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Art News:
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LOOKING AT MUSIC 3.0 EXPLORES THE
INFLUENCE OF MUSIC ON CONTEMPORARY ART IN NEW YORK IN THE 1980s AND 1990s AND
THE BIRTH OF "REMIX
CULTURE''
Gallery Exhibition Is Accompanied by a Film Program in March
2011
Looking at Music
3.0
February 16-June 6,
2011
The Yoshiko and Akio Morita Media Gallery, second
floor
NEW YORK, February 2, 2011—Looking at Music 3.0, the
third in a series of exhibitions at The Museum of Modern Art exploring the
influence of music on contemporary art practices, focuses on New York in the
1980s and 1990s and the birth of "remix culture." The exhibition is on view in
The Yoshiko and Akio Morita Media Gallery from February 16 through June 6, 2011.
Highlighting a unique range of activity within the city during those decades,
the exhibition addresses the birth of hip hop; new articulations of feminism as
seen in video chain letters, zines, and raucous art and music performances; the
continued artistic development of music videos; and the rise of the digital
domain, where sound and image acquired a curious parity as sampled bits of
electronic information, raising the curtain on new creative possibilities.
Approximately 70 works from a wide range of artists and musicians are on view,
including works by the Beastie Boys, Kathleen Hanna and Le Tigre, Keith Haring,
Miranda July, Christian Marclay, Steven Parrino, and Run-DMC. A film exhibition
closely linked to the artists and works on view in the gallery exhibition runs
from March 2 to March 10, 2011, in MoMA's Roy and Niuta Titus Theaters. The
exhibition is organized by Barbara London, Associate Curator, Department of
Media and Performance Art, The Museum of Modern
Art.
Ms. London states: "In this dynamic time period, imaginative forms of street art
spread across the five boroughs, articulating the counter-culture tenor of the
times. As the city transitioned from bankruptcy to solvency, graffiti, media,
and performance artists took advantage of low rents and collaborated on ad hoc
works shown in alternative spaces and underground clubs. Appropriation, also
known as remixing,
thrived."
Click
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release.
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TELLUSTools. 2001. Double-LP. Composition:
12 1/4 x 24 5/8" (31.1 x 62.5 cm). The Museum of Modern Art Library, New York.
Gift of Harvestworks. Cover Art by Christian Marclay. Produced by Carol
Parkinson, Harvestworks. Image courtesy Kanji Ishii. |
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