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Art News:
FOR IMMEDIATE RELEASE Contact: Andrew Suggs 215-238-1236 <
a href="mailto:director@voxpopuligallery.org" target="_blank">High resolution images are available upon request. EXHIBITION DATES: November 5-28, 2010 OPENING RECEPTION: Friday, November 5 from 6 - 11 pm GALLERY HOURS: Wednesday - Sunday 12 - 6 pm GALLERY TALK: November 7th, 3pm with Celene Ryan, Gallery Director of Hosfelt Gallery, NYC
Philadelphia, PA - Vox Populi is pleased to announce November's exhibitions.
Bruce Campbell, Mood-Yarn-Titty
Campbell presents a series of new sculptures that continue his dialogue with
forms and processes associated with mid-20th century Minimalist and
Conceptual sculptural practices concerned primarily with form, material
and language. These concerns are Campbell’s as well. But his sculptures reorganize,
adapt to, and merge the relationships between these realms in order to
question the viability of long-dominant forms and process that
historically have resulted in artworks that, paradoxically, function as sources
for both blind frustration and clear revelation.
Campbell
received his MFA from the Massachusetts College of Art and his BFA from
the Kansas City Art Institute. His work has been exhibited locally at
the Abington Art Center, Arcadia University, and Rebekah Templeton
Contemporary Art. Nationally and internationally his work has been
included in exhibitions at the Arlington Museum of Art (Arlington, TX),
the Salt Lake Art Center, The Luminary (St. Louis), and Oblong Gallery
(London). In 2002 Campbell was awarded the DeGolyer Award from the
Dallas Museum of Art. He is an adjunct faculty member at the Community
College of Philadelphia and lives and works in Philadelphia and
Brooklyn. [website]
Christopher P. McManus, Suburban Warlock
In Suburban Warlock, McManus presents new video and sculpture. Reggie, the Suburban Warlock,
goes on his final quest to revive an abandoned strip mall. This event
promotes the upcoming 14th episode of Hair and Diamonds, McManus'
ongoing video series. In the spirit of Hollywood movie promotion, the
audience can use Reggie’s magical powers to resurrect the mall in a
scene of ritualistic sacrifice.
Christopher
P. McManus created Hair and Diamonds to experiment with video, animation and
puppetry. Hair and Diamonds has screened at international festivals and
museums. Christopher holds degrees from Georgetown University and Yale
University. He lives and works in Philadelphia. [website]
Tim Portlock, Ghost City
Growing up in Chicago during the 1980’s has informed Portlock‘s interest in the dialogue between place and the formation of identity in urban space. For his ongoing project Ghost City, Portlock uses the conventions of pastoral landscape painting and the tools for developing computer games to create large format prints based on the abandoned buildings within a five-mile radius of his house.
Portlock received an MFA in Studio Art from th
e University of Chicago and an MFA in Electronic Visualization from the University of Illinois. Images from the Ghost City series have been exhibited at Moore College of Art (Philadelphia), Abrons Art Center (New York City) and Arlington Art Center (Arlington VA) among others. Ghost City #13, from the series, is featured on the cover of a recent issue of Photography Quarterly (#98). Other recent projects have been screened or exhibited at the This is Not a Gateway Festival (London, UK), International Guerrilla Video Festival (Dublin, Ireland) and the Philadelphia Fringe Festival. Portlock has work in the permanent collection at Ars Electronica (Linz, Austria) and has exhibited in France, the UK, Poland, Argentina, and Japan. [website] Mark Stockton, Flesh for Worms
In the
exhibition Flesh for Worms, Stockton introduces two new series of drawings. "A Selection of Popular Athletes,
Canines and Entertainers" is a group of 18 graphite drawings that catalog three sets of distinct
archetypes. Each portrait is rendered with exacting specificity, yet
inevitably descends to a generalization of the depicted persona. Upon
closer inspection, an underlying grid becomes apparent, as the counterfeit
nature of the image is revealed. "The
Hunters" series is
comprised of four large-scale panels; each containing eight diminishing
portraits in charcoal. The groupings compile visual lists of iconic,
sometimes deplorable, Americans. Loosely connected by their actions, these
figures have altered the countenance of our national identity.
