FIRSTLY TWO NEW EDITIONS FROM SHOW AND TELL:


In the Wire magazine of January 2010 Kommissar Hjuler und Mama Baer were
ranked as one of the 15 most important practitioners of outsider art. 

We are proud to have been the first ever gallery to exhibit the German duo
and to have worked with them since 2006. We hope to put on another
exhibition of more recent work in April 2011 and also a Noise concert here
in Edinburgh at the same time. Details in a future mailing.

We are also very happy to have created the following editions with the
artists which are now available for purchase.

ONE OF 24 SIGNED AND NUMBERED DELUXE EDITIONS WITH ORIGINAL BROTKATZ
SCULPTURE, PHOTOGRAPHIC LABEL, PHOTOGRAPH, RICE AND AUDIO TAPE

Hjuler, Kommissar
BROTKATZE - blue - Sushi-Box
Edinburgh: Show & Tell Editions/Heart Fine Art, 2010
13.5 x 9 x 8.5cm, two part blue card box with an original photograph as
label (the Brotkatz "Ink Monks"); content of an original Brotkatz "Ink
Monk" sculpture (bread, salt, plastic, glue, rubber stamp impressions,
paint and card) each unique but numbered from a total production of 24
different works (each signed in red ink at the bottom by Kommissar Hjuler)
which is glued to the underside of the lid, a 13 x 9cm original photograph
of Heart Fine Art's very own "Yuri the Avant Guard Dog" (each numbered by
hand on the reverse) eating the original Brotkatz Ink Monks, a two-sided
blue audio cassette containing a recording of EXbroTkatzENDED (10m:41s) on
both sides of the tape and filled up with blue-dyed long grain dried rice.
The photographs are on Kodak Xtralife paper.
An ornate deluxe (Suschi!) box which extends Hjuler's fantasy world of the
"Brotkatz" (Breadcats) - now collectors can have their very own unique
religious bread cat to worship while listening to the "noise" tape of the
artist (who is also a working policeman in the German force) roughly
shout-singing the 'hymn' of the bread cat. Fine - of the 24 numbered
edition only 17 will be available for sale (7 are to be retained by the
artists and the publisher).


75 uk pounds each INCLUDING SHIPPING AND PACKING (NB this item is heavy
being over 0.56kg hence the relatively high shipping charge )



ONE OF 48 NUMBERED AUDIO TAPES WITH PHOTOGRAPHIC CASSETTE INSERT

Hjuler, Kommissar
EXbroTkatzENDED
Edinburgh: Show & Tell Editions/Heart Fine Art, 2010
Standard audio cassette (blue plastic in blue and transparent plastic jewel
case) containing an original recording of EXbroTkatzENDED (10m:41s) on both
sides of the tape. The inserted cover is a trimmed and folded original
photograph of a painting (on Kodak Xtralife paper) of an "Ink Monk"
Brotkatz which is numbered (on tipped on paper tape) from the total edition
of 48 copies. Only 38 copies of the tape will be available for sale (10 are
to be retained by the artists and the publisher).

19.50 uk pounds (shipping additional)


Additionally we still have a few copies left of the following

EACH WITH A SIGNED UNIQUE COLLAGE COVER

Kommissar Hjuler and Mama Bär
K.HJ.+F.(MB) IN EDINBURGH
Edinburgh: Show and Tell Editions, 2007 (in collaboration with SHMF and
youdonthavetocallitmusic)
Standard long playing record with music from the German avant garde husband
and wife. Each cover of the record is hand made and is an unique collage by
Kommissar Hjuler - with aspects taken from hard-core pornographic magazines
with the relevant male and female heads replaced by rubber stamp
impressions of the two artists. Each is one from a series of only 35 signed
and numbered records. Fine estate.

75 uk pounds


And we can offer other items by the artists including unique works, very
limited audio CDs (some with unusual cover artwork) and bookworks, prints
and emphemera. For a list please enquire.

**********************************

Here we present our last email list of the year. This list is made of in
the majority by items that are more commonly regarded by some as ephemera.
We are one of a small number of dealers who regard such 'ephemera' as
important documents of art history and some times as art works in
themselves. Heart Fine Art holds very large numbers of such items - some
very significant and rare, others less so. If you are seeking items
relating to any particular artist or genre please get in touch as we hold
many items not yet uploaded or documented on our website
(http://www.heartfineart.com). Because of other commitments only 300 or so
additional items were added to the website this month but our continuing
project to put our entire inventory up on the net will resume after this
email is sent out. That said there are 5250 active items to be seen each
with images and descriptions to consider. Recent additions to the site have
included French surrealist and dada books, items relating to 'pataphysique
and ephermera relating to artists with surnames beginning with A - B and a
few posters and prints by contemporary artists.

We hope that you have had a good year during 2010 despite the problems of
the recession and if you are celebrating the traditional festive holidays
we hope you enjoy your break when it comes. Thank you for all your support
in what has been a difficult year for all in the art world.


CLIMBING CLOUDS BEFORE THEY CUMULATE


Acconci, Vito
VITO ACCONCI
Kitakyushu: CCA, 2004
10.5 x 21cm, 2pp. Announcement card for the artist's Japanese exhibition.
Typographic design printed in red and blue.

10 uk pounds


Ader, Bas Jan
BROKEN FALL (ORGANIC)
Bremerhaven: Kabinett fur aktuelle Kunst, 1972
10.5 x 15cm, 2pp. Announcement card with on one side an image in b/w of a
photograph by Ader falling from a tree. The card was designed by Ader. All
Ader period items are rare but it is almost impossible to find an example
of this famous ephemeral card on the market. Fine in an unmailed condition.

650 uk pounds



Ader, Bas Jan
IN SEARCH OF THE MIRACULOUS
Bremerhaven: Kabinett fur Aktuelle Kunst, 1974
10.5 x 15cm, 2pp. Announcement card with on one side an image in b/w of a
photograph by Ader overwritten in print with "Searching every which way".
Soon afterward Jan Bas Ader attempted to sail from the USA to Europe in a
small boat (in fact had he succeeded it would have been the smallest vessel
to ever successfully cross the Atlantic) - it was not to be and Ader
presumably died in search of the miraculous. A fine unmailed copy -
exceptionally rare.

650 uk pounds

We hold other vintage and very rare items by Ader if interested please
enquire.



Arman
ARMAN
NYC: John Gibson Gallery, n.d. (c. 1974)
14.5 x 10.5cm, 2pp. Announcement card for a lithograph “Accumulation” with
a reproduced drawing on the front of the card and verso gallery and edition
details. Fine.

15 uk pounds


Atkinson, Conrad
AT THE HEART OF THE MATTER
London: ICA, 1981
10.5 x 15cm, 2pp. Announcement card printed in fluorescent blue and pink
with recto a drawing reproduced (Euroshima) verso museum details. Fine.

15 uk pounds


Ay-o
UNTITLED (RAINBOW BODIES) 
n.p. (USA): n.p., 1971
73 .6 x 55.7cm, multiple colour silkscreen on card: an image of various
bodies and limbs intertwined - each in rainbow colours, all fringed with a
multicolour fond pattern. Signed and dated in pencil by the artist bottom
left -  designated as an "artist's proof. Edition size unknown. Provenance
is interesting having once belonged to Gene and Faye Hackman (the US movie
star and wife). Fine.

600 uk pounds



ONE OF ONLY 125 NUMBERED COPIES

Baldessari, John
VASE (PURE BEAUTY)
Chicago: Renaissance Society, 1998
25 dia x 16cm approx glass vase with etched text “PURE BEAUTY”. A perfect
object multiple: one of 125 numbered (on card) examples. Fine in original
packing box.

750 uk pounds



SIGNED BY BALDESSARI

Baldessari, John
RECENT WORKS
Wein: Charim Klocker, 1998
15 x 1.5cm, 2pp typographic announcement card which is signed by scratching
on the front, mostly black, card “John Baldessari 10 Sept 98”. Fine.

45 uk pounds


Baselitz, Georg
SCHILDERIJEN, GRAFIEK
Amsterdam: Galerie Helen van der Meij, 1982
10.5 x 15cm, 2pp. Recto is a reproduced b/w drawing (an upside down man, of
course) and on the other side gallery details. A mailed copy. Fine.

10 uk pounds


SIGNED BY BAXTER

Baxter, Glen
I'LL NEVER FORGET THE DAY I MET BRENDA
London: Nigel Greenwood, n.d. (c. 1983/4)
14.5 x 10.5cm, 2pp. Artist designed postcard with on the recto a full
colour image with the title text (an explosion) and verso the title and
publisher's details. This example is signed on the front in black ink below
the image by Baxter. Fine.

35 uk pounds



Becher, Hilla & Bernhard
WASSERTURN, DUISBERG-MEDIDERICH
n.p. (Germany), n.p., n.d. (1976)
52 x 40cm (image size: 40 x 31cm) black on white offset lithograph of a
water tower. Signed and dated ('76) on the back in pencil by the Bechers -
this is a cool, detached study of an ugly architectural utility with here
the detail stressing the metal work. Formerly framed, there is a slight
wave at the top left (which is in the white margin and does not affect the
image) which would not be noticed if the image was matted or archivally
framed and to the rear slight surface damage where a paper hinge (used in
framing) was been removed. Otherwise very good. Edition size not known.

495 uk pounds



Becher, Brnd and Hilla
BERND EN HILLA BECHER werken van 1957 - 1981
Eindhoven: Van Abbemuseum, 1981
14.5 x 10.5cm, 2pp. Announcement card for a museum retrospective with recto
a b/w reproduction of six of the mining photographs. Fine.

25 uk pounds


WITH HANDWRITTEN SIGNED NOTE BY STAECK

(Staeck, Klaus)
Beuys, Joseph
FETTKISTE (ORIGINALGRAFIK - SERIES D)
Heildelberg: Edition Staeck, 1968
10.5 x 15cm, 2pp. Artist designed postcard issued as part of the D series
of such cards by the publisher and artist Staeck. This example is however
annotated by a short note (about the price of an edition) to a film critic
(Peter Gidal) from Klaus Staeck who has both dated (9.9.97) and signed the
card. Fine.

45 uk pounds


Beuys, Joseph
LEVITAZIONE IN ITALIA
Naples; edition Lucio Amelto, 1978
36.8 x 22.3cm, full colour offset on cardsdtock with an image (a film
still) of the artist's legs mid-jump but seemingly perfectly still in mid
air (hence levitating) during the Vitex Agnus Castus. One of 200 signed and
numbered copies in pencil with publisher's stamp on the verso. Fine.

2,950 uk pounds


Boetti, Alighiero
ALIGHIERO E BOETTI
Rome: Marlborough, 1977.
21 x 15 cm, 1pp b/w typographic invitation card for Boetti's show. The
addition of the E between Boetti's given names is usually regarded as a
sign that the artist saw himself as having two distinct aspects or,
according to Curiger, a recognition of his present (given name) and his
debt to the past (family name). Fine and as with all Boetti items somewhat
scarce.

