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Art News:

Inside Art at Jonathan Ferrara Gallery April 27, 2011

April 27, 2011 
 inside Art at Jonathan Ferrara Gallery New Orleans
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 May I Have A Revolution Please, New Multi-Media Works by Dan Tague
 On View April 25th - June 1st with an Artist Reception Saturday May 7th 6-9pm

dt china Jonathan Ferrara Gallery is pleased to present May I Have a Revolution Please featuring new drawings, prints, sculpture and photography by Dan Tague. The exhibition in on view from April 25th through June 1, 2011 with a reception to meet the artist on Saturday May 7th from 6-9pm.

New Orleans-born Tague has received worldwide recognition for his provocative works, which combine technical mastery with a confrontational, sardonic twist on familiar symbols of American political culture.

In his current exhibition, May I Have a Revolution Please, Tague draws on American iconography (The Statue of Liberty, Uncle Sam, the (almighty) Dollar Bill) and flips it, confronting viewers to re-examine the sometimes subliminal, sometimes overt, messages that permeate our culture. Tague's work is multi-faceted. He is well known for his folded dollar bill works that are a hybrid of sculpture, photography and political statements. Tague often addresses the issues of our day by rendering visual equivalents using the most powerful means necessary. Installations, photography and artistic activism are his means of confronting and responding to the concerns of today's world.


Of the current exhibition Tague states:

"In the midst of global uprisings against tyranny, we squabble over modest proposals. Are nuclear warheads more important than education? Should the rich be allowed to buy the country? Is health care a luxury? Ask congress; ask your governor and the answer is YES.

On matters of civil rights, congress should never be left to decide. The people who make the decisions to ban one's right to govern their own sexuality, take away a woman's right to choose, to give themselves tax breaks and bailouts, start wars for capital gain on the sweat and blood of the citizens whose interests they are sworn to uphold; these same people preferred to die than to abolish slavery.

"If by mere force of numbers a majority should deprive a minority of any clearly written constitutional right, it might, in a moral point of view, justify revolution."- Abraham Lincoln

'We Are Not Created Equal' is the message that congress is forcing us to accept. So, my fellow parasites, do we accept or do we revolt?"
-Dan Tague


Dan Tague has an MFA in Studio Arts from The University of New Orleans, and is a multi-media artist, curator, and activist whose work has been exhibited both nationally and internationally. He is the recipient of several awards and residencies including grants from The Joan Mitchell Foundation and Pollock Krasner Foundation, and has been an artist-in-residence at the Santa Fe Art Institute, Lower Manhattan Cultural Council, and the La Napoule Art Foundation in France.

Tague's work has been exhibited across the US including Exit Art, DUMBO Arts Center, Frederieke Taylor, LMCC, Bronx River Arts Center and Cuchifritos in New York; The Soap Factory in Minneapolis; Weisman Museum of Art at Pepperdine University; Florida Atlantic University and Gallery Camino Real in Florida and the Southeastern Biennial at SECCA in North Carolina.

His work is currently on exhibit at Ballroom Marfa (MARFA, TX) and was recently exhibited at VOLTA in New York and Pulse in Miami. Dan Tague is one of the first artists chosen for Prospect.2 Biennial that opens in October 2011 where he will present a major installation addressing corporate America and the political feuds that tie up our government.

Tague's work is in numerous public and private collections including The Whitney Museum of American Art, New Orleans Museum of Art, The Frederick R. Weisman Art Foundation, collector Beth Rudin DeWoody, curator Dan Cameron and The Louisiana State Museum.

Dan Tague lives and works in New Orleans, LA



To preview selected works from May I Have a Revolution Please, please .




Pictured:

Dan Tague

The Revolution Will Be Tweeted (2011)
acrylic and pen on original 1967 Communist poster
34 x 27 in.


 


 Halcyon Days, New Works by Justin Forbes Continues
 New Review in Gambit, WWL TV Spot, Review in The Week

jf Halcyon Days, new paintings by Justin Forbes continues through May 8th.

Halcyon Days features a new series of Forbes' oil paintings - his first major body of work since Hurricane Katrina drove him from New Orleans in late 2005, as he became a permanent evacuee - a victim of the storm and its aftermath. This exhibition marks his triumphant return to New Orleans and is his first gallery exhibition in over seven years.

