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Southeast Museum of Photography

 
Bill Armstrong and Linda Connor
Exhibitions Closing February 6
 
Bill Armstrong, Mandala #453, 2003
Bill Armstrong
Spirit: From the Infinity Series 
Spirit presents selections from five of the series that make up Bill Armstrong's Infinity series. Working with his unique process of re-photographing appropriated images and subjecting them to a series of manipulations; Armstrong exploits the integrating capacities of camera blur to merge image details, edges and colors to create seamless color fields and mysterious, other-worldy figures.
Bill Armstrong's Infinity series transforms re-photographed and appropriated images to create ephemeral, abstracted and de-materialized color fields and strongly evocative iconic figures. Working with source material as diverse as African masks, Roman busts, statuary and other representations, Armstrong's finished figurative and portrait images are powerfully suggestive of an unseen presence.
Bill Armstrong holds a B.A. in art history and an M.B.A. from Boston University. His work has recently been exhibited in solo exhibitions at Hackelbury Fine Art, London; ClampArt, New York; Dolby Chadwick, San Francisco; DeSantos Gallery, Houston; Scott White Contemporary Art, San Diego; Robischon Gallery, Denver; Gallery Kayafas, Boston; the Griffin Museum of Photography, Winchester Mass., and the Philadelphia Museum of Art.
Armstrong's photographs have appeared in a number of major publications including The Edge of Vision: The Rise of Abstraction in Photography (2009); Photographic Possibilities (2007);  Face: The New Photographic Portrait (2006); Exploring Color Photography (2004) as well as in the Boston Globe; New York Times; Utne Reader and the New Yorker. His work is in numerous public collections including the Brooklyn Museum, Houston Museum of Fine Arts, Philadelphia Museum of Art; Addison Gallery of American Art; Bibliotheque Nationale de France; Musee De l'Elysee; Museum of Photographic Arts, San Diego; Fogg Art Museum, Harvard University; Rose Art Museum, Brandeis University; Santa Barbara Museum of Art; Southeast Museum of Photography; Museum of the City of New York and the Victoria and Albert Museum, London. Armstrong lives and works in New York where he is also an adjunct faculty at the School of Visual Arts and the International Center of Photography. 
Linda Connor, Muhammad Ali Mosque, Cairo, Egypt, 1989
Odyssey:
The Photographs of Linda Connor
Odyssey: The Photographs of Linda Connor reflects an artist's pursuit of diverse and compelling subjects from around the world. Although she frequently focuses on devotional sites and monuments, Connor is also drawn to revealing the spirit embedded in everyday life. She is fascinated with photography's relationship to time: her pictures present a compelling combination of timelessness and a palpable sense of the passage of time. Another core element in her work concerns the dynamic relationship between the natural world and the sacred; its sites, iconography, and philosophy. Odyssey includes some of Connor's best-known images from the past three decades of her extensive work in India, Indonesia, Turkey, Cambodia, Egypt, Tibet and the American Southwest.
After studying with revered American photographers Harry Callahan and Aaron Siskind, Connor became a distinguished teacher at the San Francisco Art Institute, where she has taught since 1969. Odyssey is an especially comprehensive collection of work that spans thirty years of image making.
A Bay Area resident, Connor has been an active force in the photography community and an esteemed instructor at the San Francisco Art Institute for forty years. She has exhibited widely in the United States and abroad, and has been published in numerous books, journals and catalogues.  Her work is held in major museum collections - including the Art Institute of Chicago, the Museum of Modern Art, New York, and the Victoria & Albert Museum, London - and has been supported by Guggenheim and National Endowment for the Arts fellowships, among other recognitions for fine-arts photography and education.
  
MUSEUM HOURS
OPEN - Tues, Thurs, Fri: 11-5 pm; Wed: 11-7 pm; Weekends: 1-5 pm
June, July and December Hours: Tues-Sun: 12-4 pm
CLOSED - Mondays and for the following dates:
Easter Sunday, Daytona 500 Weekend, Daytona State College Spring Break, July 4, July 31-August 17, Thanksgiving Weekend, December 17 - January 11
 
MUSEUM LOCATION
Unless noted otherwise, all museum exhibitions, events and films are presented at the Southeast Museum of Photography which is located on the Daytona Beach campus of Daytona State College at 1200 International Speedway Blvd, three miles east of 1-95.
The museum is located in the Mori Hosseini Center (Bld. 1200).
Visitor parking is available. Gallery Admission is free.
 
For detailed exhibition and program information visit www.smponline.org or call the museum information hotline at (386) 506-4475.

Southeast Museum of Photography

 Southeast Museum of Photography
Southeast Museum of Photography

A Service of
Daytona State College
 
1200 W. International Speedway Blvd.
Daytona Beach, FL 32114

(386) 506-4475
 

 



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