75 uk pounds


Boetti, Alighiero E.
ALIGHIERO E. BOETTI,
NYC: John Weber Gallery, 1988
18 x 14cmm, 2pp invitation card to the private view. Recto: a full page
full colour reproduction of a Boetti drawing. Verso: gallery details. Fine.

75 uk pounds



Boltanski, Christian
CHRISTIAN BOLTANSKI
NYC: Sonnabend Gallery, 1975
17 x 12cm, 2pp. Black and white reproduction of a photograph of the artist
pretending to be a drunken clown. Verso, gallery details. Fine.

65 uk pounds



Bourgeois, Louise
"RECEUIL DES SECRETS DE LOUISE BOURGEOIS (1635)" EX LIBRIS NR 8
Koln: Salon Verlag, n.d. (2007)
20 x 13 cm, paperback reprint of the original book as appropriated artist's
book: as always with this series of publications from Salon Verlag each
artist chose a book from their personal library and had it republished with
a loosely added artist's lithographic print designed as an “ex libris”
bookplate: here after an original painting by Louise Bourgeois (an
anatomical diagram displaying a cross-section of a pregnant female torso).
The label is signed with initials in pencil lower right, numbered 233/300
(11.5 x 8cm paper size). A fine copy and here offered far more cheaply than
the few copies still available from the publisher.

345 uk pounds


Brauner, Victor
CONGLOMEROS
Paris: Galerie Alexandre Iolas, 1969
23.5 x 18cm, 4pp. Announcement / catalogue with internally a full sheet
reproduction of an original drawing by the surrealist. Slight browning else
VG.

35 uk pounds


Brecht, George
EXPERIMENTAL ENLARGEMENT: THE CHEMISTRY OF MUSIC, THISTLE FUNNEL (1969),
Editions Conz, 1988
91.5 x 124cm, black and grey screenprint on cloth displaying the title
drawing first made the Fluxus artist in 1969. This is an unsigned proof
created by Brecht aside from the 20 numbered and signed copies. Fine. 

750 uk pounds



Brisley, Stuart
180 HOURS. A WORK BY STUART BRISELY FOR 2 PEOPLE
London: The Acme Gallery, 1978
21 x 14.8cm, 1pp. Announcement card with an image of the artist in mud
whirling his body on one shoulder. Fine.

20 uk pounds


Buren, Daniel
AILLEURS/ELDERS
Eindhoven: Van Abbemuseum, 1976,
10.5 x 15cm, 2pp. Recto is a photograph of a woman with a striped scarf
walking in the street, verso gallery details. Scarce photo-souvenir by the
site specific artist.

65 uk pounds



Buren, Daniel
ICI/HIER
Eindhoven: Van Abbemuseum, 1976,
10.5 x 15cm, 2pp. Recto is a photograph of a two women walking in the
street (a different if similar image than that for the above Eindhoven card
but from the same series of works), verso gallery details. Scarce
photo-souvenir by the site specific artist.

65 uk pounds

		
Buren, Daniel
UNLAVORO IN SITU
Genova: Galleria Mazzini, 1976,
15 x 10.5cm, 2pp. A full colour (appropriated) commercial postcard
displaying a image of a high ceiling passageway in Genova - the gallery has
over printed the standard text with the announcement details of a Buren in
situ work (presumably in the same space as show recto). This is a mailed
example which has been sent to Ad Petersen, Amsterdam. Fine.

50 uk pounds


Buren, Daniel
HALIFAX: 7 DAYS-6 PLACEMENTS-7 COLORS / 7 JOURS-6 EMPLACEMENTS-7 COLEURS
FROM A WORK DONE BY / D'APRES UN TRAVAIL DE DANIEL BUREN
Paris / Halifax(Canada): Multiplicata /Lithography Workshop of Nova Scotia
College of Art and Design, 1974. 
11 x 16cm, 16pp (consisting of 8 x 2pp full colour postcards seven of which
display full colour images of the title installation where seven columns on
the outside of the end gable of a building were papered with stripes of
yellow, blue, grey, green, orange and pink: each day for seven days the
order of the colours were changed). Exemplary of Buren's site specific
works of the 1970s this book it is noted with severity: “is only a
presentation for the purpose of recording a specific work and may not be
shown, in any other context concerning presentation.” Slight nicks on rear
wrappers and far edge, else VG. All cards are present and un-torn from the
binding.

40 uk pounds


Buren, Daniel, Sol Lewitt, Richard Long, Fred Sandback
DANIEL BUREN, SOL LEWITT RICHARD LONG, FRED SANDBACK
London: Lisson Gallery, 1980
10 x 20.5cm, 1pp. Typographic announcement card. Soft creases on left else
VG.

30 uk pounds



Buren, Daniel 
DANS LE CADRE DES EXPOSITIONS….
Eindhoven: Van Abbemuseum, 1981
10.5 X 15cm, 2pp. Announcement card with an appropriated diagram of
tailoring (two jackets) and on the rear an explanation that Buren had
created a work in situ during the then current exhibitions by Georg
Baselitz, Stanley Brouwn and William Copley. The same text is repeated in
Dutch below. Fine.

20 uk pounds



Buren, Daniel
LE JARDIN IMAGINAIRE. TRAVAIL IN SITU.
Ville de Leuven: Sint-Donatuspark, 2004
14.5 x 21cm, 2pp. Announcement for the reveal of Buren's large scale
installation in the Dutch park. Recto: a colour image (photo-souvenir) of a
similar work in China by Buren from 2004. Fine.

6 uk pounds

SIGNED AND NUMBERED FROM 150

Caulfield, Patrick
DRESSED LOBSTER
London: Waddington Gallery, 1980
60 x 75cm, silkscreen. Unusually from Caulfield, the drawing of the lobster
is a stylised sketch overprinted on a pattered background. From a signed
and numbered edition of 150. Fine condition. Ref.: Cristea 63.

395 uk pounds



Charlton, Alan
ALAN CHARLTON
Eindhoven: Van Abbemuseum, n.d. (c. 1977)
14.8 x 10.5cm, 2pp. Announcement card with a minimalist drawing by the
artist recto (floorplan of the gallery?) and usual details verso. Fine.

15 uk pounds


ONE OF 200 COPIES

Charlton, Alan
I AM AN ARTIST WHO MAKES A GREY PAINTING.
n.p. (London): Warren Miro, 1990
20 x 13 x 2.5cm approx plain cardboard box containing a small booklet of
b/w photographs of the artist and his work and a short VHS video-cassette
(PAL), both documenting the artist's 1989 exhibition at the Castello di
Rivoli near Turin. One of 200 numbered copies released. Fine.

225 uk pounds


ONE OF 15 COPIES WITH A SIGNED PRINT

Charlton, Alan and Lesley Foxcroft
PAPER WEIGHT
France: Collection 2001
20 x 20 cm, 24 pp in card covers. Artist's book which arose from this
collaboration between the artists; displaying eleven photographs with
minimal text. Here an additional laid in offset print in colours - 25 x
25cm is to be found signed and numbered by the artists. One of only 15
numbered copies after a small release of 250 additional copies without the
print. Near fine. Image on request.

295 uk pounds


Chapman, Jake and Dinos
JAKE & DINOS CHAPMAN
Paris: Galerie Daniel Templon, 1998
21 x 15cm, 2pp. Announcement card with a full sheet, full colour
reproduction of one of the brothers' deliberately shocking androgenous
naked child dolls (here a girl mannequin with four legs). Fine.

35 uk pounds


WITH AN ORIGINAL UNIQUE SIGNED DRAWING

Jake & Dinos, Chapman
FUCKING HELL
London: White Cube, 2008
4to, 176pp plus burned original card cover. First edition of this artists'
book which was one of 500 numbered and signed copies with an ink-drawing by
the Chapmans (each drawing was different) on the end papers. Unique.

495 uk pounds


Chapman, Jake
SOME OF MY BEST FRIENDS ARE GENIUSES
London: IAS, n.d. (2006)
30 x 21cm, 1pp. Announcement leaflet/card (on paper) with a text by Chapman
over an image explaining his curatorial project of the same title where he
included Gavin Brown, Dinos Chapman, Sam Taylor-Wood and others in a group
show he organised (and later published a book of the same name). Fine.

15 uk pounds


Clemente, Francesco
EMBLEMI E COLPI DELLA PITTURA DI FORTUNA. ART & PROJECT BULLETIN 107
Amsterdam: Art & Project, 1971.
30 x 21cm, 4pp b/w conceptual artwork in the form of a mailed bulletin.
Unusual for the Bulletins this item is printed on orange paper with
internally six vignettes after drawings by Clemente. VG condition: an
unmailed example.

45 uk pounds


Clemente, Francesco
FRANCESCO CLEMENTE UNDAE CLEMENTE FLAMINA PULSAE. ART & PROJECT BULLETIN
110
Amsterdam: Art & Project, 1971.
30 x 21cm, 4pp b/w conceptual artwork in the form of a mailed bulletin. The
broadside opens out to show a double page spread of the installation. VG
condition albeit a mailed example which has been folded.

45 uk pounds



Cobbing, Bob
KONKRETE CANTICLE, EXPERIMENTS IN DISINTEGRATING LANGUAGE
London: Arts Council of Great Britain, 1971
Standard 33rpm LP in original printed sleeve. A first recording of works
for voices (with mandolin and other instruments occasionally) performed by
Konkrete Canticle written together ad separately by the English musical and
poetry theorists Charles Verey, Neils Mills, Thomas A. Clark, Paula Claire,
Michael Chant and Bob Cobbing. Fine in like sleeve. Very scarce.

175 uk pounds



Cobbing, Bob
UNTITLED (PORTRAIT OF BOB COBBING)
London: Judith Walker Posters, n.d. (1970s?)
38 x 23.5cm, b/w offset poster with a portrait of the poet (heavily
polarised) printed in b/w. Limitation unknown. Couple of brown marks bottom
left else VG.

65 uk pounds


Cobbing, Bob
UNTITLED
n.p. (London): Writers Forum, n.d. (1970s/80s?)
21 x 15cm, 2pp black on green large format postcard with an abstract design
recto by Cobbing and verso the text "Design by Bob Cobbing/Writers Forum).
Fine.

15 uk pounds


Cragg, Tony
TONY CRAGG 
Amsterdam: Art & Project, 1983
30 x 21cm, 1pp typographic announcement leaflet for the title exhibition. A
mailed, hand addressed and folded example.

15 uk pounds


d'Armagnac, Ben and Gerrit Dekker
BEN D'ARMAGNAC GERRIT DEKKER
Antwerpen: Wide White Space, 1969
11.5 x 26cm, 2pp. Sepia printed announcement card displaying on the front
three of the wood sculptures made for the exhibition outside in the garden
and verso gallery details. Ref.: WWW nr 025. One of the most difficult to
find of documents from the gallery. A mailed copy with minor edge wear.

