login    password    artist  buyer  gallery  
Not a member? Register
absolutearts.com logo HOME REGISTER BUY ART SEARCH ART TRENDS COLLECT ART ART NEWS
 
 
Art News:

Now online: issue 11, "Default Environments"

default environments

The eleventh issue of Triple Canopy, Default Environments, has reached its conclusion. It includes Joshua Cohen's history of technology’s impact on handwriting, Ellie Ga's dispatches from a polar vessel drifting through the Arctic, Peter Nowogrodzki's report from Hobbiton on the relationship between the Lord of the Rings and (mytho)ecology, Steve Rowell's mapping of the terrestrial manifestations of America’s effort to dominate space, and more.

    “One of the best things you'll read this year … and it also seems to me to be the Writing of the Future. It is its own thing.” —Ed Park, editor of The Believer and author of Personal Days, on Sam Frank's “The Document”
    “If you like boxing or have even a passing interest in what it means to be human, please go read novelist Sergio De La Pava's wonderful essay in Triple Canopy.” —Luke O’Brien of Deadspin on Sergio De La Pava’s “A Day’s Sail”

Our twelfth issue, which considers how photography is reframed in a digital space, is edited by Hannah Whitaker and will be published later this month. It will feature work by Michael Almereyda, Simone Gilge, Daniel Gordon, Daniel Gustav Cramer, Christy Lange, Boru O'Brien O'Connell & Justin Lieberman, Arthur Ou & Lauren O'Neill Butler, Torbjørn Rødland, Barry Schwabsky, and Dan Torop, as well as conversations between Matthew Porter and Mark Wyse, Roe Ethridge, and Moyra Davey.

Included in this issue:

The Ultimate High Ground

by Steve Rowell

Views of America’s infrastructure of omniscience, on Earth and above.

Sibyl and Marsyas

by Anja Utler

Two sonic-mythological poems, written and read. Translated, with an introduction, by Kurt Beals.

A Hole to See the Ocean Through

by Ellie Ga

Dispatches from a drifting polar vessel.

The Document

by Sam Frank

“I mumble when I talk. I am not prepossessing. Except when I am.” A written life.

Stoppages

by Beka Goedde

Phase changes and time scales: a video sequence.

The Flash Made Flesh

by Mary Walling Blackburn & A. B. Huber

How we turn away quite leisurely from the disaster: an exchange.

A Day’s Sail

by Sergio De La Pava

Fight and metaphor in Virginia Woolf, Gatti–Ward, and Corrales–Castillo.

The Font of the Hand

by Joshua Cohen

On the processing of words, from scriptorium to LongPen™.

Frontier Facades

by Warm Engine

An appreciation of the administrative architecture along the Trans-Siberian Railway.

The Mythoecology of Middle-earth

by Peter Nowogrodzki

A report from the Shire, a landscape born of high fantasy, natural science, and geek tourism.

The Quiddities

by Joe Milutis

“Take this from this, if this be otherwise”: an essay on literary minutiae.

Latest Podcast & Annotation:

Time (Is Endless)

by Dan Shiman

A mix of postwar exotica. Shiman unearths 45s and LPs produced by obscure labels in the 1950s and 60s that summon desert oases and tiki-laden paradises, but move beyond the genre's popular touchstones.

The Worlds of Skeletons

by Matthew Mehlan

In the past decade, Skeletons has been many things: a one-man pop band, an avant-pop group, a free-jazz ensemble, an acoustic duo, and a big band, all helmed by Mehlan. He writes here about his work as a composer and with various iterations of Skeletons. Includes three exclusive recordings.

Triple Canopy is an online magazine, workspace, and platform for editorial and curatorial activities. Working collaboratively with writers, artists, and researchers, Triple Canopy facilitates projects that engage the Internet's specific characteristics as a public forum and as a medium, one with its own evolving practices of reading and viewing, economies of attention, and modes of interaction. In doing so, Triple Canopy is charting an expanded field of publication, drawing on the history of print culture while acting as a hub for the exploration of emerging forms and the public spaces constituted around them. Triple Canopy is a nonprofit 501(c)3 organization.

Triple Canopy gratefully acknowledges The Andy Warhol Foundation for the Visual Arts, The Brown Foundation, Inc. of Houston, The Buddy Taub Foundation, Chamber Music America and the Doris Duke Charitable Foundation, CEC ArtsLink, Foundation for Contemporary Arts, Funding Emerging Art with Sustainable Tactics (FEAST), New York Council for the Humanities, New York State Council on the Arts, Office for Contemporary Art Norway, Orphiflamme Foundation, and The Prospect Hill Foundation, as well as the many individuals and in-kind contributors who have generously given their support.

You have received this email because: you subscribed to the Triple Canopy mailing list via our website; you are an affiliate of the organization who has requested notifications in person; or a contributor to the magazine has requested that you receive these notifications. Contact us: Canopy Canopy Canopy, Inc. 657 Manhattan Avenue, Apt. 2R, Brooklyn, NY 11222 USA
contact@canopycanopycanopy.com | www.canopycanopycanopy.com
Sent to artsnews@absolutearts.com. | Forward



#

YOUR FIRST STOP FOR ART ONLINE!
HELP MEDIA KIT SERVICES CONTACT


Discover over 150,000 works of contemporary art. Search by medium, subject matter, price and theme... research over 200,000 works by over 22,000 masters in the indepth art history section. Browse through new Art Blogs. Use our advanced artwork search interface.

Call for Artists, Premiere Portfolio sign-up for your Free Portfolio or create an Artist Portfolio today and sell your art at the marketplace for contemporary Art! Start a Gallery Site to exclusively showcase your gallery. Keep track of contemporary art with your free MYabsolutearts account.

 


Copyright 1995-2013. World Wide Arts Resources Corporation. All rights reserved