A
luminous comet shooting across the late 70s constellation of photographers and
artists that included Nan Goldin, David Armstrong, Jack Pierson and Philip-Lorca
diCorcia, Mark Morrisroe produced an incredibly rich and various body of work in
the brief ten-plus years in which he was active. He survived a fraught childhood
and teen years as a prostitute (he was once shot by a client) to attend the
School of the Museum of Fine Arts in Boston, where he made friendships with
Goldin, Armstrong and others, performed in drag under the name Sweet Raspberry,
co-founded the punk zine Dirt ("he sort of invented the Boston punk
scene," Jack Pierson later recalled) and eventually graduated from the school
with honors. Shortly after, Morrisroe moved to New York, acquired a Polaroid
camera and began photographing. Most of his photographs are portraits--of
hustlers, lovers, friends and of himself--or hand-painted photograms. Morrisroe
is also famed for his X-ray self-portraits, which show the bullet lodged near
his spine after his shooting. All of his output carries this reckless,
go-for-broke character, and an edge of urgency and necessity. After his death
(from AIDS-related illnesses), more than 2,000 Polaroids were found among his
possessions. This first comprehensive monograph compiles photographs and
ephemera from the early punk years to Super-8 films, photograms and the late
self-portraits. More than 500 photographs are reproduced here, alongside essays
and an extensive biography.
Born to a drug-addicted mother, Mark
Morrisroe (1959-1989) left home at 13, began hustling at 15 and at 17
was shot in the back by a client. The entirety of Morrisroe's brief life was
characterized by danger and poverty, and mythologized by him as such: his mother
was a friend and neighbor of Albert DeSalvo (aka the Boston Strangler) and
Morrisroe claimed to be his illegitimate son. Morrisroe died in
1989.
EXHIBITION PRESS
RELEASE | ARTISTS SPACE, NEW YORK
Mark Morrisroe: From This Moment
On will be the first comprehensive exhibition in the United States
of works by artist Mark Morrisroe (1959 - 1989), providing an insight into the
radical and innovative output of his short career.
Mark Morrisroe's work was
intrinsically tied to his elaborate personae and his sexual and social
relationships. He grew up in Boston where he worked as teenager hustler and
where he later went to art school, before moving to New York City in the mid
1980s.
Morrisroe's subjects were his friends, lovers, and his everyday
surroundings. The imagery of his photographs and 8mm films combines the
diaristic with the melodramatic, presenting the post-punk scenes in Boston and
New York through a lens of vivid and romantic degradation and decay. He worked
with the immediate medium of Polaroid, while also experimenting with the
photographic process, creating layered and hand-painted prints, photograms and
cyanotypes. His resulting works are searing and frank portrayals of the display
of selfhood, sexuality, illness and death.
While his photographs often appear offhand, and depict
intimate and at times deviant moments, they also present individuals, couples,
and groups as aspirational, posturing starlets, adopting the faded hues of 1950s
Hollywood publicity shots and the classical nude compositions of Man Ray.
Drawing from drag, cabaret, club and drug scenes, the performativity of his
subjects was paramount:
The theoretical significance of Morrisroe's efforts to 'write a new
life' lies in his recognition that the compulsive and repeated effort to invent
and re-invent oneself is fundamentally a form of 'lying' - or fictionalization -
and that 'truth' is made up of a succession of lies. As an artist, Morrisroe
located this performance of self at the heart of the photographic process. His
complex manipulations of the photo negative - a preoccupation which persisted
and developed throughout his career - allowed him a means of transposing truth
into lies, and lies into truth, or, of 'writing a new
photograph.'
D. Joselit, 'Mark Morrisroe's Photographic
Masquerade', 1995
The horrors of AIDS - itself like some disease from science fiction -
would have compounded the sense of a society in extremis... this urban landscape
would be a venue throughout the early 1980s for a remarkable flowering of
loosely networked individuals - fed on the traditional sub-cultural diet of
drugs, flamboyance, sex, boredom, and intense emotional drama. As such, the
early milieu out of which 'the secret public' developed their artistic vision
can now be regarded as the historical (and historic) witness to the end of an
age - the late twentieth century equivalent, perhaps, to the 'Weimardämmerung'
observed by Stephen Spender in German society and youth culture during the late
1920s.
M. Bracewell, 'An Evening of Fun in the
Metropolis of Your Dreams', 2008
Mark Morrisroe was born in Malden, Massachusetts in
1959, and died in Jersey City, New Jersey in 1989. He attended the School of the
Museum of Fine Arts in Boston from 1977 to 1981. His work was exhibited by Pat
Hearn Gallery from 1985 onwards, including solo exhibitions in 1986 and 1988.
His work was also included in two group shows at Artists Space: Split Vision,
1985 (curated by Robert Mapplethorpe and Laurie Simmons); and Witnesses: Against
Our Vanishing, 1989 (curated by Nan Goldin).
After his death, his work was at the center of the survey exhibition Boston
School, ICA Boston, 1995 (curated by Lia Gangitano); solo exhibitions of his work have included Mark Morrisroe,
1959-1989, Neue Gesellschaft fur Bildende Kunst, Berlin and My Life: Mark
Morrisroe, Polaroids 1977-1989, MOCA, Los Angeles (both
1997).
Mark Morrisroe: From This Moment On, is
curated by Richard Birkett and Stefan Kalmár (Artists Space, New York), and
Beatrix Ruf (Director, Kunsthalle Zurich).
The exhibition takes as
its starting point Mark Morrisroe at Fotomuseum Winterthur (November 2010
- February 2011) - curated by Beatrix Ruf and Thomas Seelig - and has been
organized in collaboration with the Estate of Mark Morrisroe (Ringier
Collection) at Fotomuseum Winterthur.
Mark Morrisroe: From This Moment On is made possible through the
generous support of The New York State Council on the Arts, a State
Agency, public funds from the New York City Department of Cultural
Affairs, in partnership with the City Council, The Friends of Artists
Space, the Estate of Mark Morrisroe (Ringier Collection), and The Robert
Mapplethorpe Foundation.
MARK MORRISROE
ISBN 978-3-03764-121-7
Flexibound, 8 x 10.25 inches,516 pages, 420 color
U.S. $65.00 CDN $72.00
Published by JRP│Ringier
For Press Inquiries regarding the exhibition please
contact:
Elizabeth Hirsch
press@artistspace.org
212.226.3970
For Press Inquiries regarding the book
please contact:
Luke P.
Brown
lbrown@dapinc.com
Publicist
212.627.1999 x217
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contact:
Avery Lozada
alozada@dapinc.com
Vice President, Trade Sales Director
212.627.1999 x209
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Director
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