85 uk pounds


MERCI POUR LE FUSIL

(Dada)
EXCURSIONS ET VISITES DADA. PREMIERE VISITE. EGLISE SAINT JULIEN LE PAUVRE.
JEUDI 14 AVRIL.
Paris, s.p., 1921
27.5 x 22cm, 1pp. First edition of this document / programme which was
circulated upon a (first and only) public gathering of the Dadaists
promoted as a 'tourist visit' (Breton's idea of a public provocation - with
other later putative visits planned to the Louvre and Parisian forests).
Typographically interesting, the leaflet points out that the Dadaist
purpose of a 'guided tour' was intended to be much more political than the
usual bit of bourgeois history related by a guide. The participants on this
venture included Crotti, Breton, Eluard, Ribemont-Dessaignes, Peret,
Aragon, Tzara and Soupault amongst others (some of whom are listed in the
leaflet as 'guides' for the visit). However it rained and the turnout was
not as great as expected by the optimistic organisers. After various
manifesto statements and ad-lib performances, Breton declared: "All that
has happened up to now under the sign of Dada was just a sideshow"
indicating the split with the movement's principle figures (such as Tzara)
to come as Breton moved his personality centre-stage. The event was deemed
a failure and the other tours were suspended; soon after the Dadaists began
to bicker with Picabia and Breton leading differing factions. Ultimately
Breton's 'Literature' group formed the core of the surrealist group.  The
leaflet has a central text by Breton and short aphorisms in blue by Tzara.
Exceptionally rare and near fine with only flattened crease marks from a
previous folding into eighths and one tiny paper loss (less than 0.2mm) on
the left edge.

1,250 uk pounds (a much reduced price from that previously offered as we
now hold two examples of this rare item)


Dali, Salvador
LA CONQUETE DE L'IRRATIONNEL AVEC 35 REPRODUCTIONS PHOTOGRAPHIQUES ET UN
HORS TEXTE EN COULEURS.
Paris, Editions Surrealistes, 1935
15.5 x 12.cm, 32pp plus 35 illustrated plates hors texte and original
wrappers with a photographic portrait of Dali as a beautiful already
moustacheo'd young man and a full colour reproduction of a later painting
of Gala as frontispiece. One of 1,200 copies released in French (there were
another 1,000 in Enlgish) this was perhaps the last credible publication
released by the artist before he became money obsessed (driven by his wife)
and cruelly if accurately re-monikered 'Avida Dollars' by Breton who could
be scathing about commercial motives amongst the surrealists. Scarce
despite the relatively high limitation. Very good apart from a partially
opened split along the paper spine which could easily be reglued.

265 uk pounds


Darboven, Hanne
ATTA TROLL VON HEINRICH HEINE IN ZAHLENWORTE (ABGEZAHLTE WORTE) WEIDER 
AUFGESCHRIEBEN
Luzern: Kunstmuseum Luzern, 1975
8vo, 118pp. Card covers. Exhibition catalogue and artist's book with
workbook-stylings in Darboven's facsimile handwriting released to accompany
the artist's solo exhibition in Switzerland, based on texts from lectures
of Heine. With essay by Jean-Christophe Amman. Darboven's fourteenth book
and quite scarce. Very good condition.

295 uk pounds


Darboven, Hanne
ANNOUNCEMENT CARD FOR QUARTET >88<
Frankfurt am Main: Portikus, 1990
21 x 15cm, 2pp with a design by the artist on the front and verso details
of the exhibition. Fine.

15 uk pounds


Dean, Tacita (in collaboration with Gregory Sax)
TRYING TO FIND THE SPIRAL JETTY
Berlin; s.p. (Dean), 1998
Standard audio cassette with printed label and box content of a recording
by the influential sound artist of a commentary during a search to find
Smithson's famous land work. Signed and numbered on the cassette in pencil
from the edition of 100 examples. Fine example.

395 uk pounds


Dibbets, Jan
JAN DIBBETS
NYC: Leo Castelli, 1973
18 x 18cm, 2pp announcement card with the front being a full colour
reproduction of  a Dibbets' work where the horizon is tilted within the
picture frame to the diagonal. Recto: gallery details. Fine albeit a mailed
copy.

30 uk pounds


Dibbets, Jan
JAN DIBBETS
Dusseldorf: Konrad Fischer, 1980
9 x 14cm, 2pp announcement card with the front being a b/w image of a
Dibbets' work (painted beams of wood). Recto: gallery details. Fine.

15 uk pounds


Dimitrijevic, Braco
WHO WAS THE MAN WHO LIVED NEXT DOOR TO LEONARDO DA VINCI
NYC: Ronny Van De Velde, 1989
10.5 x 17.8cm, 2pp typographic announcement card printed black on
orange-red. Fine.

6 uk pounds



Dimitrijevic, Braco
BRACO DIMITRIJEVIC POST HISTORICAL DIMENSION
NYC: Ronny Van De Velde, 1990
11 x 17.8cm, 2pp typographic announcement card printed black on red. Fine.

6 uk pounds



Dimitrijevic, Braco
BRACO DIMITRIJEVIC
NYC: Nicole Klagsbrun, 1990
12.5 x 17.8cm, 1pp typographic announcement card. A mailed copy with postal
franks etc.

6 uk pounds


ONE OF 75 SIGNED AND NUMBERED PRINTS

Dine, Jim
SHOES A - F
n.p.: n.p., 1970
45 x 60cm, 5-colour litho on super fine cover paper. Signed and numbered by
Jim Dine from a small edition of 75. Many of Dine's early works concerned
themselves with clothing and work tools - reflecting his roots in American
working class culture, his links with Claes Oldenberg and his influential
role in early pop art (which he later repudiated). Fine estate.

650 uk pounds


Dokoupil, Jiri Georg
“BEFEHLE DES BAROCK”
Amsterdam: Galerie Helen van der Meij, 1983
10.5 x 15cm, 2pp. Recto is a reproduced b/w self-portrait and on the other
side gallery details. A mailed copy. Fine.

12 uk pounds


WITH A SIGNED ORIGINAL LITHOGRAPH

(Domela, Cesar)
Kandinsky, Wassilly and Marcel Brion
DOMELA PAR WASSILLY KANDINSKY ET MARCEL BRION
Paris: Galerie 93, 1956
19 x 14.2cm, 12pp plus two b/w plates hors text after abstract reliefs by
Domela and original wrappers. First edition of this deluxe exhibition
catalogue which contains texts written in 1943 and 1956 by Kandinski and
Brion repectively. Additionally this has, laid in, an original abstract
lithograph signed by Domela. One of 500 numbered copies issued, this copy
is somewhat perplexing in that it has signs of water damage in the book
(minor stains on wrappers and bizarrely one of the plates bound in hors
texte has been inserted in duplicate but the two pages (due to the type of
paper employed) have stuck together when the book was damp and there are
paper abrasions on the second duplicate page where the pages have been
taken apart - however this duplication by error means that the second
damaged page could easily be removed and no one would be the wiser (but we
never do this preferring to sell books in the state we found them and
allowing the purchaser to make these conservation decisions for
themselves). The laid in lithograph is fine and shows no damage whatsoever
other than some minor browning on one side that is hardly noticeable.
Priced to reflect condition.

225 uk pounds


Dubuffet, Jean
PARIS CIRCUS
Paris: Galerie Daniel Cordier, n.d. (c. 1961)
29.7 x 12cm, 4pp. Invitation card for the opening of this exhibition of a
cycle of paintings under the title of “Paris Circus”. Here a figurative
painting is reproduced over the middle pages along with a painted design
for the card (and exhibition) by the artist. Fine if a little browned on
the mostly blank outer covers.

25 uk pounds


Duchamp, Marcel (and Man Ray)
OBLIGATION MONTE CARLO. MONTE CARLO GAMBLING BOND.
Paris: 'Twentieth Century-XXe Siecle' 1938.
31.7 x 22.5cm, 1pp offset colour lithograph on cream wove paper - a
facsimile of the original 1924 bond issued by the artist as part of his
contention that he had devised as fool-proof (really a proof of fool)
scheme to win at roulette. Only eight original hand-made bonds were issued
to potential investors (all promised a 20% return on their investment of
500 francs) - the design being typically playful with a devilish Duchamp
(with horns and shaving foam beard) overseeing the roulette table. Two
thousand copies of this facsimile print were issued with nr 4 of the
journal 'Twentieth Century-XXe Siecle' but few have survived and this is a
rare item (here in very good + condition). Even the greatest modern artist
of all was fallible - the “system” was simply ill-judged and didn't work.
Ref.: Schwartz nr 406.

9,500 uk pounds


Duchamp, Marcel
ANNOUNCEMENT / CATALOGUE FOR  “MARCEL DUCHAMP”
NYC:  Sidney Janis Gallery 1959.
A single long sheet of paper folded to external dimensions of ca. 23 x
16.5cm although the actual length of the sheet is about 81 cm long as the
centre of the sheet (i.e., what makes up the difference between the front
and back panels, which together amount to c. 40cm) is pleated, with
Duchamp's name spelled out in a row of large, brightly coloured letters
along the pleats. The opening was for the purpose of launching Robert
Lebel's book on Duchamp with an accompanying exhibition. A fine copy and a
very scarce Duchamp publication in an unusual format.

750 uk pounds


Finlay, Ian Hamilton
SEA POPPY I
Dunsyre: Wild Hawthorn Press, 1966
57 x 44.5cm silkscreen in two colours (blue and green) - this being
Finlay's seventh published print with his famous image of ship numbers in a
circle reflecting the use of stars in navigation. One of 350 released.
Minor handling creases.

425 uk pounds



Finlay, Ian Hamilton
SEAMS
Dunsyre: Wild Hawthorn Press, 1969
43.5 x 56.3cm silkscreen in one colour (blue): a concrete poem using a
vertically repeating pattern of the word SEAMS but with a space between the
A and the M. One of 350 released. Minor handling creases.

295 uk pounds


Finlay, Ian Hamilton
CATAMARIGUE
Dunsyre: Wild Hawthorn Press, 1970
35.5 x 44.5cm silkscreen in two colours on paper - an artist editioned
print: a visual pun on a cat's paws, a boat and a tea-time cake. One of 350
released. Fine.

250 uk pounds


Finlay, Ian Hamilton
LUFFWAFFE: AFTER MONDRIAN
Dunsyre: Wild Hawthorn Press, 1976
41 x 53cm lithograph in two colours on paper - German war plane markings
are arranged as if by the Dutch master. One of 350 released. Fine.

295 uk pounds



Finlay, Ian Hamilton
SIX PROPOSALS FOR THE IMPROVEMENT OF STOCKWOOD PARK NURSERIES 1985/85
Little Sparta: Wild Hawthorn Press, 1986
Six separate prints - each 27 x 34cm in printed folder. Prints are all fine
with very slight soiling to the folder cover. One of 250 copies. Murray
6.18.

195 uk pounds



Fulton, Hamish
HAMISH FULTON
Bremerhaven: Kabinett fur Aktuelle Kunst, 1973
10.5 x 15cm, 2pp. Announcement card recto: gallery and exhibition details,
verso: an appropriated vintage photograph of two countryside artisans. Fine
example of a scarce card produced for a relatively early Fulton exhibition.

