Smithsonian's Sackler Presents Exhibition of
Renowned Video Artist Lu Chunsheng
Shanghai-based Artist Examines Relationship between
Humans and
Modernization
The Arthur M. Sackler Gallery's "Perspectives" series of
contemporary art will launch a yearlong focus on single-channel video art. The
selected artists use the power of the single-frame moving-image format as a
window onto different spaces and interpretations of reality. The series launches
with the first solo presentation in the United States of internationally
renowned photographer and video artist Lu Chunsheng. From March 19 through July
17, "Perspectives: Lu Chunsheng" will feature History of Chemistry
I, his acclaimed masterpiece from
2004.
"Lu Chunsheng's works are imbued with a sense of the uncertainty
and unpredictability that surrounds life," said Carol Huh, assistant
curator of contemporary Asian art at the Freer and Sackler galleries, and
organizer of the "Perspectives" series. "In History of Chemistry I,
he turns to alchemy and the notion that China is a giant laboratory where
strange things are happening. Such monumental changes and 'grand
experiments' have profound consequences, many of which are yet to be
understood."
Born in 1968 in Changchun, China, Lu graduated from China Academy
of Art in Hangzhou, and currently resides and works in Shanghai. A prominent
figure in contemporary Chinese art, Lu has exhibited widely throughout Asia and
Europe, including Sweden, Italy, Germany, France, Korea and Japan. With his
beautifully crafted images and starkly composed soundtracks, his video work is
representative of the significant contributions of artists from southern China
to the development of contemporary
art.
A mesmerizing experience of a vaguely
familiar yet
remote world, History of Chemistry I
follows a group of men as they wander from somewhere beyond the edge
of the sea through a vast landscape to an abandoned steel factory. Using long
shots and atypical settings, Lu enigmatically refers to a distant history while
conveying the sense of dislocation wrought by successive stages of
modernization. The combination of elaborate landscape shots from the
suburbs of Shanghai and Lu's signature style of spare and minimally crafted
acting offers a surreal view of human behavior in a space marked by the hulking
remnants of China's extraordinary
development.
Two films documenting and questioning similar themes of
modernization and its influences in China will be shown in the Freer
Gallery of Art's Meyer Auditorium as part of the series "Environmental
Film Festival in the Nation's Capital: Focus on China." Disorder
(dir.: Huang Weikai, China, 58 min., B&W, video, Mandarin with English
subtitles) will be shown Friday, March 25, at 7 p.m., and Ghost Town
(dir.: Zhao Dayong, China, 169 min., video, Mandarin, Nu and Lisu with English
subtitles), will screen Sunday, March 27, at 2 p.m. For more information, visit
www.asia.si.edu.
The second "Perspectives" installment will feature the work of Hale
Tenger (b. 1960, Izmir, Turkey), on view July 30-Nov.
6.
The Arthur M. Sackler Gallery, located at 1050 Independence Avenue
S.W., and the adjacent Freer Gallery of Art, located at 12th Street and
Independence Avenue S.W., are on the National Mall in Washington, D.C. Hours are
10 a.m. to 5:30 p.m. every day, except Dec. 25, and admission is free. The
galleries are located near the Smithsonian Metrorail station on the Blue and
Orange lines. For more information about the Freer and Sackler galleries and
their exhibitions, programs and other events, the public may visit www.asia.si.edu. For general Smithsonian information, the
public may call (202) 633-1000 or TTY (202)
633-5285.
Image Credit:
Still from History of Chemistry I (2004), by Lu Chunsheng, single-channel video
with audio on DVD. Courtesy of the
artist.