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Aperture Foundation

 
Aperture Foundation presents Fieldwork, photographs by Finnish photographer Sanna Kannisto, in her first solo exhibition in New York, opening at Aperture Gallery, April 21 accompanied by the release of her first monograph which includes four stunning gate-folds. Kannisto’s work explores the intersection between art and science, culture and nature. Her references are old botanical encyclopedias, early natural history illustrations, traditional still life paintings, old curiosity cabinets, as well as anthropology, studio portraiture, and staged photography. If you are interested in reviewing the book and/or the exhibition, please contact me directly at ccaputo@aperture.org or 212-946-7123.

Thank you in advance for your consideration.

Best,
Christina

 


 

FIELDWORK
PHOTOGRAPHS BY SANNA KANNISTO
 
Exhibition on View at Aperture Gallery
April 21, 2011–June 23, 2011
 
Opening Reception with the Artist: Thursday, April 21, 6–8 pm
 
Artist Talk and Book Signing: Monday, April 25, 6:30 pm 

Aperture Foundation is pleased to announce the exhibition and accompanying publication of Fieldwork, photographs by Finnish rising star Sanna Kannisto. Fieldwork explores the dialectics of nature and culture in both artistic and scientific contexts. Since 1997, Kannisto has spent several months per year living alongside biologists in the rainforests of Latin America. Adopting elements of her companions’ scientific methods, she developed her own form of visual research, extending her depictions of flora and fauna beyond the confines of the natural sciences.
 
Breaking away from the conventions of nature photography, which typically presents specimens in isolation, devoid of context, Kannisto’s work addresses the acts of staging and image-making. Her photographs, with their biologically correct titles, show not only the breathtaking beauty of her subjects, but also the tools used to achieve the would-be image at center—the black drapes, the difficult “neutral” lighting rig, the seamless white background. Signs of a scientifically standardized process—graph paper, rulers, test field markings—are also included, appearing strangely out of place amid the lush green foliage of the rainforest.
 
The core practice of the natural sciences is to collect in order to inspect closely in the service of public knowledge. Collecting implies taming and containment, traits shared to some extent by photography. With her gentle humor, Kannisto recognizes and utilizes the constraints of science and art alike, investigating the concept of truth in photography to challenge how we view and “know” the natural world.
 
Kannisto’s work references old botanical encyclopedias, early natural history illustrations, traditional still life paintings, as well as anthropology, studio portraiture, and staged photography. Steve Baker contributes an excellent essay that addresses the representation and use of animals in contemporary art.
 
Fieldwork was made possible, in part, with generous support from the Finnish National Council for Photographic Art. Additional support for the exhibition was provided by FRAME (Finnish Fund for Art Exchange) and the Consulate General of Finland.
 
SANNA KANNISTO(born in Hämeenlinna, Finland, 1974) studied photography at the Turku School of Art and Communication before completing her MA in Photography at the University of Art and Design in Helsinki. Her work has been exhibited at the Museum of Modern Art, New York; Maison Européenne de la Photographie, Paris; Fotomuseum Winterthur, Switzerland; and the Finnish Museum of Photography, Helsinki. Kannisto is represented by Gallery Taik, Berlin, and Jackson Fine Art, Atlanta. She lives in Helsinki.
 
STEVE BAKER(essay) has written widely on the representation and use of animals in contemporary art. He is the author of numerous books, including The Postmodern Animal and Picturing the Beast: Animals, Identity, and Representation.
 
11 x 11 in. (27.9 x 27.9 cm)
160 pages plus 4 gatefolds; 100 four-color images
Hardcover with jacket; ISBN 978-1-59711-152-2
$50.00; £32.50
 
Aperture—located in New York’s Chelsea art district—is a world-renowned non-profit publisher and exhibition space dedicated to promoting photography in all its forms. Aperture was founded in 1952 by photographers Ansel Adams, Dorothea Lange, Barbara Morgan, and Minor White; historian Beaumont Newhall; and writer/curator Nancy Newhall, among others. These visionaries created a new quarterly periodical, Aperture magazine, to foster both the development and the appreciation of the photographic medium and its practitioners. In the 1960s, Aperture expanded to include the publication of books (over five hundred to date) that comprise one of the most comprehensive and innovative libraries in the history of photography and art. Aperture’s programs now include artist lectures and panel discussions, limited-edition photographs, and traveling exhibitions that show at major museums and arts institutions in the U.S. and internationally.
 
To Request a Review Copy or Artwork, please contact:
Christina Caputo, Publicity and Events Manager, (212) 946-7123, ccaputo@aperture.org
Our mailing address is:
Aperture Foundation
547 West 27th Street
4th Floor
New York, NY 10001


Copyright (C) 2008 Aperture Foundation All rights reserved.
© 2008 Aperture Foundation. All rights reserved.

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