75 uk pounds


Fulton, Hamish
HAMISH FULTON A CAMPING PLACE FOR ONE NIGHT BY LAKE HUAYPO PERU 1974
Dusseldorf: Konrad Fischer, 1974
10.5 x 15cm, 2pp. Announcement card - recto a photographs by Fulton of the
title camp, verso gallery details.  Early rare exhibition card.

75 uk pounds



Fulton, Hamish
SIXTEEN SELECTED WALKS SPRING 1971 - SUMMER 1975
Basel: Kunstmuseum, 1975
10.5 x 15cm, 2pp. Announcement card - recto a photographs of mountains
taken by Fulton during one of his walks, verso gallery details.  Early rare
exhibition card.

65 uk pounds



Fulton, Hamish
QUICKSAND
Eindhoven: Vamn Abbemuseum, n.d. (c. 1977)
14.8 x 10.5cm, 2pp. Diecut (shaped corners at top) announcement card with a
reproduced photograph by Fulton on the front of some sinking sands (b/w),
verso minimal gallery text.

40 uk pounds


Fulton, Hamish
HAMISH FULTON 
Eindhoven, Van Abbemuseum, 1977
10.5 x 15cm, 1pp announcement card - minimal design and text only,

12 uk pounds


Fulton, Hamish
ALASKA AUTUMN 1977
Düsseldorf: Konrad Fischer Gallery, 1978
10.5 x 15 cm, 2pp announcement card with reproduced b/w photograph by
Fulton. Fine.

35 uk pounds



Fulton, Hamish
HAMISH FULTON 1975 - 1985
Eindhoven, Van Abbemuseum, 1985
10.5 x 15cm, 2pp announcement card - on the front a full colour image of a
lake side scene taken by Fulton and verso museum details. Fine.

20 uk pounds


Fulton, Hamish
MY ARTFORM IS THE SHORT JOURNEY - MADE BY WALKING IN THE LANDSCAPE
Munchen: Moderne Kunst Dietmaar Werle, 1986
14.5 x 21cm, 2pp. Announcement card with the title text work verso printed
red and black and verso gallery details. Fine.

20 uk pounds



Fulton, Hamish
EAST SOUTH WEST NORTH SCOTLAND 1988
Edinburgh: Graeme Murray Gallery, 1988
19.7 x 14.5cm, 8pp (leporello) - ornate announcement card which is like a
small artist's book with each of the four internal pages displaying a b/w
photograph taken from the same central point but looking in different
directions during several walks in the Cairngorms in 1985 - 1988. Fine
condition. Scarce.

50 uk pounds


Fulton, Hamish
HAMISH FULTON
Kitakyushu: CCA, 1999
10.5 x 21cm, 2pp. Announcement card for the artist's Japanese exhibition.
Typographic/geometric  design printed in red and black.

15 uk pounds


Fulton, Hamish
HAMISH FULTON
Kitakyushu: CCA, 2000
10.5 x 21cm, 2pp. Announcement card for the artist's Japanese exhibition.
Typographic design printed in brown and green.

12 uk pounds


	
Goldsworthy, A.
VEGETALE
n.p.: s.p. (Goldsworthy), 1997
10.5 x 15cm, 2pp. Artist designed object multiple in the form of a postcard
which has had some fake grass glued onto the front which covers most of the
surface apart from a centre hole which allows the grey card underneath to
be seen (as if dirt). Verso minimal text. Edition size not known but an
unusual item. Fine.

50 uk pounds


THE FIRST EDITION OF A FAMOUS ARTIST'S BOOK

Gilbert & George
O THE GRAND OLD DUKE OF YORK
Luzern: Kunstmuseum Luzern, 1972.
21 x 29.7cm.  96pp content of 35 photographic reproductions. Pictorial
wrappers. First edition. One of 900 examples signed by G & G of this
bookwork-catalogue, which was conceived by the artists. Texts by J.C.
Ammann, Barbara Reise + one poem by the artists. A fine copy. Scarce.

395 uk pounds


Gilbert & George
GILBERT & GEORGE (PINK ELEPHANT)
Dusseldorf, Konrad Fischer, 1974
11 x 15cm invitation card - reproduction of a close-up of a pink
embroidered elephant on front, verso gallery details. Scarce. Fine.
Unmailed.

65 uk pounds


Gilbert & George
ANY PORT IN A STORM
Paris, Galerie Sonnabend, "Early  1973"
11.5 x 8.8 cm invitation card - typographic design by the artists parodying
a gin bottle label. Scarce. Fine. Unmailed.

65 uk pounds


Gilbert & George
FOTOWERKEJN 1971 - 1980
Eindhoven: Van Abbemuseum, 1981
30 x 21cm, 4pp. Exhibition brochure which announces the publication of a
catalogue raisonne for the photoworks and internally reproduces a double
page, full colour reproduction of 'HELLISH” from 1980. Slight dog ear
crease bottom right else VG.

35 uk pounds


Haacke, Hans
HANS HAACKE AT HOWARD WISE
NYC: Howard Wise Gallery, 1968
11.5 x 24cm, 4pp (horizontal fold). Announcement card and sole
documentation for two conceptual events - the first a “sculpture” utilising
helium balloons released outside and photographed - a sculpture where the
shape of the artwork was defined by the objects reaction to its environment
(ie the wind). The second aspect of the show involved refrigerated items
although the exact format is not revealed on the card. Font of the card is
a b/w image of the airborne balloons and internally is a short text by the
artist. One short blue ink line (a squiggle) on the last page else VG if
slightly browned. Rare early Haacke conceptual item.

65 uk pounds


Higgins, Dick. 
DEAR OSMAN. 
Koln: 1970. 
34 cm. sq. Silkscreened text on napkin with acetate overlay (as issued).
Signed and numbered by Higgins. A scarce text-piece in multiple format.
Composed of a proposal for the Happening/Fluxus manifestation surrounding
the Sohm Archive (Koln: 1970). Signed and numbered by Higgins. Fine estate.
Scarce. 

295 uk pounds


Hirst, Damien
AN INSTALLATION FOR AGONGO. AN OPERA WRITTEN BY DANIEL MOYNIHAN SET BY
DAMIEN HIRST.
Edinburgh: Demarco European Art Foundation, n.d. (1994)
21 x 13.5cm, black silkscreen on cloth as designed by Hirst with an
appropriated US civil war image of a young black slave girl smoking a pipe
and exposing her breasts. This is the very rare, sole documentation of an
early Hirst installation (not really the 'opera' of the title) which
consisted of a dark room into which the viewer entered unable to see much
other than shadows and the faint sounds of scurrying. As the lights slowly
came up a large cage was apparent: filled with pharmaceutical boxes and
live rats (which for many was a deeply disturbing experience and somewhat
unexpected). These small silkscreens were the hand-made promotional item
for the show and Hirst produced them himself. Around 500 were produced in
two variations of size and colour (blue on black and black on blue) and
most were used as the promotional flyer for the event and handed out in the
street. Very few can be assumed to have survived. In near fine condition.
We hold both variants in both colours.

950 uk pounds


Hirst, Damien
STILL
London: White Cube, 1995
14.5 x 15cm, 2pp. Announcement card for a very early Hirst show - on the
front is a photographic self-portrait of the artist's single eye looking
through his thumb and first finger which are forming a circle (b/w) and
verso gallery details. Scarce and in VG condition.

45 uk pounds


Hirst, Damien
DAMIEN HIRST ©
London, Dillons Bookshop/Booth-Clibborn Editions: 1998
10.5 x 15cm, 2pp announcement card for a Hirst signing of "I want to spend
the rest of my life…" .  Recto: the image of Hirst, his wife and baby all
in vitrines. Verso text only. Fine.

75 uk pounds


Hirst, Damien
BUSINESS CARD FOR PHARMACY RESTAURANT
London: Pharmacy, n.d. c. 2000
8.8 x 5.5cm full colour offset litho on card. Hirst's business card for his
joint restaurant venture. Image of a clinical syringe recto, verso the logo
and address etc. Fine.

50 uk pounds

WE HOLD SEVERAL HIRST DESIGNED MATCHBOXES FROM PHARMACY - IF INTERESTED DO
ENQUIRE FOR DETAILS


THREE SIGNED POSTERS TOGETHER

Hirst, Damien
ROMANCE IN THE AGE OF UNCERTAINTY
London: White Cube, 2003
64 x 42cm, full colour artist designed posters - all three different. A
very limited edition of 1,000 posters ie fewer than 350 of each design
which Hirst has signed bottom right in black felt pen. The edition sold out
almost immediately and is now much sought after. 

600 uk pounds for all three posters together in original mailing tube.



Hirst, Damien and David Bailey
THE STATIONS OF THE CROSS
London: Gagosian, 2004
28 x 20cm, 1pp. Very large format announcement card on thick card with a
full colour image of one of the works which is a cross with cigarette butts
glued to it. An ornate production for this Hirst collaboration with the
photographer. Fine.
JOINT: Original printed Gagosian mailing envelope.
JOINT: 
Bailey, David
ARTISTS BY DAVID BAILEY
London: Gagosian, 2004
10.5 x 15cm, 2pp. Announcement card (typographic) for Bailey's portraits of
Hirst, Warhol, Clemente, Basquiat, Bacon, Man Ray, Beuys, Gilbert & George,
Henry Moore, Hockney, Cattelan, Penn, Fellini and others. Fine.

45 uk pounds for both cards and envelope together



Hirst, Damien
THE ELUSIVE TRUTH
NYC: Gagosian, 2005
28 x 20cm, 1pp. Very large format announcement card on thick card with a
full colour image of some pils and foil stamping. An ornate production for
the important Hirst US show. Fine.
JOINT: Original printed Gagosian mailing envelope.

40 uk pounds


Hirst Damien
FROM THE CRADLE TO THE GRAVE SELECTED DRAWINGS
London: Other Criteria, n.d. (2006)
20 x 15cm, 1pp. Announcement card for the exhibition of drawings and the
titular Hirst artist's book. One large reproduced drawing of an ashtray
full of smoked cigarettes. Fine.

25 uk pounds


Huppi, Alfonso
ALFONSO HUPPI
Koln: Galerie der Spiegel, 1972
18 x 18cm, 4pp. Promotional card for a series of fifteen serigraphs all
reproduced in b/w along with subscription details. Very good.

15 uk pounds


Immendorff, Jorg
SKULPTUR BASELITZ BROODTHAERS BYARS IMMENDORFF KIRKEBY LUPERTZ A.R. PENCK
Koln: Galerie Michael Werner, 1972
45 x 60.5cm, 1pp. A poster reproducing an original detailed b/w drawing for
the exhibition where Immendorff  has portrait all of the participants in
the show (included a by-then dead Broodthaers) in a log cabin making the
works. Hilarious - Byars is standing on a shelf, Baselitz swinging an axe
wildly at a tree trunk and Broodthaers being a little aloof (as befits a
poet). Proof that ephemera is more than just something sent out by
galleries to remind punters to come and drink wine. Folded as issued in
original printed mailed envelope. The envelope is opened and has been hole
punched on the flap so the item can be stored but this is not really a
deficit - else VG.

