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Dieu Donné

Contact: Kathleen Flynn, 212-226-0573 or kflynn@dieudonne.org

Ursula von Rydingsvard
Deckle Deckle

October 21 — December 4, 2010

Reception: Thursday, October 21 from 6 — 8pm

October 13, 2010, New York, NY. Dieu Donné announces the opening of an exhibition of new works in handmade paper by artist Ursula von Rydingsvard, beginning Thursday, October 21, 2010 and running through Saturday, December 4, 2010. The opening reception for the artist will take place on Thursday, October 21, 2010 from 6 — 8pm, and the artist will be present.

The exhibition highlights a selection of the [UTF-8?]artist’s most recent body of work in paper, created during her Lab Grant residency at the Dieu Donné studios. The artist, widely known for her massive and totemic sculptural works, collaborated with Artistic Director and master papermaker, Paul Wong, to create a series of unique works over the term of her residency. Confronted with a medium that presented a complete departure for the artist, the residency allowed von Rydingsvard to delve into processes of fabrication alien to her own studio work — so solidly founded in the medium of wood. During her time at Dieu Donné the artist literally immersed herself in the papermaking method, forming image and content by utilizing loose paper pulp as medium. The entire series, over sixty works in all, were developed in a thorough investigation of the process, which included using pigmented pulp, playing with the tonality, opacity and transparency of the fiber selected, and exploring cotton, linen and abaca as pulp materials. The artist also incorporated personal materials and fabrics such as bits of cloth, crocheted segments, wire balls, and thread pulled into circular forms. In imagery, the artist maintains an adherence to a loose matrix of the grid, upon which she lays out her elements, in a wet-into-wet formation. The majority of the works investigate the protean nature of her process, which is reliant on water as vehicle — floating, joining and organizing the organic elements in her work. Von Rydingsvard ultimately developed a special relationship to the materials, well grounded in her techniques of working in wood. Faced with a more fluid form, the artist was exposed to the indirect consequences of nature affecting the final outcome. Processes interceded and had to be embraced — the flattening of pulp in hydraulic presses, extracting and evaporating water and drying pulp. Von Rydingsvard reveled in this unpredictability.

About the artist: Ursula von Rydingsvard is represented by Galerie Lelong, which hosted its sixth solo exhibition of her work in the Spring of 2010. Her sculptural work can be seen at Storm King Art Center in Mountainville, New York, a major new work, titled LUBA [UTF-8?](2009–2010), is a 17.5 foot high, vessel-shaped object made of cedar planks, commissioned for the sculpture [UTF-8?]park’s 50th anniversary in April. Another outdoor commission can be seen at the North Carolina Museum of Art in Raleigh, NC, entitled Ogromna, 2010. In 2011, the Sculpture Center, New York, will present a major exhibition of von [UTF-8?]Rydingsvard’s work. The exhibition will later travel to the deCordova Museum and Sculpture Park, Lincoln, Massachusetts, the Patricia and Philip Frost Museum, Miami, FL, and the Museum of Contemporary Art Cleveland, OH; in 2008, the deCordova presented von Rydingsvard with its renowned Rappaport Prize. Von [UTF-8?]Rydingsvard’s works can be seen in over 30 public collections, including the Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; High Museum of Art, Atlanta; Walker Art Center, Minneapolis; Nelson-Atkins Museum of Art, Kansas City; Storm King Art Center, Mountainville, New York; and Kemper Museum of Contemporary Art, Kansas City.

About Dieu Donné: Founded in 1976, Dieu Donné is a non-profit artist workspace dedicated to the creation, promotion, and preservation of contemporary art in the hand papermaking process. In support of this mission, Dieu Donné collaborates with artists and partners with the professional visual arts community.

Top right: Untitled, 2009, thread, pigment, and linen handmade paper. 43 x 25 inches.

The artistic and educational programs at Dieu Donné are made possible with public funds from The National Endowment for the Arts; The New York State Council on the Arts, a state agency; The New York City Department of Cultural Affairs, in partnership with The City Council; and Foundation support including: The Lily Auchincloss Foundation Inc., Carnegie Corporation of New York, The Cowles Family Foundation, The Dedalus Foundation, Inc., Foundation for the Contemporary Arts, The Greenwall Foundation, The Horace W. Goldsmith Foundation, The Lauder Foundation, The Daniel M. Neidich and Brooke Garber Foundation, The Renaissace Charitable Foundation (The Dresner Sadaka Family Fund), Rolin Foundation, May and Samuel Rudin Family Foundation, Inc., The Andy Warhol Foundation for the Visual Arts; and major individual support including: Melva Bucksbaum and Raymond Learsy, Cashin Family Fund, Agnes Gund and Daniel Shapiro, Susan Hess, Hurst Family Foundation, The Dorothea L. Leonhardt Foundation, Inc., The Marden Family Foundation, Inc., Nancy and Fred Poses, Anthony Sosnik, Lenard and Fern Tessler, Carol and Michael Weisman, and individual donors.

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Dieu Donné 315 West 36th Street, New York, NY 10018 | www.dieudonne.org | (212) 226-0573
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