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Art News:

We have an excellent year coming up.  Cantor Arts Center's new shows for 2011 are listed below.  
Visitor information is at http://museum.stanford.edu
The Center is open the next few weeks, but many staff members (including me) will be away Dec 18 - Jan 2.

On view through June 26, 2011
Longing for Sea-Change
This series presents video installations by contemporary artists living and working in Africa and the diasporas.  The final video in the series, William Kentridge's Felix in Exile, on view  January 19–June 26, 2011, is a nine-minute animation based on 40 charcoal drawings.  The video tells the story of a man living in exile in Paris witnessing the ordeals faced by his alter-ego, Nandi, a woman working as a land surveyor in the new, democratic South Africa. 
 
February 2 – May 1, 2011
In a New York Minute: Photographs by Helen Levitt
Helen Levitt (1913–2009) received critical acclaim as a “photographers’ photographer” during her lifetime and since her death in 2009.  Admired by the writer James Agee, who saw the “ceremonies of innocence” in her subject matter, Levitt’s direct approach has been deemed “artless” and “styleless.” Yet it is this ease and apparent effortlessness that has made her images icons of the spontaneity and eccentricity of the New York City streets.  Included in this exhibition from the collection of The Capital Group Foundation are 55 photographs that Levitt selected as some of the most important images of her career.  
Media preview: Wednesday, February 2, 10 a.m.–noon
 
February 2 – May 1, 2011
Paths through the Global City: Photographs by Leo Rubinfien
Over the years, the work of contemporary photographer and writer Leo Rubinfien has developed through four projects.  The common theme of all four is the poetry of urban life and especially the street; three of the four are also concerned with globalization and modern society.  This exhibition presents photographs from each project, including many given to the museum in late 2008 by an anonymous donor.  A modest publication accompanies the exhibition.  
Media preview: Wednesday, February 2, 10 a.m.–noon

March 2 – May 29, 2011
A Rediscovered Masterpiece: 12 Drawings from Domenico Tiepolo's New Testament
This display of works by the prolific Venetian master Giovanni Domenico Tiepolo (1727–1804) includes two drawings never before seen by the public.  Domenico Tiepolo’s relationship as pupil and assistant to his renowned father, Giovanni Battista Tiepolo (1696–1770), inspired Domenico’s devotion to art.  Although he produced oil paintings and etchings, his most significant works are drawings.  Domenico Tiepolo’s pictorial retelling of the New Testament -- his most ambitious series, which includes 316 drawings -- was nearly lost.  The 12 works are on loan from the Indiana University Art Museum.

March 16 – August 7, 2011
True Colors
Greco-Roman sculpture was never intended to be white, and this exhibition features the once-lively colors of sculpture from that era. Using handheld X-ray fluorescence technology, a Cantor Arts Center team led by undergraduate chemical engineering major Ivy Nguyen discovered minute traces of pigments that originally covered these sculptures but were washed away over the millennia.  Nguyen's team used 3D rapid prototypic technology to create replicas of the original artwork, painted to look as the sculpture did in ancient times.
 
April 13 – October 16, 2011
Illustrated Title Pages: 1500–1900
Title pages invite the reader or viewer to explore the contents of a particular book or print portfolio.  This exhibition of 60 illustrated title pages from the Center’s collection traces the development of their complex layouts, changing printmaking techniques and designs, and typographic variations.  >From the 16th century onward, title pages evolved from woodcut to engraving and were often decorated with borders enclosing the text and increasingly complex compositions.  By the 19th century, lithography, wood engraving, and photography techniques made books and print portfolios more affordable for a larger audience.  Artists included in the exhibition are: Giovanni Battista Piranesi, Canaletto, Francisco Goya, William Morris, Odilon Redon, and Aubrey Beardsley.
 
June 1 – August 28, 2011
The Art of the Book in California: Five Contemporary Presses
These five presses, exemplify the book arts in California today. Each press, exemplary in its own way, has produced books and related art that richly illustrate the varieties of content, media, and collaborative methods that contemporary artists are employing across the globe. This exhibition includes the most significant works of each press, including supporting art and archival materials. There is also a display of books that significantly influenced the field of contemporary California book arts since the beginning of the 20th century. An illustrated catalogue, with essays by Koch and by the distinguished typographic historian, writer, and critic Robert Bringhurst, accompanies the exhibition.  
Media preview: Wednesday, June 1, 10 a.m.–noon
 
October 5, 2011 – January 1, 2012
Rodin and America: Influence and Adaptation 1876–1930
Auguste Rodin, the most famous sculptor of his day, not only appealed to sophisticated American collectors but also had a profound influence on American artists, beginning in the 1890s and persisting for decades after Rodin's death in 1917.  This exhibition is the first to examine the scope of this influence, analyzing the impact of both his work itself and his ideas on sculptors, such as Malvina Hoffman and Lorado Taft, as well as on artists working in two-dimensions, such as the photographer Edward Steichen and the painter Georgia O'Keeffe.
Media preview: Wednesday, October 5, 10 a.m.–noon
 
November 9, 2011 – February 26, 2012
The Legend of Rex Slinkard
Cantor Arts Center is the primary repository of works by southern California artist Rex Slinkard (1887–1918).  New research reveals Slinkard's relationship to famous art and literary figures of the early 20th century.  This selection of oil paintings, charcoal drawings, and pen-and-watercolor sketches conveys the breadth and strength of Slinkard's short-lived artistic development.  The corresponding catalogue includes essays that illuminate his artistic legacy, a timeline of his life, and a fully illustrated checklist of the Center’s complete holdings of his work.

Peace and joy to to you this holiday season.  May your new year be filled with inspiring art and good times!

Anna Koster
Head of Communications
Cantor Arts Center at Stanford University
Lomita Dr. at Museum Way
Stanford, CA 94305-5060
650-725-4657   Fax 650-725-0464
Public info line 650-723-4177



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