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Press Release, 28 April 2011

“ ___”

Temporarily Invisible

Alicja Kwade, Matthias Meyer and Wolfgang Plöger

29 April to 5 June 2011

The exhibition “___” Temporarily Invisible revolves around the presence of the absent and ephemeral. The works on view direct the viewer’s gaze to the non-existent, intangible, parenthetical and invisible. “In the process, the artists avail themselves of fundamental strategies of the 1960s such as Minimal Art and Concept Art. As a result, their works bear a clear relationship to artistic concepts represented in our collection in examples by Carl Andre or Reiner Ruthenbeck, or in the Gonzalez-Torres presentation which just recently ended”, explains Bernd Reiss, curator of the exhibition at the MMK Zollamt.

In the works of Alicja Kwade (b. 1979), perceptual deception and changes of meaning, perplexity and the questioning of the self-evident play a central role. She conveys them by shifting and altering material and form, or by transforming objects suggestive of luxury and flawlessness. Her work “Watch (Chen, Wolfgang, Martin...)”, 2010 is a clock whose reflecting surface prevents the viewer from reading the time. Only the humming of the electric clockwork can be perceived. Ultimately, however, the invisibility of time intensifies its acoustic and emotional perception. Another work by Kwade consists of two barrelfuls of finely ground champagne bottles. The glittery heap of green-and-white powder is entitled “1979 Liters to the Beginning, 2010”, the artist’s year of birth having determined the amount of material. Here she uses the associative connection between champagne and luxury to allegorize the amassment of wealth and luxury in a very poetic manner with the pulverization of glass. Her third contribution, “Teleportation (Candle”), 2010, consisting of a glass folding screen and three candles, is about perplexity. Through reflection and change of perspective, the beholder has the impression that the burning candle’s flame physically traverses the space.

Matthias Meyer (b. 1972) is likewise represented in the show with several works. His installation “Saved from Fire”, 2007/2008, is based on the science-fiction film Fahrenheit 451 (1966) by French director François Truffaut. The film tells the story of a city which prohibits its inhabitants from reading and owning books. The function of the fire department is to find books and burn them. For his installation, Matthias Meyer assembled all of the books referred to and burnt in the film and lined them up on three bookshelves; it is as though they have been saved through space and time. The visibility of the books contrasts with the paintings in Meyer’s cinematic work “The Black Museum”, 2006. The film grants a look behind the scenes at the Louvre, and insight into an exhibition installation there. All of the paintings from the museum collection, however, have been blackened out. On the one hand, they thus become projection surfaces for the viewer’s imagination; on the other hand, by concealing what constitutes their core value, they heighten their claim to autonomy.

The artist Wolfgang Plöger (b. 1971) is concerned primarily with processes of perception and how they can be depicted. His cinematic installation “Take It to the Nation”, 2011, shows a flickering surface of letters in which it is very difficult to discern words and sentences. The film material consists of handwritten texts – not just any texts, but the final statements of people who have been sentenced to death. Their last written characters do not join to form the desired messages, however, but remain indeterminate. In Plöger’s work “The Dark Side of the Ligh”t, 2007/2011, the sculptures materialize the incidence of light and the shadows cast by the crate on which they stand. They thus preserve the ephemeral and impalpable for eternity.

The exhibition___” Temporarily Invisible is being realized with support from the Jürgen Ponto-Stiftung zur Förderung junger Künstler. The Jürgen Ponto-Stiftung zur Förderung junger Künstler supports the entire MMK Zollamt exhibition programme.

Press photos can be downloaded on our website www.mmk-frankfurt.de

Press contact:
Christina Henneke
Telephone +49 (0)69 - 212 377 61
Daniela Denninger, Karen Knoll
Telephone +49 (0)69 - 212 358 44
Fax +49 (0)69 - 212 378 82
presse.mmk@stadt-frankfurt.de


 



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