Justin Forbes paints in a vivid, almost psychedelic palette; his work combines an Alice Neel-like surrealism with the American nostalgia in the vein of Edward Hopper and Thomas Hart Benton. The result is a frenetic, emotion-infused recording of subterranean culture.


RECENT PRESS AND REVIEWS


Art Critic Eric Bookhardt writes:
"an insider's view of hipster life not unlike a localized update of Jack Kerouac's On The Road,"

Read the Gambit Weekly Review

The Forbes show was also recently featured in a review in The Week.

and
WWL TV also recommended the Forbes show as well, .


Forbes' work is narrative and autobiographical in nature. His life and his art overlap as many events and dreams make their way into his large, saturated settings. Forbes seems to invite the viewer to watch a performance and be a part of the intensity as they are challenged by character elements staring out at the audience. Color, light and shadow are integral elements in his richly layered oils. There is a sense of irony along side the often brutally honest story lines alluded to in Forbes' compositions. There is a sense of familiarity with his characters as the viewer senses that they "know" people in his portraits and vividly painted "snapshots" of the scenes of a world that intersects real life and a hipster fantasy. Forbes strives for a perfect energetic yet loose mastery of detail and mood as he exaggerates perspective as if the world is being viewed through a wide angle lens.

Justin Forbes' work has been exhibited in New York, San Francisco and New Orleans. His work has been featured Juxtapoz Magazine, ART Papers, Tribe Magazine, the current issue of Twisted South and is slated to be on the HBO series Treme. Forbes has also done illustrations for Hustler magazine.

Justin Forbes' paintings are in numerous public and private collections including the Michael Brown and Linda Green Collection, Actress Sela Ward, TV commercial producer T.G. Herrington, publishing magnate Larry Flynt, Debora and Paul Lipman and the permanent collection of the Ogden Museum of Southern Art.

To view works from Halcyon Days, please .




Pictured:

Justin Forbes

I'll Show You Mine if You Show Me Yours (2011)
Oil on canvas
36 x 48 in.


 


 Additional Available Works by Justin Forbes
 On View Now in Rear Gallery

jfa Additional (now) Available Works by Justin Forbes

A collector of Justin Forbes' work has contracted the gallery to sell a suite of works he acquired from the artist over the past years.

These works are smaller in size than the current paintings in his Halcyon Days exhibition, yet still display Forbes' trademark painting style.

To view these additional available works by Justin Forbes, please .


Justin Forbes

Molly's at the Market
Acrylic on canvas
18 x 24 in.



 


 Special Jazzfest Fundraising Photograph For ARTDOCS
 Sousaphone Reflections by Bob Compton

sious Jonathan Ferrara Gallery is pleased to collaborate with photographer Bob Compton to help raise money for ARTDOCS (Artists Receiving Treatment Doctors Offering Crucial Services) during the annual New Orleans Jazz and Heritage Festival.

ARTDOCS was co-founded by Jonathan Ferrara and Dr. Vince Morelli. ARTDOCS is a certified non-profit organization offering medical care to artists with limited resources who do not have medical insurance. ARTDOCS provides care for visual artists, writers, musicians, poets and performers. ARTDOCS has provided for the arts community of New Orleans since 1998. It nurtures the creative spirit that is New Orleans.

Through May 10th, the gallery will exhibit the above photograph "Sousaphone Reflections" with a portion of the proceeds benefitting ARTDOCS.


About the Artist

The eldest son of a prominent Arkansas trial lawyer, he had been groomed to follow in his father's footsteps; at 15 he was a United States Senate Page for the esteemed Senator J. William Fulbright. It wasn't long, however, until an incurable lust for the nightlife and the road made him quit law school and begin a series of attempts at "real" jobs that lasted into his mid thirties.

He was working as a criminal defense investigator when he discovered that he was gifted at generating what his friend Herman Leonard called "interesting images."

At age 43, he jettisoned everything else in his life and moved to New Orleans, where he spent his days and nights roaming the streets with his camera, teaching himself how to use available light, mostly because he couldn't afford a strobe. One afternoon in 1996, his neighbor asked him if he took band photos. He shot The Flavor Kings the next day, and a night later, shot them in performance at the world famous Maple Leaf Bar.