65 uk pounds


Immendorff, Jorg
JORG IMMENDORFF
Amsterdam: Galerie Helen van der Meij, 1979
10.5 x 15cm, 2pp. Recto is a reproduced b/w painting and on the other side
gallery details. A mailed copy. Fine.

10 uk pounds


Immendorff, Jorg
EISENDE. EINE SERIE VONE BILDER AUS 1981
Amsterdam: Galerie Helen van der Meij, 1981
10.5 x 15cm, 2pp. Recto is a reproduced b/w painting and on the other side
gallery details. A mailed copy. Fine.

10 uk pounds


Immendorff, Jorg
JORG IMMENDORFF PINSELWIDERSTAND (4X)
Eindhoven: Stedelijk Van Abbemuseum, 1981
30 x 21cm, 1pp. Small poster with a  full colour image of a small painting
(the same as the cover of the artist's Lidl book of the same year).
Formerly folded else VG.

10 uk pounds


Immendorff, Jorg
JORG IMMENDORFF
Eindhoven: Stedelijk Van Abbemuseum, 1983
10.5 x 15cm, 2pp. Recto is a reproduction of the design for Café
Deutschland and on the other side museum details. Fine.

10 uk pounds


Immendorff, Jorg
JORG IMMENDORFF OEUVRES RECENTES
Paris: Galerie Daniel Templon, 1989
21 x 15cm, 2pp. Recto is a reproduction of the painting “Dans Caafe des
Flore (avec Max, Otto, Ernst)” and on the other side museum details. Fine.

5 uk pounds


Innes, Calum
UNTITLED (RED)
Edinburgh: Fruitmarket Gallery, 2007
36 x 48.5cm, single colour etching on thick paper. An abstract two
rectangles in red. Inoffensive. One of 60 signed and numbered by the artist
bottom right. Sold out almost immediately on release. Fine.

395 uk pounds


Innes, Calum
UNTITLED (BLACK)
Edinburgh: Fruitmarket Gallery, 2007
36 x 48.5cm, single colour etching on thick paper. An abstract two
rectangles in black. Still inoffensive even in a different colour. One of
60 signed and numbered by the artist bottom right. Sold out almost
immediately on release. Fine.

395 uk pounds


Kiefer, Anselm
ANSELM KIEFER: NIEUW WERK
Amsterdam: Galerie Helen van der Meij, 1982
10.5 x 15cm, 2pp. Recto is a reproduced b/w painting and on the other side
gallery details. A mailed copy. Fine.

10 uk pounds


Kirkeby, Per
PER KIRKEBY
Amsterdam: Galerie Helen van der Meij, 1980
10.5 x 15cm, 2pp. Verso is a reproduced b/w double page from an artist's
book and on the other side gallery details. A mailed copy. Fine.

10 uk pounds


Kostelanetz, Richard
ECHO. CARD SERIES 5.
Woodchester: Openings Press, 1969
18.5 x 14cm, 2pp. Concrete poem with a conceptual sound element printed
recto (blue on white) - an editioned card from John Furnival's press. Fine.

25 uk pounds

SIGNED BY THE ARTISTS

Langlands & Bell
THE HOUSE OF OSAMA BIN LADEN
London: Thames and Hudson, 2004
23 x 19cm, 300pp plus pictorial card covers. First edition of this artist's
book with 297 colour illustrations throughout from the artist's two week
stint in Afghanistan as war artists for the Imperial War Museum. Images
include Bagram, the American air base; Bamyan, the site of the giant
Buddhas destroyed by the Taliban due to the usual stupid religious dogma;
the Supreme Court in Kabul, where L&B attended and filmed the first capital
trial since the fall of the Taliban and as a climax: the former home of
Osama bin Laden at Daruntah. This copy is unusually signed and dated by the
artists on the half-title. Fine.

95 uk pounds


Lennon, John and Yoko On
WAR IS OVER! IF YOU WANT IT HAPPY CHRISTMAS FROM JOHN & YOKO
London: s.p. (Lennon/Ono), 1970
20.2 x 15.2cm, 2pp. Vintage postcard with the (now) famous plea for world
peace printed on the front and on the back the text: POST CARD C COPYRIGHT
JOHN & YOKO '70”. Not a later reprint - this is one of the most iconic of
70s emphemeral items and copies are exceptionally rare being usually
snapped up as soon as they come onto the market. Here is your chance.

195 uk pounds


Long, Richard
RICHARD LONG
Antwerpen: Wide White Space, 1973
7.8 x 22cm, 2pp. Announcement card with on the front Camp Fire Ash South
America reproduced in b/w and on the reverse gallery details. Fine. Scarce
WWS item.

85 uk pounds


Long, Richard
A HUNDRED TORS IN A HUNDRED HOURS A WALK ON DARTMOOR 1977
London: Whitechapel Art Gallery, 1977
11.4 x 16.5cm, 2pp. Announcement card with recto the title work in b/w,
verso exhibition details. VG.

30 uk pounds


Long, Richard
RICHARD LONG SCULPTUREN EN FOTOWERKEN
Eindhoven, Van Abbemuseum, 1979
29.5 x 21 cm, announcement and small poster - an image of a rock line is
reproduced above text. Folded for storage else VG.

20 uk pounds


Long, Richard
NEW WORKS
London, Anthony d'Offay Gallery, 1986
13.5 x 20cm, 2pp announcement card with text work WIND LINE ACROSS ENGLAND
reproduced in b/w on the front. Fine.

15 uk pounds


Long, Richard
IN THE CLOUDS
New York, Sperone Westwater, 1991,
13.5 x 20cm, 2pp announcement card with a photographic and text work
reproduced in b/w on the front, verso in red gallery details Fine.

15 uk pounds


Long, Richard
CIRCLES AND LINES
Bremerhaven: Kabinett fur Aktuelle Kunst, 1993
10.5 x 15cm, 2pp. Announcement card recto gallery and exhibition details,
verso - the title text all printed on grey. Fine.

15 uk pounds


Long, Richard
RICHARD LONG
Düsseldorf, Kunstsammlung Nordrhein-Westfalen, 1994
10.5 x 20cm, 2pp announcement card with a large mud wall work reproduced in
b/w on the front. Fine.

15 uk pounds


Lueg, Konrad
KONRAD LUEG
Dusseldorf: Galerie Schmela,1964
14 x 21cm, 4pp printed on glossypaper. Four b/w reproductions of
works. Slight browning near the spine but a rare early invitation
brochure for the kapitalist realisimus artist.

75 uk pounds


Lupertz, Markus
MARKUS LUPERTZ SCHILDERIJEN, TEKENINGEN
Eindhoven: Van Abbemuseum, 1977
10.5 x 15cm, 2pp. Recto is a reproduced blue and yellow painting and on the
other side museum details. A mailed copy. Fine.

15 uk pounds


Kaprow, Allan
TRANSFER. A HAPPENING (FOR CHRISTO)
Middletown, Connecticutt: s.p (Kaprow), 1968
28 x 55cm, b/w poster for the happening where chemical barrels were
uplifted, restacked at different locations (each time the barrels being
resprayed a different colour) and a “triumphal” photograph of the
volunteers being taken at each location. The happening was dedicated to
Christo in homage to his earlier punlic works involving piles of barrels.
Folded twice for storage but else fine. Rare early documentation from an
important event.

295 uk pounds


SIGNED AND DATED BY VOSTELL

Kaprow, Allan, Wolf Vostell and Marta Minujin
FIRST ANNOUNCEMENT POSTER FOR 3- CONTINENT HAPPENING (AKA 3 COUNTRY
HAPPENING)
Berlin/New York/Buenos Aires, 
54 x 42cm b/w announcement poster/invite card for "A 3 country happening"
(later better known as the three continent happening) where simultaneous
events were initiated by the three artists. The design is a reproduced
drawing by Vostell of a world map with added text - this copy is signed and
dated 27/4/66 in pencil by Vostell. Folded as issued for mailing. Fine and
very scarce.

375 uk pounds


Maciunas, Georges
FLUXUS LETTERHEAD/POSTER BLANK
NYC: n.p. (Maciunas), n.d.
25 x 28.7cm  b/w letterhead/poster blank designed with George's typographic
skills (which were long in advance of the period) and not only notes all of
the items available (Fluxatlas, Fluxgames, Fluxwater, etc.) but notes
addresses for Fluxus HQ (Fluxmidst), for Flux-West (Friedman), Flux-East
(Knizak), Flux-South (Ben) and Flux-North (Kirkeby).  Rare. Silverman 249.
Fine condition

300 uk pounds


McCarthy, Paul
CHOCOLATE SANTA WITH BUTT PLUG
NYC: Peter Paul Chocolates, 2007
Printed cardboard box, box size: ca. 30 x 18 x 16cm, content of a shaped
chocolate Santa which is also a sex toyBring Xmas cheer throughout the year
(be warned chocolate is pretty useless for this stated purpose).
Theoretically an unlimited edition (and at least 1,000 were sold at $100
each from the shop-store that McCarthy devised). Fine in like box.

495 uk pounds


Merz, Mario
MARIO MERZ BEELDEN EN OBJECTEN
Eindhoven: Van Abbemuseum, 1980
21 x 30cm, b/w exhibition leaflet/poster for the museum installation with a
single large reproduction of a Merz igloo made out of oilskin and a
fluorescent text. VG+. 

25 uk pounds


Merz, Mario
MARIO MERZ 
Antwerpen: Galerie Ronny Van De Velde. 1988
10 x 21cm, 2pp announcement card with recto a reproduced colour drawing.
Verso the usual details. Fine.

12 uk pounds



Monk, Jonathan 
MEETING NR 22
n.p: Scultpure Matters, 2001
10 x 21cm, 2pp. Artist designed leaflet displaying on the front a wall work
which reads "Mount Whitney restaurant 227 S. Main Street Lone Pine Owens
Valley CA April 2nd 2006 breakfast." Overleaf is a short explanatory text.
Another of Monk's "meeting works" here in 'compliment slip' format. Fine.

25 uk pounds


Monk, Jonathan 
MEETING NR 61, NR 62
Edinburgh/London: Morning Star/Lisson, 2001
9 x 10cm, folded size.  Opens to 9 x 60cm approx. Artist designed booklet -
content of a text which reads "Luxor (main entrance) 3900 S. Las Vagas
Blvd. Las Vagas USA, November 21, 2010 sunset." Overleaf is a text in
Arabic which sadly we cannot read but suspect is a putative meeting at the
pyramids in Egypt (an inspired and probably correct guess). Another of
Monk's "meeting works". Fine.

10 uk pounds



Monk, Jonathan 
JONATHAN MONK UNTITLED AND UNFINISHED (AFGHANISTAN)
Rome: The British School at Rome, 2005
20 x 14.5cm, folded size. Opens to 42 x 58cm approx. Artist designed
exhibition catalogue and poster - with a b/w photograph of a two
Afghanistan mules in a landscape recto and verso gallery details and a text
in Italian and English regarding Monk's debt to Boetti (who is buried in
Afghanistan). Fine.

