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invitation here.
You are invited to
SIGNAL:NOISE
A four-day event, 13–16 January
2011
See full programme here
SIGNAL:NOISE is an experimental
cross-disciplinary research project that aims to explore the influence of
cybernetics and information theory on contemporary cultural life by testing out
its central idiom, ‘feedback’, through debates, performances, and
events.
Through the application of mechanical and
scientific models for the understanding of social and political life, cybernetic
theory – in particular notions of feedback – informed the development of many
early conceptual and participatory artistic practices in the 1960s/70s, yet its
influence is still under-recognized. Signal:Noise aims to bring together people
who are working with these ideas in the fields of art, design, architecture,
media and theory in order to open a discussion around this discourse, looking at
how it has informed cultural, social and political life, in the past and
present.
The project is lead by Steve Rushton, Dexter
Sinister (David Reinfurt and Stuart Bailey), Marina Vishmidt, Rod Dickinson and
Emily
Pethick.
An installation of Stephen Willats’ ‘Homeostat Wall Drawing’ (2008) will form a
backdrop to the
event.
Tickets: £15 for an Event Pass, or £5 for a Day
Pass, available here or on the door. If paying in advance, please bring your receipt with
you.
SIGNAL:NOISE is supported by The Henry Moore
Foundation, Arts Council England, and The Showroom's Supporters Scheme. It
is part of Circular Facts – a collaborative endeavor between three European
contemporary art organizations: Casco – Office for Art, Design and Theory,
Utrecht, Objectif Exhibitions, Antwerp, The Showroom, London in partnership with
Kunst Halle Sankt Gallen and Electric Palm Tree, financially supported by the
Cooperation Measures Grant as part of the European Unions Culture 2007
programme.
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