What has transpired since has been astounding, even to him.

He and his camera became ubiquitous at New Orleans music clubs and festivals. He was accepted into the musical community of that fascinating city, and went from shooting from front of house to the photo pit to backstage to onstage. He became friends with musicians, roadies, producers, sound and light men and venue and festival managers. Woven into the fabric of New Orleans music and culture, Compton is one of three white men invited to a Mardi Gras Indian sewing circle- with his camera.

In 2001 he succumbed once again to his wanderlust and began to spend summers traveling the festival circuit. He then began touring with bands, including Galactic, The Radiators and Michael Franti and Spearhead. Well received and lauded shows of his work in New Orleans, Los Angeles, San Francisco and Santa Fe led to a one man show at The Ivy Brown Gallery in Manhattan's Meat Packing District in 2008.

Compton now spends fall, winter and spring in New Orleans, dividing his efforts between cataloging his archives and generating new images from his unique position of shooting the music scene from the inside, providing his viewers with an intimate look at New Orleans' special and wonderful culture.

He is a founding member of ART DOCS, The New Orleans Photo Alliance, and The Backsteppers Social Aid and Pleasure Club.



About the Photograph

"It is essence that i seek to capture with my photographs. Essence of a performer, a person or an object.

During Jazzfest 2009, we had a secondline at the Fairgrounds for my friend and mentor Michael P. Smith.

I had had very little sleep, having been out in the clubs shooting night shows, and was all at once overcome with emotion.

Through tear-blurred eyes, I saw the reflection of the whole of Jazzfest in the Sousaphone bell in front of me.

I lifted my camera and shot a few frames.

And captured, I believe, the essence of Jazzfest.

This one's for you, Michael...."




Pictured:

Bob Compton

Sousaphone Reflections
Pigment Ink Print on Archival Paper
26" x 34" framed (20" x 24" unframed)
Edition of 12

$900 unframed, $1100 framed

To purchase this limited edition benefit photograph, please .


 


 JFG News
 Paul Villinski at New Museum, Jurisich Reviewed, JFG Artists Around The Country

Jonathan Ferrara Gallery proud to announce that Paul Villinski's Emergency Response Studio will be on exhibit at the New Museum for its first Festival of Ideas for the New City from May 4-8, 2011. The Emergency Response Studio was originally conceived for and exhibited at Prospect,1 Biennial and has since been exhibited at Rice University Art Gallery,Ballroom Marfa, Fusebox in Austin and Wesleyan University.

For More Information on the Festival, please .

To see more images of Emergency Response Studio, please .

To see other work by Paul Villinski, please .






Krista Jurisich Reviewed

Art Critic D.Eric Bookhardt reviewed Krista Jurisich's recent exhibition "The Theater of Cultural Strata"

"These works comprise an eloquent sequel to Jurisich's pictorial quilt-like tapestries inspired by the devastation left in the wake of Hurricane Katrina and the subsequent resurrection of the city and its culture. They also suggest that states of emergency are becoming the new American way of life."

To read the entire review in Gambit Weekly, please .





JFG Artists in shows around the country





Ballroom Marfa (Marfa, TX)

The World According to New Orleans, curated by Dan Cameron , featuring three JFG artists, Skylar Fein, Gina Phillips and Dan Tague March 18th through August 14, 2011.

For more information on Ballroom Marfa, please

For more information about the exhibition, please




Gina Phillips and Skylar Fein at NOMA


The New Orleans Museum of Art is now exhibiting works by JFG artist Gina Phillips and Skylar Fein in their contemporary galleries. The works are on view through September.





Skylar Fein in LA

Skylar Fein. Titled: Skylar Fein: Black Flag continues at Western Project (Culver City, CA), his first West coast exhibition.

For more information about Skylar Fein Black Flag at Western Project, please .




Skylar Fein at The Brooklyn Museum of Art

Skylar Fein's Black Lincoln for Dooky Chase, (2010) at the Brooklyn Museum of Art from March 23 through August, 2011.