30 uk pounds


Monk, Jonathan 
THE JOHN WEBER GALLERY PRESENTS SEVEN BALLETS IN MANHATTAN/FIVE BALLERINAS
IN MANHATTAN
n.p. (NYC?): n.p., 2007
22 x 14cm, unpaginated (8pp, printed as a folded one side only sheet). Self
cover. Artist's book and exhibition catalogue which as such which is a
direct reprint of the original Daniel Buren public performance hand-out
with Monk having over printed by hand using a rubber stamp the new updated
title as conceived by the younger artist. 

35 uk pounds


Monk, Jonathan
JONATHAN MONK. TODAY IS JUST A COPY OF YESTERDAY (TEL AVIV)
Tel Aviv: Dvir Gallery, 2002
13.8 x 19cm, 2pp announcement card with two photographs by Monk reproduced
on the front - each taken from the same place one day apart. Monk more than
most contemporary artists realises that invite and other cards and ephemera
are part of the output of an artist and consistently creates nice relevant
works in this format.  In part this is because of his appreciation of 60s
and 70s conceptual art history where the announcement card first really
became a mainstream conscious medium (eg Weiner offering the invite card AS
the exhibition) but also in part because any conceptual work does not
(always) require a large canvas to be effective and powerful. Fine. 

15 uk pounds


Monk, Jonathan and Douglas Gordon
FRIENDS ELECTRIC (BEERMAT)
London: Lisson Gallery, 2010
11cm dia. black on white beermat released as object-multiple and
announcement object for the recent show jointly held between the two
artists (who are friends outside of the gallery space having both studied
in Glasgow together ).

15 uk pounds


Morris, Robert
ROBERT MORRIS
Dusseldorf: Galerie Schmela, 1964
14.8 x 21cm, 4pp. Announcement card from the important gallery here for a
very early Robert Morris sculptural show. The outer image is a b/w
photograph of a crowd milling around randomly arranged chairs and
internally there is on b/w reproduction of a scupture. VG.

50 uk pounds



Morris, Robert and Yvonne Rainer
SPRECH-UND TANZABEND
Dusseldorf: Galerie Schmela, N.D.(1964)
20 x 25cm, 1pp (although folded). Announcement leaflet for a joint project
between the leading minimalist dancer of her time: Rainer and Morris. The
text is overlaid on a montaged image of a be-masked Morris seemingly
arranging the Rainer backdrop from above while she performs in front of an
audience. Folded as issued - VG.

50 uk pounds


Morris, Robert
ROBERT MORRIS
NYC: Leo Castelli, 1967
72 x 56cm, artist designed announcement /exhibition poster which displays
the ever changing floorplan for the artist's installation (with some dates
displaying more than one alteration and others lasting over a week before a
reconfiguration). Folded several times for mailing - and this is indeed a
mailed example with address label - but VG example nonetheless albeit the
outer side from mailing and handling is slightly grubby.

75 uk pounds



(Panamarenko)
Multiples
MULTIPLES
Antwerpen: Galerie B. Coppens/Ronny Van De Velde, 1988
30 x 21cm, 6pp. A very large format announcement card / catalogue with on
the front a full sheet, full colour reproduction of a Panamarenko drawing
of a dirigible and internally, to the card, a list of all c. 48 different
multiples being shown along with size, format, date. Text in English. The
artists exhibited include Baldassari, Beuys, Broodthaers, Buren, Christo,
Duchamp, Fabre, Graham, Haring, Judd, Kosuth, Lewitt, Liuchtenstein, Merz,
Oldenbuurg (sic), Panamarenko, Torini and Warhol - and some are prints
rather than objects ie editions more accurately would describe the items.
Fine. 

15 uk pounds


Nauman, Bruce
BRUCE NAUMAN
Torino: Galleria Sperone, 1970
13 x 19cm,1pp. A minimal typographic invitation card for the show by the
body artist with the title text and gallery details squeezed into the top
left else blank. Very good + example.

50 uk pounds


Nauman, Bruce
BRUCE NAUMAN
NYC: Leo Castelli, n.d. (1990)
30 x 21cm, 4pp. A very large format announcement card with on the front a
full sheet, full colour reproduction of the foam Animal Pyramid sculpture. 
Fine. 

15 uk pounds



Nauman, Bruce
CATALOGUE BRUCE NAUMAN - PRINTS & MULTIPLES
Brussels: Galerie B. Coppens / R. Van De Velde, 1990
30 x 21cm, 6pp. A very large format announcement card / catalogue with on
the front a full sheet, full colour reproduction of a Nauman body work
print (hands forced to be unable to move by the filled glasses balanced on
top of them) and internally, to the card, a list of all 32 different works
being shown along with size, format, date. Text in English. Fine. 

15 uk pounds


SIGNED BY PAIK

Paik, Nam June 
PAIK 
Antwerpen: Ronny van de Velde, n.d.
20.7 x 16cm, 16pp plus card covers. Content of full page images of works in
full colour - the Family of Robot works with text credited to the WWS's
Anne de Dekker. 1,000 copies of each booklet were printed however this
example is signed on the cover very clearly by Paik using metallic ink.
Fine although the signature is very slightly smudged on the “a”.

45 uk pounds


Paladino, Mimmo
MIMMO PALADINO
Koln: Paul Maenz, 1980
30 x 21cm, 1pp announcement leaflet and small poster designed by the artist
and printed black on brown kraft paper. Slight evidence of past creases and
folded twice for storage but a late document from conceptual gallery, else
VG.

15 uk pounds


SIGNED BY PANAMARENKO

Panamarenko
RAVEN'S VARIABLE MATRIX
Antwerpen: Ronny Van De Velde, 2000
11 x 22.5cm, 2pp. Announcement card with on the front a full colour (and
varnished) reproduction of a painting and verso gallery details. This
example is signed on the front in ink by the flight-obsessed artist. Fine.

45 uk pounds


Penck, A.R.
STANDARD MODELLE
Koln: Galerie Michael Werner, 1972
10.5 x 14.8 cm, 2pp announcement card with the cardboard sculpture
reproduced on the front. Michael Werner was Penck's primary dealer during
this period while the artist was living behind the Berlin Wall in East
Germany and it was Werner who lent/introduced him to the Wide White Space
who showed him regularly from this point on.

45 uk pounds



Penck, A.R.
A.R. PENCK TRAINING MIT STANDARD
Antwerpen: Wide White Space, 1972
11.5 x 17.5cm, 1pp announcement leaflet (text only) for the artist's first
show in the gallery. Ref WWS nr 052 (not reproduced but mentioned in the
text). Fine. Scarce.

75 uk pounds



Penck, A.R.
UNTITLED (POST CARD)
Antwerpen: Wide White Space, n.d. (1972?)
17.5 x 11.5cm, 2pp. Artist designed postcard (on thick card) released by
the conceptual gallery (limitation unknown) with a black and red on brown
reproduced drawing on one side and minimal text recto.  We cannot find any
reference to this item in the catalogue raisonne of the WWS although it may
have come from the first exhibition by the artist at the gallery in 1972-
and we believe it to be quite rare. Fine condition.

95 uk pounds


Penck, A.R.
A.R. PENCK SCHILDERIJEN EN GOUACHES
Amsterdam: Galerie Helen van der Meij, 1981
10.5 x 15cm, 2pp. Recto is a reproduced ink drawing and on the other side
gallery details. A mailed copy. Fine.

12 uk pounds


Penck, A.R.
A.R. PENCK NIEUW WERK
Amsterdam: Galerie Helen van der Meij, 1981
10.5 x 15cm, 2pp. Recto is a reproduced pencil text drawing and on the
other side gallery details. A mailed copy. Fine.

12 uk pounds



Penck, A.R.
UBERGANG: TUSCHPINSELZEICHNUNGENM 1981
Koln: Galerie Michael Werner, 1987
60.5 x 45cm, 1pp. A b/w colour poster from an abstract work by Penck.
Folded as issued in original printed mailed envelope. The envelope is
opened and has been hole punched on the flap so the item can be stored but
this is not really a deficit - else VG.

35 uk pounds


Penck, A.R.
BEGRIFF MODELL (2)
Koln: Galerie Michael Werner, 1988
58 x 41.5cm, 1pp. A full colour poster a multi-colour soft-sculpture by
Penck. Folded as issued in original printed mailed envelope. The envelope
is opened and has been hole punched on the flap so the item can be stored
but this is not really a deficit - else VG.

35 uk pounds


Penck, A.R.
DAS JAHR 1989
Koln: Galerie Michael Werner, 1989
60.5 X 45cm, 1pp. A red and green colour poster designed by Penck with the
title self-portrait. Folded as issued in original printed mailed envelope.
The envelope is opened and has been hole punched on the flap so the item
can be stored but this is not really a deficit - else VG.
JOINT:
A.R.PENCK
Koln: Galerie Michael Werner, 1989
9.2 x 12.4cm, 1pp. Typographic invitation card to the opening. Fine.

45 uk pounds



SIGNED BY PENCK

Penck, A.R.
SHOPPING BAG MULTIPLE
Heidelberg: Edition Staeck, n.d.
50 x 37cm silkscreened shopping bag (red and black on canvas) with two
different images on the two sides both designed by Penck. This example is
signed in red ink by Penck on one side. Fine. Edition size not known

100 uk pounds


Picabia, Francis
POEMES ET DESSINS DE LA FILLE NEE SANS MERE. 18 DESSINS - 51 POEMES.
Lausanne: s.p. (Picabia), 1918
24 x 15.5cm (approx), 74 + (6)pp. Original wrappers. First edition of this
book begun on Picabia's honeymoon and continued during the artist's
breakdown and recovery in Lausanne when he was forbidden to paint by his
doctors - there are fifty-one poems and eighteen mechanical drawings within
the text. The publication of this book was the motive force for Picabia's
encounter with the Zurich Dada group. A very good example of a very rare
book indeed although with typical browning and minor marks to wrappers.

2,950 uk pounds


Rauschenberg, Robert
UNTITLED (APPROPRIATED FOIL BLOCKED PAPER AS OBJECT MULTIPLE)
NYC: Castelli, n.d. (c. 1984/5)
16 x 14cm, orange and silver foil overprinted handmade paper - an
appropriated object multiple handed out by the artist at his New York show
after he had announced his ROCI initiative - the Rauschenberg Overseas
Culture Interchange was a seven year plan to bring world art to the
cultural centres of contemporary art (NYC, London and the rest of Europe).
The Castelli exhibition of works had included fabric sculptures where
Rauchenberg had worked in silks from Mongolia, Mexican fabrics, etc and
these items (presumably obtained from a similar far-flung geographical
location) were available for guests to the opening to take away. Fine and
rather beautiful - each being unique in that the positioning of the colours
and the gold foil blocking was not exactly in registration on each sample
and also not consistent in the coverage of the ink. We hold three examples
- two printed orange over the silver and one a single silver square on the
white background paper where no overprinting took place. Very scarce and
fragile and lovely.

