Margaret Bourke-White (1906–1971) and Walker Evans (1903–1975), American Modern was co-organized by the Amon Carter Museum of American Art and the Colby College Museum of Art in Waterville, Maine. The exhibition is the result of a unique partnership between three curators: Jessica May and Sharon Corwin of the Carter and Colby, respectively, and Terri Weissman, assistant professor of art history at the University of Illinois, Urbana-Champaign. Together, the three curators present the works of these three artists as case studies of documentary photography during the Great Depression and demonstrate how three factors supported the development of documentary photography during this important period in American history: first, the expansion of mass media; second, a new attitude toward and acceptance of modern art in America; and third, government support for photography during the 1930s.

IMAGE
Berenice Abbott (1898–1991)
Manhattan Bridge Looking Up, 1936
Gelatin silver print
The Art Institute of Chicago,
Works Progress Administration Allocation, 1389.1943

“This exhibition considers the work of three of the best-loved American photographers in a new light, which is very exciting,” says curator Jessica May. “Abbott, Evans, and Bourke-White are undisputed masters of the medium of photography, but they have never been shown in relation to one another. This exhibition offers viewers an opportunity to see works together that have not been shown as such since the 1930s.”

In addition to vintage photographs from over 20 public and private collections, the exhibition also features rare first-edition copies of select books and periodicals from the 1930s. American Modern, May says, “reminds us that documentary photography was very much a public genre—this was the first generation of photographers that truly anticipated that their work would be seen by a vast audience through magazines and books.”

A scholarly catalogue, published by the University of California Press, accompanies the exhibition. The museum has also prepared a mobile tour of the exhibition, which will be available on the museum’s website or on preloaded iTouch devices available for free loan from the Carter’s Information Desk.

American Modern: Abbott, Evans, Bourke-White and its accompanying publication have been made possible in part by The National Endowment for the Arts, The Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, and the Robert Mapplethorpe Foundation.

The Fort Worth presentation is supported in part by RBC Wealth Management. Promotional support is provided by Star-Telegram, WFAA, and American Airlines.


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