login    password    artist  buyer  gallery  
Not a member? Register
absolutearts.com logo HOME REGISTER BUY ART SEARCH ART TRENDS COLLECT ART ART NEWS
 
 
Art News:

FOR IMMEDIATE RELEASE
Contact: Andrew Suggs
215-238-1236
< a href="mailto:director@voxpopuligallery.org" target="_blank">High resolution images are available upon request.

EXHIBITION DATES: November 5-28, 2010
OPENING RECEPTION: Friday, November 5 from 6 - 11 pm
GALLERY HOURS: Wednesday - Sunday 12 - 6 pm
GALLERY TALK: 
November 7th, 3pm
with Celene Ryan, Gallery Director of Hosfelt Gallery, NYC

Philadelphia, PA - Vox Populi is pleased to announce November's exhibitions.

Bruce Campbell, Mood-Yarn-Titty


Campbell presents a series of new sculptures that continue his dialogue with forms and processes associated with mid-20th century Minimalist and Conceptual sculptural practices concerned primarily with form, material and language.  These concerns are Campbell’s as well.  But his sculptures reorganize, adapt to, and merge the relationships between these realms in order to question the viability of long-dominant forms and process that  historically have resulted in artworks that, paradoxically, function as sources for both blind frustration and clear revelation.

Campbell received his MFA from the Massachusetts College of Art and his BFA from the Kansas City Art Institute.  His work has been exhibited locally at the Abington Art Center, Arcadia University, and Rebekah Templeton Contemporary Art.  Nationally and internationally his work has been included in exhibitions at the Arlington Museum of Art (Arlington, TX), the Salt Lake Art Center, The Luminary (St. Louis), and Oblong Gallery (London).  In 2002 Campbell was awarded the DeGolyer Award from the Dallas Museum of Art. He is an adjunct faculty member at the Community College of Philadelphia and lives and works in Philadelphia and Brooklyn. [website]

Christopher P. McManus, Suburban Warlock


In Suburban Warlock, McManus presents new video and sculpture. Reggie, the Suburban Warlock, goes on his final quest to revive an abandoned strip mall. This event promotes the upcoming 14th episode of Hair and Diamonds, McManus' ongoing video series. In the spirit of Hollywood movie promotion, the audience can use Reggie’s magical powers to resurrect the mall in a scene of ritualistic sacrifice.

Christopher P. McManus created Hair and Diamonds to experiment with video, animation and puppetry. Hair and Diamonds has screened at international festivals and museums. Christopher holds degrees from Georgetown University and Yale University. He lives and works in Philadelphia. [website]

Tim Portlock, Ghost City


Growing up in Chicago during the 1980’s has informed Portlock‘s interest in the dialogue between place and the formation of identity in urban space. For his ongoing project Ghost City, Portlock uses the conventions of pastoral landscape painting and the tools for developing computer games to create large format prints based on the abandoned buildings within a five-mile radius of his house.

Portlock received an MFA in Studio Art from th e University of Chicago and an MFA in Electronic Visualization from the University of Illinois. Images from the Ghost City series have been exhibited at Moore College of Art (Philadelphia), Abrons Art Center (New York City) and Arlington Art Center (Arlington VA) among others. Ghost City #13, from the series, is featured on the cover of a recent issue of Photography Quarterly (#98). Other recent projects have been screened or exhibited at the This is Not a Gateway Festival (London, UK), International Guerrilla Video Festival (Dublin, Ireland) and the Philadelphia Fringe Festival. Portlock has work in the permanent collection at Ars Electronica (Linz, Austria) and has exhibited in France, the UK, Poland, Argentina, and Japan. [website]

Mark Stockton, Flesh for Worms


In the exhibition Flesh for Worms, Stockton introduces two new series of drawings. "A Selection of Popular Athletes, Canines and Entertainers" is a group of 18 graphite drawings that catalog three sets of distinct archetypes.  Each portrait is rendered with exacting specificity, yet inevitably descends to a generalization of the depicted persona.  Upon closer inspection, an underlying grid becomes apparent, as the counterfeit nature of the image is revealed. "The Hunters" series is comprised of four large-scale panels; each containing eight diminishing portraits in charcoal.  The groupings compile visual lists of iconic, sometimes deplorable, Americans. Loosely connected by their actions, these figures have altered the countenance of our national identity. 