For more information, please visit the museum website at www.brooklynmuseum.org




FOR MORE NEWS AND PRESS ON THE GALLERY, PLEASE VISIT THE JFG NEWS PAGE BY CLICKING HERE


 


 Upcoming in June: Adam Mysock
 Wrong Sounding Stories: New Paintings by Tulane Professor

mysock Jonathan Ferrara Gallery is pleased to announce the upcoming exhibition "Wrong Sounding Stories", new paintings by Adam Mysock. Mysock was a 2009 No Dead Artists jury winner and his 2010 solo gallery exhibition at JFG completely sold out.

Mysock who is known for his meticulously rendered small-scale paintings based on works by masters from art history. He is a Professor of Practice at Newcomb College of Art at Tulane University. He has had solo exhibitions in Cincinnati and New Orleans and been in group exhibitions in Georgia, Illinois, Ohio and Louisiana.

Of "Wrong Sounding Stories", Mysock says:

"The paintings in this show are about storytelling, the ownership and authorship of our nation's visual stories, the parallels between those stories, and challenging the ideas of truth and fiction of sources.

This particular painting (above) presents references to three stories of crossing water (four if the title is considered). It relies most heavily on Emanuel Gottlieb Leutze's Washington Crossing the Delaware. Within that composition, body parts from Agnolo Bronzino's Crossing of the Red Sea and Moses Appointing Joshua blatantly cover sections of the figures in the boat. In the background, Evel Knievel quietly jumps Snake River Canyon. The narratives associated with each source image are parallel stories of inspiring hope through far-fetched triumph - Washington undertaking a surprise attack on Hessian forces at Trenton, Moses leading the Israelites across the Red Sea to escape Pharaoh's army, and Knievel (unsuccessfully) attempting to jump across a canyon in Idaho.

The varying clarity of the exaggerations creates a hierarchy - obvious lies provide cover for more subtle ones. (For example, the obvious replacement of Lincoln for Washington hides the fact that Washington has been moved back a few figures in the boat [the man holding the black hat to his head]). I've always reveled in the fiction of painting, and for this piece, I used Leutze's exaggerations in the original painting as inspiration to embrace a bit of playful dishonesty.



To see other works by Adam Mysock on his featured artist page, please .




Pictured:

Adam Mysock

Now the LORD said unto Abram: "Get thee out of thy country, and from thy kindred, and from thy father's house, unto the land that I will show thee. (2010)
acrylic on panel
10" x 17"

After (historical paintings and events referenced )

Emanuel Leutze's Washington Crossing the Delaware
Agnolo Bronzino's Crossing of the Red Sea and Moses Appointing Joshua,
and Evel Knievel's Snake River Canyon jump


 


 15th Annual No Dead Artists National Juried Exhibition
 National Call For Artists Now Open Through June 15th

The 15th edition of the Annual No Dead Artists National Juried Exhibition of Contemporary Art Call For Artists is open through June 15th.. The exhibition is co-presented by ArtDaily.org, the First Art Newspaper on the Net.

The No Dead Artists exhibition was founded in 1995 to give a voice to emerging artists. The exhibition's name is derived from the old adage that artists never achieve success until they are dead. No Dead Artists turns that notion on its head and gives emerging artists their first break in the art world.

In the 90's, the exhibition was open only to New Orleans artists and subsequently grew to include artists of Louisiana. In 2010, the exhibition expanded to become a national juried exhibition open to artists from the entire US and ArtDaily came on board to further broadcast the jury winning works to the world, thus giving these emerging artists an even great voice.

The exhibition has been a springboard for numerous artists leading to national press coverage, recognition, gallery representation and acquisitions by museums and other prominent collections. Each year gallery owner Jonathan Ferrara invites a panel of renowned arts professional and collectors to select the newest creative talents.

Past jurors have included Prospect.1 Founder and Curator Dan Cameron, Weisman Foundation Director Billie Milam Weisman, Collector and Philanthropist Beth Rudin DeWoody, MacArthur Fellow John Scott, Whitney Trustee and Ballroom Marfa Co-founder Fairfax Dorn and artist Tony Fitzpatrick.

For the 15th edition, three renowned arts professionals have been tapped for the 2011 No Dead Artists jury:

Collector and Arts Philanthropist Toby Devan Lewis
New Orleans Museum of Art Director Susan Taylor
and
21c Museum Director William Morrow.