75 uk pounds each


Rauschenberg, Robert
RAUSCHENBERG
Brussel: Galerie Coppens & R. Van De Velde, 1989
30 x 19cm, 4pp. Large format full colour announcement card/catalogue with a
tapestry reproduced on the front and internally the seven “smarkand
stitches” series noted. Fine.

12 uk pounds


Rainer, Arnulf
ARNULF RAINER. SCHILDERIJEN EN TEKENINGEN
Eindhoven: Van Abbemuseum, 1980
54 x 40cm, b/w exhibition leaflet/poster for the museum installation with a
single large reproduction of a Rainer painting where brown has been
overlaid onto a underpainting of a cross in red and other colours. VG+. 

25 uk pounds



Raysse , Martial 
UNTITLED (HEAD WITH POWDER-PUFF)
Hubbelrath: Hofhaus Presse, hubbelrath, n.d. (ca. 1962 - 64) 
41.5 x 36.5 cm, multicoloured silkscreen collage with feather powder-puff -
a very early and beautiful pop work from the Nouvelle Realiste artist - a
female face is overlaid with the means by which her make-up may be applied.
One of 100 numbered & signed copies in original frame. Rare.

8,500 uk pounds



Richter, Gerhard
BLATTECKE
Hanover: Galerie h, 1967
24 x 18cm offset lithograph - Richter's 11th multiple after an early
painting by the artist - here the corner of a page is turned over. Richter
has signed the image under the "turned" page and the number of the edition
is on the corner of the trompe d'oeil sheet. One of 739 known copies. Very
good in frame. Rare and keenly sought. Ref nr 11 in Richter editions.

2,750 uk pounds



Rot, Diter (Roth, Dieter), Daniel Spoerri, Jean Tinguely and others
SWEIZER KUNST 68
Basel: Felix Handschin Galerie, 1968
19 x 13cm (folded size - opens out to 57 x 78cm) exhibition catalogue as
poster - a group show with the participation of Samuel Buri, Franz Fedier,
Alfonse Huppi, Bernard Lugginbuhl, Markus Raetz, Diter Rot, Daniel Spoerri,
Jean Tinguely, Peter von Wattenwyl and Roland Werro. Internally the sheet
opens out to a very large montage printed green and black of all of the
works in the show (five photographs overlapped) inside a map grid. On the
other side are lists of the works and a map. The format is meant to
resemble a roadmap. Fine.

95 uk pounds



ONE OF 300 SIGNED AND NUMBERED BOOKS WITH HAND DRAWN DOUBLE PAGE DOGS
DRAWING

Roth, Dieter and Bjorn Roth
DOGS 128 ZWEIHÄNDIGE SCHNELLZEICHNUNGEN.
Berlin/Binningen: Rainer Verlag/Roth's Verlag,1981.
29 x 29 cm, unpaginated. Card covers.  One of the first edition of this
artist's book which was created by the father and son (as with many of the
last bookworks by Roth) in an edition of only 300 signed and numbered
copies with a double-page, double mirror drawing by Roth but signed 'Björn
Roth, Sept. 84.'  All is in excellent condition although the original
drawing on the final endpapers has a small tear on the top of the left side
of the sheet caused by Roth fixing the open book by scotch tape to the work
surface and not removing it with the care it should have required - a
common fault to a number of these books. Scarce.

650 uk pounds


Salle, David
LIVELY IRIS
Munich: 1992
69 x 54cm lithograph/linocut. Signed and numbered from a small edition of
40.  We hold three different prints from this portfolio. Luscious,
rococco-esque Salle imagery from the master of the layered composition. 
Images available on request. Fine.

450 uk pounds each or all three for 1,250 uk pounds



Salle, David
PORTRAIT WITH SCISSORS AND NIGHTCLUB 1987/88
63 x 75 cm approx. colour woodblock. An erotic image from the master of the
over-image. From a small edition of 100. Signed and numbered.  Fine
condition

500 uk pounds


Saura
SAURA. OEUVRES GRAPHIQUES
Paris: Galerie Stadler, 1965
27 x 21cm, 6pp (single card sheet). Exhibition catalogue with nine small
lithographs reproduced in b/w and extensive lists of works exhibited (67 in
all). Some browning to front and rear cards else VG.

25 uk pounds


PRIVATELY PRINTED WITH A LENGTHY HAND WRITTEN NOTE BY SCHNEEMANN ON THE
REVERSE

Schneemann, Carolee
WISHE (sic) FOR MERRY CHRISTMAS OF FRIENDSHIP.....
London: s.p. (Schneemann and McCall), n.d. 1972
15 x 9cm, 1pp - privately printed postcard which was sent out by Anthony
McCall and Carolee Schneemann as a Xmas greeting. On the front (printed red
on white) is a specially posed photograph of the two lovers, totally naked
jumping from two chairs onto the floor. McCall has dropped a cat from waist
height and the feline is captured in the process of landing on all four
paws - Schneemann's famous cat Kitsch is luckier and is being held above
Carolee's head while she is in the process of landing on her two feet. In
the snap, McCall's male organ is being thrown back by gravity and it looks
like it will soon be in pain - which may be karma for the poor cat. On the
reverse in green ink is an extensive note from Schneemann to someone called
"Jan" regarding some order of a work and explaining the molding work for
the cover has delayed the production. It is signed and dated 24 Feb 72.
Several small pinholes near the bottom but hard to see. Early private
ephemera with an amusing image.

85 uk pounds


Schneemann, Carolee
ICE NAKED SKATING (1972)
Verona: Edition Conz, 1988
Six separate, (each) 100 x 70 cm, colour screenprint (after photographs by
Anthony McCall taken in 1972) of a younger Schneeman ice-skating naked. Has
the woman no shame? No - but that's the point! Brrrrrr. Signed and numbered
from an edition of 60 copies in portfolio box with additional title sheet.
Fine estate. An appropriate print multiple for the current Scottish
climate.

3,950 uk pounds



Segal, George, Dan Flavin, Don Judd, L. Poons, Richard Smith and Neil
Williams
GEORGE SEGAL: THE DRY CLEANING STORE DAN FLAVIN DON JUDD L. POONS RICHARD
SMITH NEIL WILLIAMS
NYC: Green Gallery, 1964
35 x 51cm, exhibition poster with an b/w image of the important three
dimensional, life size work by Segal displaying a woman in her store taking
orders for dry-cleaning and a text panel in the middle. A key work in pop
art which along with Oldenburg's early Shop works took day to day
often-unremarkable social interactions as the stuff of sculptural
innovation - a clear application of pop art principles stressing the
aesthetics of the everyday to the solid forms of artistically formed clay,
card, stone, plaster. A rare item but sadly here there is some water damage
to the bottom of the poster - although this is hard to see when opened out.
This is also a mailed and addressed example - priced to reflect this damage
else we would charge much more.

75 uk pounds


Serra, Richard
SERRA
Antwerpen: Galerie B. Coppens/Ronny Van De Velde, 1989
30 x 21cm, 6pp. A very large format announcement card / catalogue with on
the front a full sheet, b/w reproduction of a Serra drawing of a dense pair
of blocks almost touching and internally, to the card, a list of 17 prints
being shown along with size, format, date and six other b/w reproductions
of the works (small) on another leaf. Text in English.  Fine. 

15 uk pounds



Seuphor, Michel.
SIX ARTIST POSTCARDS
n.p. (France): n.p., n.d. (1970s?)
Six separate artist's postcards - all in a set - uniformly 15 x 11.5cm,
2pp. All recto display different abstract works by Seuphor from the period
1957 - 1959. Fine.

35 uk pounds for all six as a group


Shiomi, Mieko
BALANCE POEM ON THE CENTRIFUGAL LAND
Welling, Kent: Gemma Three, 1970
Two sheets of 1pp texts and one reproduced drawing creating together an
event score for two main performers and an audience and a balance
(preferably a stick on a pointed axis where various word blocks can be hung
on both sides). The text calls on words indicating weight such as “six
elephants” or “five tablets of sleeping pills” to be written on cards and
then compared to each other using a balance and then have the audience
members erase the texts while listening to transistor radios tuned to
different radio stations. More surreal than usual even for the scores
associated with Fluxus.  The original thin plastic wrapping and card cover
is still extant here although the edges of the plastic have been neatly
slit to allow the pages to be taken out and read. Rare. Limitation unknown.


95 uk pounds


WITH HAND APPLIED GLITTER

(Warhol, Andy, Taylor Mead and underground film)
Smith, Jack
THE 1ST NEW YORK UNDERGROUND FILM FESTIVAL UPSTAIRS AT MAX'S KANSAS CITY
Kansas: Max's, n,d, (1970)
28 x 21.6cm, 1pp offset publicity leaflet designed by the creator of the
Beautiful Book. The leaflet has a reproduced drawing by Smith of a female
face and notes showings of films by Michel Auder, Bill Vehr, Fred Mogybgur,
Jack Smith, Taylor Meade, Bill Camble, Antione Perich, Claude Pervis,
Rayanne Rubenstein, Beverly & Tony Conrad and, on the 19th of October, to
end the festival are the films of Andy Warhol. The leaflet has collaged
elements hand applied to it - red glitter on the lips of the woman and
silver glitter where eye makeup would have been found. Some tears and edge
wear (very small paper lack on right) and minor handling creases but a rare
document from the beginnings of the pop - counter culture interface that
mostly could be found in film.

125 uk pounds


Smith, Jack
SACRED LANDLORDISM OF LUCK PARADISE
NYC: Onnasch Galerie, 1974
28 x 21.6cm, 1pp offset publicity leaflet designed by the creator of the
Beautiful Book.  The leaflet is for a showing of the title performance: "A
technicolour sacrifice boiled lobster sunset slide-show by Jack Smith with
records of plaster of paradise lagoon." - the text is incorporated into a
hand-drawn design. Slight browning of paper and formerly folded but very
rare ephemera.

95 uk pounds


UNIQUE PRINT

(Warhol, Andy)
Smith, Rupert, Jason.
HOMAGE TO ANDY WARHOL
New York:  s.p.: 1988
96cm x 96cm unique trial print silkscreen with diamond dust on Lenox Museum
Board. Signed (often Smith did not usually sign his own work) bottom right
and bind-stamped by the artist who was Warhol's printer, friend and
collaborator. Smith used surviving photography of his mentor and his
knowledge of Warhol's print techniques to produce this homage in the form
of pastiche. The colouring on this version is red blue and lilac and was
the only example in this colour combination. This work is also unusual in
that Smith did not usually sign his work. Fine estate.

1,450 uk pounds


Sonnier, Keith
ABACA-CODE
Dusseldorf: Galerie Denise Rene Hans Mayer, 1976
30 x 21cm, 4pp. Announcement card in large format for the two paper cast
works by the conceptualist - both reproduced in full colour internally and
on the reverse much detail on the fabrication of the works. Slight browning
to the mostly white front covers.

