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Art News:
Now online: issue 11, "Default Environments"
The eleventh issue of Triple Canopy, Default Environments, has reached its conclusion. It includes Joshua Cohen's history of technology’s impact on handwriting, Ellie Ga's dispatches from a polar vessel drifting through the Arctic, Peter Nowogrodzki's report from Hobbiton on the relationship between the Lord of the Rings and (mytho)ecology, Steve Rowell's mapping of the terrestrial manifestations of America’s effort to dominate space, and more.
“One of the best things you'll read this year … and it also seems to me to be the Writing of the Future. It is its own thing.” —Ed Park, editor of The Believer and author of Personal Days, on Sam Frank's “The Document”
“If you like boxing or have even a passing interest in what it means to be human, please go read novelist Sergio De La Pava's wonderful essay in Triple Canopy.” —Luke O’Brien of Deadspin on Sergio De La Pava’s “A Day’s Sail”
Our twelfth issue, which considers how photography is reframed in a digital space, is edited by Hannah Whitaker and will be published later this month. It will feature work by Michael Almereyda, Simone Gilge, Daniel Gordon, Daniel Gustav Cramer, Christy Lange, Boru O'Brien O'Connell & Justin Lieberman, Arthur Ou & Lauren O'Neill Butler, Torbjørn Rødland, Barry Schwabsky, and Dan Torop, as well as conversations between Matthew Porter and Mark Wyse, Roe Ethridge, and Moyra Davey.
by Steve Rowell
Views of America’s infrastructure of omniscience, on Earth and above.
by Anja Utler
Two sonic-mythological poems, written and read. Translated, with an introduction, by Kurt Beals.
by Ellie Ga
Dispatches from a drifting polar vessel.
by Sam Frank
“I mumble when I talk. I am not prepossessing. Except when I am.” A written life.
by Beka Goedde
Phase changes and time scales: a video sequence.
by Mary Walling Blackburn & A. B. Huber
How we turn away quite leisurely from the disaster: an exchange.
by Sergio De La Pava
Fight and metaphor in Virginia Woolf, Gatti–Ward, and Corrales–Castillo.
by Joshua Cohen
On the processing of words, from scriptorium to LongPen™.
by Warm Engine
An appreciation of the administrative architecture along the Trans-Siberian Railway.
by Peter Nowogrodzki
A report from the Shire, a landscape born of high fantasy, natural science, and geek tourism.
by Joe Milutis
“Take this from this, if this be otherwise”: an essay on literary minutiae.
by Dan Shiman
A mix of postwar exotica. Shiman unearths 45s and LPs produced by obscure labels in the 1950s and 60s that summon desert oases and tiki-laden paradises, but move beyond the genre's popular touchstones.
by Matthew Mehlan
In the past decade, Skeletons has been many things: a one-man pop band, an avant-pop group, a free-jazz ensemble, an acoustic duo, and a big band, all helmed by Mehlan. He writes here about his work as a composer and with various iterations of Skeletons. Includes three exclusive recordings.
Triple Canopy is an online magazine, workspace, and platform for editorial and curatorial activities. Working collaboratively with writers, artists, and researchers, Triple Canopy facilitates projects that engage the Internet's specific characteristics as a public forum and as a medium, one with its own evolving practices of reading and viewing, economies of attention, and modes of interaction. In doing so, Triple Canopy is charting an expanded field of publication, drawing on the history of print culture while acting as a hub for the exploration of emerging forms and the public spaces constituted around them. Triple Canopy is a nonprofit 501(c)3 organization.
Triple Canopy gratefully acknowledges The Andy Warhol Foundation for the Visual Arts, The Brown Foundation, Inc. of Houston, The Buddy Taub Foundation, Chamber Music America and the Doris Duke Charitable Foundation, CEC ArtsLink, Foundation for Contemporary Arts, Funding Emerging Art with Sustainable Tactics (FEAST), New York Council for the Humanities, New York State Council on the Arts, Office for Contemporary Art Norway, Orphiflamme Foundation, and The Prospect Hill Foundation, as well as the many individuals and in-kind contributors who have generously given their support.
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