Mark Stockton holds an MFA in Painting/Drawing from Syracuse University and a BFA from Oregon State University. He has had solo shows with Acuna-Hansen Gallery in Los Angeles and his work has been featured in exhibitions and art fairs in LA, NY, and Miami. Recently, his drawings have been included in exhibitions In the Philadelphia area at Fleisher/Ollman Gallery, UArts, Arcadia University, Abington Arts Center, and NWAA. He currently lives and works in Philadelphia and is teaching design and drawing full-time at Drexel University. [website]
FOURTH WALL Beatriz Santiago Muñoz, Esto es un mensaje explosivo in collaboration with Carlos Torres López and Beatriz Irizarry Gauthier <
font class="Apple-style-span" color="#000000">[Curated by Elisabeth Subrin]
Esto es un mensaje explosivo is a
film in two parts about the construction and meaning of an event which
persists in unofficial and rumored histories of art in Puerto Rico. In
1979 Carlos Irizarry, a Puerto Rican artist, boarded an American
Airlines plane and threatened to blow it up in support of the
liberation of Puerto Rican political prisoners. The event is sometimes
referred to as a work of art, as a political-symbolic action, or as
terrorism, and at yet other times the event is stretched around the
hazy figure of national hero, or artiste maudite. The film
starts off from an interview with Irizarry shot on three different
occasions and in which he refers to the action as a work, as a symbolic
act, and in which at times he insists in the political meaning of the
work to the exclusion of any aesthetic or art considerations, and yet
also returns to its symbolic meaning and continues to regard as it as a
"work". In a second part, dancers Beatriz Irizarry Gauthier and Carlos
Torres López respond to the structure of the event as a set of commands
performed in Carlos Irizarry's home and studio. They draw, plan and
perform the event, departing from a political, historical or rational
attempt to understand the event. They use the structure to overcome
and escape its logic, to break up the taxonomy it is locked into and
arrive at a much needed not rational elsewhere. Beatriz
Santiago Muñoz is a mediamaker and artist living in San Juan, Puerto
Rico. In 1997 she received an MFA from the School of the Art Institute
of Chicago. She works with non-actors to create absurdist improvised
performances that comment on social relations. Her work has shown in
the US and abroad, including Taos Talking Pictures festival, the Museo
de Arte Moderno de República Dominicana and E-Flux in New York. She was
featured at the Louvre Auditorium and in PR04 [Tribute to the messenger],
a biennial art event in San Juan, and completed a residency at Gasworks
in London. She organizes an itinerant alternative and experimental film
and video series in Puerto Rico, alternatively titled Proyector and 1/15. She was a guest curator of the 2da Trienal Poli/Gráfica de San Juan: América Latina y el Caribe in 2009. [website]
Fourth Wall is a year-long series of new works chosen by a group of four professionals from various locations and backgrounds. Each
month, one of these four curators will present the work of an
experimental artist working in video, film, animation, or new media. Cecilia
Dougherty, artist and writer (Brooklyn, NY); Jesse Aron Green, video
artist; Kevin McGarry, writer and curator; and Elisabeth Subrin, film
and video artist, comprise the team who head up this program. Supported by the John S. and James L. Knight Foundation. Founded in 1988, Vox Populi is a nonprofit artist collective that supports the work of under-represented artists with exhibitions, gallery talks, performances, and lectures.
Vox Populi's programs are possible through the generous support of individual contributors, our audience and Board of Directors, as well as the following funders: The William Penn Foundation, Philadelphia Cultural Fund, Pennsylvania Council on the Arts, The Andy Warhol Foundation for the Visual Arts, The Pew Center for Arts and Heritage through Philadelphia Exhibitions Initiative, Samuel P. Mandell Foundation, Samuel S. Fels Fund, Dolfinger McMahon Foundation, The Barra Foundation, John S. and James L. Knight Foundation, Scion, and Google.
-- Andrew Suggs Executive Director Vox Populi 319 North 11th Street 3rd Floor Philadelphia, PA 19107 215.238.1236 www.voxpopuligallery.org
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