20 uk pounds



Spoerri, Daniel
ANNOUNCEMENT FOR LES MURS DU RESTAURANT SPOERRI
Dusseldorf: Denise Rene Hans Mayer, 1971
20 x 10cm, 1pp announcement card for the exhibition of Daniel Spoerri works
created from items glued to the wall of his restaurant. Fine.

45 uk pounds



(Restany, Pierre)
Tinguely, Jean
JEAN TINGUELY
Dusseldorf: Galerie Schmela,1969
14 x 21cm, 4pp. Typographic design but internally an essay by Pierre
Restany on the rear a biography of the artist. Fine and scarce.

65 uk pounds


ONE OF 200 EXAMPLES

Tinguely, Jean.
"LA VITTORIA". MILAN: 28 XI 1970.
Amsterdam: Edition Seriaal, 1971.
67cm x 87.5 cm. Poster. Offset duotone photographic image (photo by Ad
Peterson) printed on heavy gauge stock. Signed by the artist. Issued in an
edition of only 200 examples, this multiple by Tinguely is the
documentation of the title ultra-explosive machine performance. This
example signed by Tinguely. A striking image. Fine estate. Uncommon.

750 uk pounds


Torini, Niele
4 SALLES D'UNE MUSEE, UNE EXPOSITION, UN PARCOURS
Eindhoven: Van Abbemuseum, 1978
54 x 40cm, b/w exhibition poster for the museum installation with six b/w
reproduced photographs of the walls with Toroni's spot paintings. Folded
for storage but else VG+. 

25 uk pounds


Torini, Niele
NIELE TORONI EXPOSITION
Paris: Yvon Lambert, 1983
15.5 X 10.3cm, 2pp announcement card with recto a b/w photograph of a
Torini work in the window of the Lambert gallery (from the previous 1979
exhibition) verso gallery details. A mailed and hand addressed example. 

25 uk pounds


Twombly, Cy
CY TWOMBLY
Brussel: Galerie Coppens & R. Van De Velde, 1989
30 x 19cm, 6pp. Large format full colour announcement card/catalogue with a
drawing/painting reproduced on the front and internally a long series of
prints (lithographs, screenprints, stone lithographs, etc) by the artist
noted. Fine.

15 uk pounds


Uecker, Gunter
UECKER
Stuttgart: Galerie Muller, 1966
15 x 21cm, 6pp (single folded sheet). Exhibition catalogue for this Zero
related show displaying studio aggregations of nail paintings and
sculptures (a chair half covered in impaled nails over the flat seat and
one leg) and a front page image of the artist installing the works in the
gallery. Biography and exhibition history in German.  This was Uecker's
20th solo show. Fine.

35 uk pounds


Uecker, Gunter
UECKER
Bruxelles: Palais des Beaux-Arts, 1970
21 x 10.5cm, 12pp (single folded sheet) - catalogue for a exhibition where
Uecker created a large scale sculpture utlising wooden stakes hammered into
the ground (a la nails). Three large b/w images of the artist creating the
work and short texts by Uecker in German, French and Dutch.  Slightly
browned but else VG+.

30 uk pounds



Ulrichs, Timm 
ICH BIN EIN GEDICHT/ICH, GROSS GESCHRIEBEN. 3. EGOZENTRISCH-MONOMANISCHES
MANIFEST'.
Vienna: Werkstatt, Verein zur Förderung moderner Kunst. 1968
41.8 x 29.8cm, two sided b/w poster with a portrait of Ulrichs (with
glasses) on one side by Heinrich Riebesehl and an artist's text on the
reverse and the impression of the artist's address stamp in blue ink. This
was the third of Ulrich's manifestos dedicating himself as a total artist
(in a nutshell: influences from everywhere, using any methodologies
available). Scarce early document. VG condition.

100 uk pounds


Van Elk, Ger
GER VAN ELK
Antwerpen: Wide White Space, 1973
5.5 x 17.2cm, 2pp. Full colour announcement card for the exhibition with
recto a wall work reproduced and verso gallery details. Very scarce. Fine.
Ref. WWW 062. 

85 uk pounds



Van Elk, Ger
SEVERAL 'NOSE' AND 'MOUTH' SCULPTURES
London: Nigel Greenwood, 1979
10 x 21cm, 2pp. Full colour announcement card reproducing a full colour
drawing on the front and, as usual, verso gallery details. Fine.

20 uk pounds


A COMPLETE SET OF CARDS SIGNED BY WARHOL

Warhol, Andy
TEN PROMOTIONAL POSTCARDS FOR MICK JAGGER SUITE 
London: Seabird Editions, 1975
Ten separate cards - each 15.5 x 10.1cm, 2pp - and each with a different
full colour (offset) reproductions of each of the portraits of Jagger which
has been recently released as an editioned print from the pop artist. The
only printing on the back of each card is the number of the image from the
ten released ie “1”, “2” etc. bottom left. These cards have in the past
been glued down on a board - and there is still significant glued on paper
residue from where the cards were later removed  but these cards (while
mounted in such a manner) were signed vertically across two cards (nrs 4
and 9) in black thick felt tipped pen by Andy Warhol himself. Clearly it
would be better if the cards had not been mounted in such a manner but this
is far outweighed by the signature. We are offering these here at this
price unmounted but if we do not sell them then we will later reframe them
in a more conservational manner which will allow the signature to be easily
seen. A very scarce item which is made all the more rare by the signature
is priced as follows. Not a later (deceptive) reprint which can sometimes
be found but the original period promotional set.

1,950 uk pounds for all 10 cards as a group.


Weiner, Lawrence
FLOWED
Halifax: Nova Scotia College of Art and Design
17 x 11cm, 30pp, card wrappers. First edition of this Weiner's 5th artist's
book with statements relating to the movements of liquids (translated into
three languages). Fine condition.  Ref: Lawrence Weiner, Books Nr 5.

75 uk pounds


Weiner, Lawrence
WITH A RELATION TO A MANNER OF PLACEMENT AND/OR LOCATION 
Sydney; Art Gallery of New South Wales, 1974
9 x 16cm, 2pp black text on white card designed by Weiner, verso gallery
details, Mint.

40 uk pounds


Weiner, Lawrence
3 WORKS IN RELATION TO PLACE
Düsseldorf, Konrad Fischer, 1975
9 x 15cm, 4pp announcement card with a text by the artist. Fine although
the date has been corrected by overprinting (as issued).

65 uk pounds



ONE OF C. 300 COPIES (NOT ORIGINALLY FOR SALE)

Weiner, Lawrence
OUT ON THE ICE (THICK AND THIN)
Hannover: Sprengel Museum, 1991
84 x 60cm, blue on white thin card and die cut lithograph. One of an
estimated 300 copies which were installed around Hannover and pasted onto
pillars as a site specific work. The posters were not for sale - this is
one of  a small number of unused prints. Clearly pretty scarce.

225 uk pounds


Weiner, Lawrence
A BASIC ASSUMPTION & 5 FIGURES OF STRUCTURE
NYC: Marion Goodman, 1999
45.5 x 45.5cm, orange, blue and black exhibition poster designed by Weiner.
Folded for storage/mailing twice else VG.

35 uk pounds


Weiner, Lawrence
LAWRENCE WEINER
Kitakyushu: CCA, 1999
10.5 x 21cm, 2pp. Announcement card for the artist's Japanese exhibition.
Typographic design on cream.

15 uk pounds


Weiner, Lawrence
STRAIGHT IS THE GATE BUT WATER FINDS ITS OWN LEVEL
Zurich, Grand Curtius Gallery, 2009
9 x 21cm, 2pp announcement card with a design by the artist. Fine.

15 uk pounds



(Eat Art)
Weseler, Gunter
GUNTER WESELER 
Dusseldorf: Eat Art Galerie, 1971
29.5 x 21cm, 1pp. Mini-poster / announcement b/w with a drawing by the
artist of some sheep on a table (lamb for dinner then?) and gallery
details. Also mentioned in a list that objects from Arman, Brecht, Cesar,
Filliou, Gerstner, Linder, Luginbuhl, Page, Rot, Spoerri, Thomkins and
Williams are also available and on exhibition. Folded for mailing else VG.
Scarce as are all Eat Art Gallery items.

65 uk pounds



(Zero)
Mack, Heinz and Otto Piene
MACK PIENE LICHTRELIEFS OLBILDER LICHTMODELLE LICHTBALLETT
Heidelberg: Graphisches Kanibett Heidelberg, 1959
13 x 18.3cm, 2pp announcement card (thin glossy card) for a joint show
displaying some of the duo's light works. Recto: a photographic portrait of
the two artists sitting on chairs as young men. Verso: gallery details in
an interesting typographic design. Fine and, as with all Zero related
items, very scarce. 

75 uk pounds


(Zero)
Piene, Otto
PIENE. EIN FES FUR DAS LICHT
Dusseldorf: Galeriue Schmela, 1960
21 x 15cm, 6pp. Exhibition catalogue for the artist's Lichtballette ("light
ballet") and Rauchbilder (Smoke paintings) exhibition - an exceptionally
rare document from the member of Zero. One smoke painting is reproduced in
full colour and tipped onto the brochure and another is shown on the front
cover in b/w (a light work). Fine and rare.

85 uk pounds


The morality of punk: “I wouldn't steal money off a friend…. But I'd steal
his girlfriend.”  Joe Strummer



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Paul Robertson
HEART FINE ART LTD
11c Murieston Lane
Edinburgh
EH11 2LX
Scotland, United Kingdom

Cell phone: +44 (0) 7973 988 471

e: mail@heartfineart.com

http://www.heartfineart.com


Visitors to our gallery are welcome (eg by collectors or even students
interested in items for study) but please contact us in advance to arrange
an appointment.

Payment by VISA / MASTERCARD / AMEX / MAESTRO (5% surcharge), IMO or
personal/business UK clearing bank cheque (clearance required before
dispatch of items).

Direct bank transfer to   "Heart Fine Art Ltd."

Account number: 00296617

IBAN (International Bank Account Number): GB40RBOS83340000296617

UK Sort code: 83-34-00.

BIC (bank identifier code: RBOSGB2L

Bank address: Royal Bank of Scotland, North Bridge Branch, Edinburgh, UK.

Prices of all items excluding shipping, insurance, taxes / duty and bank
fees. Payment terms by negotiation. Institutions will be invoiced on
receipt of fully authorised and confirmed purchase order. We are no longer
registered for VAT so there is no sales tax on purchases from now on.

If paying by credit card please supply your number, expiry date, and the 3
number cvc (security code) on the back of your card and let us have your
billing address if it is different from your shipping address (please don't
forget to let us have that too!)

For articles on the website www.heartfineart.com it is possible to pay
direct using the shopping card system.

Photographs of most items available by email by return if requested.
Detailed provenance history is usually available for unique items.

Please note prices subject to change without due notice. While we will
endeavour to keep prices stable for items outlined above sometimes changes
in, for example, exchange rates mean that prices have to be altered. If
changes are required than we will notify you at the time of any enquiry.

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