The Collectors Committee of the National Gallery of Art recently made possible the acquisition of Great America (1994) by Kerry James Marshall (b. 1955)求the Gallery＊s first painting by the midcareer African American artist求and Knight＊s Heritage (1963), a breakthrough sculpture by Anne Truitt (1921每2004).

A devoted student of the human figure and the history of art, especially the genres of portraiture and narrative, Marshall draws upon the experience of African Americans like himself to create imposing, contemporary history paintings. In Great America, he re-imagines a boat ride into the haunted tunnel of an amusement park as the Middle Passage of slaves from Africa to the New World.

Truitt was committed to the expressive value of carefully chosen color and to the importance of compositional decisions regarding the division of the rectangle. Both are on full view in Knight＊s Heritage, an important transitional piece in which she still employed a brushy texture to define the paint surface and actual grooves to mark the three divisions but began to break out of the somber tones of her earliest work and embrace glowing color.

The Collectors Committee also made possible the acquisition of a photograph by Idris Khan (b. 1978), The Creation (2009); a lithograph by Art Spiegelman (b. 1948), Lead Pipe Sunday #2 (Derby Dugan) (1997); a drawing by Al Taylor (1948每1999), Fairly Mean / Mean Fairly (1995); a collage by James Castle (1899每1977), Untitled (Purse ! Discusses) (1937 or later); and a lithograph by Kurt Schwitters (1887每1948) and Theo van Doesburg (1883每1931), Kleine Dada Soir谷e (Small Dada Evening) (1922/1923).

Details on all seven works acquired by the Collectors Committee and an order form for publicity images are available at http://www.nga.gov/press/2011/cc_2011.shtm

For media inquiries or to request an interview, please contact senior publicist Sara Beth Walsh at (202) 842-6598 or s-walsh@nga.gov.

Deborah Ziska | Chief of Press and Public Information

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