Issue 10: And Yet It Moves
Upon the publication of Triple Canopy's tenth issue, we're pleased to introduce readers to a redesigned and reorganized website, which features a new system for viewing articles. Two and half years ago, when designing the first iteration of Triple Canopy, we asked ourselves how we could slow down reading online to create a richer, more coherent experience than existed on the Internet... Read more »
Support Triple Canopy and its contributors
As we look forward to the next year and its challenges, your continued support is more important than ever. Your contribution will help provide artists and writers with the editorial and technical resources to realize the kind of formally innovative, intellectually rigorous projects that have led Harper's Magazine to call Triple Canopy an "excellent multimedia magazine," and The Stranger to say "they're doing the sort of stuff that people say is not happening on the Internet: intelligent reportage and analysis that isn't afraid to go in-depth."
If you value the work we've been doing and would like to enable us to do more of it—and publish with greater frequency—please consider making a tax-deductible donation online now.
Included in this issue:
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Planetarium
by Matt Mullican
Navigating the interplanetary medium: a scale model of the solar system, its major bodies, its empty space. Programmed by Patrick Smith. |
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She Goes Covered
by Julia Sherman
Following the global hair trade from the braids of Peruvian highlanders to the sheitel machers of Borough Park, Brooklyn. |
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Happy Moscow
by Sam Frank
>From Russia with love? An epistolary romance, with obstructions, between the USA and the former USSR. |
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Brown Skin, Blue Masks
by Nadja Millner-Larsen, Wazhmah Osman & Danyel Ferrari
The Palestinian resistance, James Cameron's Avatar, and the visual rhetoric of humanitarianism.
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Notes in Time
by Nancy Spero with Christopher Lyon
A reanimation of the artist's landmark 1979 work, presented as a continuous scroll. Programmed by Seth Erickson. |
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whiteonwhite
by Eve Sussman & Rufus Corporation
Six episodes of an algorithmic thriller. Programmed by Joshua Noble. |
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To Have Is to Owe
by David Graeber
Mesopotamian usury, Vedic accounting, American Jubilee: excavating the history of fiscal debt. Illustrations by Joanna Neborsky. |
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A Forcing of Barriers
by Per-Oskar Leu
A staged encounter between two German artists: a dead state sculptor and a late degenerate painter.
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Recent podcasts:
Forms of Crisis: Harry Mathews & Joseph McElroy (with Obstruction)
The obstruction, for Mathews and McElroy, being their microphones; now, for the listener, the degraded quality of this audio file, a recording of the two great American writers in conversation on October 21 at 177 Livingston, hosted by Triple Canopy.
Print & Demand #2
by James Goggin, Jiminie Ha, Rob Giampietro & Caleb Waldorf
The second in an ongoing series of conversations exploring how print culture is being changed by the manifold forms of online publication and how public spaces are being constituted around those forms.
Three Pieces
by Dawn of Midi
Based in Paris and New York, Dawn of Midi melds free jazz, minimalism, and musique concrète. Its debut album, First, was released this year by Accretions. Dawn of Midi is currently working on a multimedia performance in collaboration with Triple Canopy, to premiere in spring of 2011.
Upcoming event:
Scale Models
Museum of Contemporary Art Tucson, 197 East Toole Avenue, Tucson, AZ
December 15–20
Triple Canopy will be in residence at the Museum of Contemporary Art Tucson, where it will host a number of public programs: a screening of films by Robert Breer; a discussion of the role of design in the development of emerging forms of publication; a conversation between artist and Triple Canopy contributing editor Adam Helms and artist Taylor Baldwin; and a winter solstice party.
Triple Canopy is an online magazine, workspace, and platform for editorial and curatorial activities. Working collaboratively with writers, artists, and researchers, Triple Canopy facilitates projects that engage the Internet's specific characteristics as a public forum and as a medium, one with its own evolving practices of reading and viewing, economies of attention, and modes of interaction. In doing so, Triple Canopy is charting an expanded field of publication, drawing on the history of print culture while acting as a hub for the exploration of emerging forms and the public spaces constituted around them. Triple Canopy is a nonprofit 501(c)3 organization.
Triple Canopy gratefully acknowledges The Andy Warhol Foundation for the Visual Arts, The Brown Foundation, Inc. of Houston, The Buddy Taub Foundation, Foundation for Contemporary Arts, Funding Emerging Art with Sustainable Tactics (FEAST), The Polis-Schutz Family Foundation of the Jewish Community Foundation, New York Council for the Humanities, New York State Council on the Arts, and The Prospect Hill Foundation, as well as the many individuals and in-kind contributors who have generously given their support.
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