Mark Stockton holds an MFA in Painting/Drawing from Syracuse University and a BFA from Oregon State University. He has had solo shows with Acuna-Hansen Gallery in Los Angeles and his work has been featured in exhibitions and art fairs in LA, NY, and Miami. Recently, his drawings have been included in exhibitions In the Philadelphia area at Fleisher/Ollman Gallery, UArts, Arcadia University, Abington Arts Center, and NWAA. He currently lives and works in Philadelphia and is teaching design and drawing full-time at Drexel University. [website]

FOURTH WALL
Beatriz Santiago Muñoz, Esto es un mensaje explosivo
in collaboration with Carlos Torres López and Beatriz Irizarry Gauthier
< font class="Apple-style-span" color="#000000">[Curated by Elisabeth Subrin]



Esto es un mensaje explosivo is a film in two parts about the construction and meaning of an event which persists in unofficial and rumored histories of art in Puerto Rico. In 1979 Carlos Irizarry, a Puerto Rican artist, boarded an American Airlines plane and threatened to blow it up in support of the liberation of Puerto Rican political prisoners. The event is sometimes referred to as a work of art, as a political-symbolic action, or as terrorism, and at yet other times the event is stretched around the hazy figure of national hero, or artiste maudite. The film starts off from an interview with Irizarry shot on three different occasions and in which he refers to the action as a work, as a symbolic act, and in which at times he insists in the political meaning of the work to the exclusion of any aesthetic or art considerations, and yet also returns to its symbolic meaning and continues to regard as it as a "work". In a second part, dancers Beatriz Irizarry Gauthier and Carlos Torres López respond to the structure of the event as a set of commands performed in Carlos Irizarry's home and studio. They draw, plan and perform the event, departing from a political, historical or rational attempt to understand the event.  They use the structure to overcome and escape its logic, to break up the taxonomy it is locked into and arrive at a much needed not rational elsewhere.

 

Beatriz Santiago Muñoz is a mediamaker and artist living in San Juan, Puerto Rico. In 1997 she received an MFA from the School of the Art Institute of Chicago. She works with non-actors to create absurdist improvised performances that comment on social relations. Her work has shown in the US and abroad, including Taos Talking Pictures festival, the Museo de Arte Moderno de República Dominicana and E-Flux in New York. She was featured at the Louvre Auditorium and in PR04 [Tribute to the messenger], a biennial art event in San Juan, and completed a residency at Gasworks in London. She organizes an itinerant alternative and experimental film and video series in Puerto Rico, alternatively titled Proyector and 1/15. She was a guest curator of the 2da Trienal Poli/Gráfica de San Juan: América Latina y el Caribe in 2009. [website]

Fourth Wall is a year-long series of new works chosen by a group of four professionals from various locations and backgrounds.  Each month, one of these four curators will present the work of an experimental artist working in video, film, animation, or new media.  Cecilia Dougherty, artist and writer (Brooklyn, NY); Jesse Aron Green, video artist; Kevin McGarry, writer and curator; and Elisabeth Subrin, film and video artist, comprise the team who head up this program. Supported by the John S. and James L. Knight Foundation.  

Founded in 1988, Vox Populi is a nonprofit artist collective that supports the work of under-represented artists with exhibitions, gallery talks, performances, and lectures.

Vox Populi's programs are possible through the generous support of individual contributors, our audience and Board of Directors, as well as the following funders: The William Penn Foundation, Philadelphia Cultural Fund, Pennsylvania Council on the Arts, The Andy Warhol Foundation for the Visual Arts, The Pew Center for Arts and Heritage through Philadelphia Exhibitions Initiative, Samuel P. Mandell Foundation, Samuel S. Fels Fund, Dolfinger McMahon Foundation, The Barra Foundation, John S. and James L. Knight Foundation, Scion, and Google.

-- 
Andrew Suggs
Executive Director
Vox Populi
319 North 11th Street
3rd Floor
Philadelphia, PA 19107
215.238.1236
www.voxpopuligallery.org








#

YOUR FIRST STOP FOR ART ONLINE!
HELP MEDIA KIT SERVICES CONTACT


Discover over 150,000 works of contemporary art. Search by medium, subject matter, price and theme... research over 200,000 works by over 22,000 masters in the indepth art history section. Browse through new Art Blogs. Use our advanced artwork search interface.

Call for Artists, Premiere Portfolio sign-up for your Free Portfolio or create an Artist Portfolio today and sell your art at the marketplace for contemporary Art! Start a Gallery Site to exclusively showcase your gallery. Keep track of contemporary art with your free MYabsolutearts account.

 


Copyright 1995-2013. World Wide Arts Resources Corporation. All rights reserved