The Jurors


Toby Devan Lewis is a philanthropist, art collector, author and curator. For more than twenty years Lewis amassed a collection of art works by emerging artists for the Progressive Corporation, the nation's third largest auto insurer. This collection, now numbers more than 6300 works and has been rated as one of the country's top collections by Art and Auction magazine. Lewis' philanthropy includes major gifts to the New Museum of New York, where she is an active member of its Board of Trustees. She also serves on the boards of the Cleveland Museum of Contemporary Art and the Cleveland Film Society. She is the founding benefactor of Prospect New Orleans, the premiere biennial of international contemporary art in the U.S. She is the 2007 recipient of the Martha Joseph Prize for Distinguished Service to the Arts. In 2004 she was the recipient of the Award of Excellence from the International Association of Professional Art Advisors in 2004, and in 1998 she was honored by the New Museum for her "significant contribution in bringing the visual arts and creative experience to the work environment." In 2009, she was honored by ArtTable in New York for her contributions to the arts. Toby Lewis' interest in the arts is constantly challenge how we look and perceive our world and underlines both her professional career and her commitment to the arts and ideas.

William Morrow manages the private collection of Laura Lee Brown and Steve Wilson, and has been the Director of 21c Museum, Louisville, KY since 2006. Part of the 21c Museum Hotel, the museum brings contemporary art to the public through innovative exhibitions and programs that integrate art into daily life. Morrow is one of the founding board members of the Kentucky School of Art and a founding member of the Commission on Public Art, Louisville, KY. He received his MA in Art History and English Literature from the University of St Andrews and an MA in Museum Studies from School of World Art and Museum Studies, University of East Anglia Norwich, England. 21c Museum is North America's first museum dedicated solely to collecting and exhibiting art of the 21st century. The 9,000-square-foot Museum, part of 21c Museum Hotel, was opened in 2006 and is committed to bringing works of art to the public through innovative exhibitions and programs that integrate contemporary art into daily life. The exhibitions and installations of 21c Museum weave into the fabric of the hotel and the surrounding streetscape, with works of art filtering into both public space and unexpected places.

Susan Taylor has been the Director of the New Orleans Museum of Art since September 2010 and has been a museum director for over twenty years, having led the Davis Museum and Cultural Center at Wellesley College for 12 years and the Princeton University Art Museum for eight years. At Princeton she is well known for instituting wide-ranging innovations in collections development, planning, programming and outreach. She is also deeply involved in the ongoing debate about collection ownership and cultural property issues, having successfully resolved several ownership claims for works of art in Princeton's collection. She founded new curatorial departments in the areas of Education and Academic Programming, American Art, and Modern and Contemporary Art and strengthened the museum's collections, and oversaw the development of an ambitious exhibition and education program that effectively reached campus, national and international audiences. Taylor is the former director of the Davis Museum and Cultural Center at Wellesley College. During her twelve-year tenure at Wellesley, she oversaw the construction of an award-winning museum facility designed by Spanish architect Rafael Moneo. She holds art history degrees from Vassar College and the Institute of Fine Arts at New York University. She serves on boards and committees of many professional organizations including the Getty Museum and the Frances Lehman Loeb Arts Center at Vassar College. She holds art history degrees from Vassar College and the Institute of Fine Arts at New York University.


The No Dead Artists submission period is open from March 1, 2011 thru June 15, 2011. The exhibition is open to all mediums including painting, sculpture, glass, metal work, photography, video, mixed media and installation art.

The jury winners are featured in widely attended exhibition at Jonathan Ferrara Gallery in New Orleans from September 1 through September 24, 2011. Selected jury winners are also featured in articles published on ArtDaily.org written by art critic D.Eric Bookhardt (ArtPapers and Gambit Weekly New Orleans).


New Orleans

New Orleans has become a destination for contemporary visual art and is considered one of the hotbeds of creative talent in the US. With exhibitions like Prospect Biennial, the national and international focus on New Orleans and its arts scene has increased dramatically from both a critical and collector perspective. With its rich cultural heritage and its unique indigenous creativity, the city and its arts scene are poised for continued success.


Jonathan Ferrara Gallery

Jonathan Ferrara Gallery is a collective environment of creative visions; a commercial gallery with a public conscience. Artist, activist, and entrepreneur Jonathan Ferrara opened the gallery in 1998 to give emerging artists a voice. Since its inception, the gallery has focused on cutting edge works by local, national and international artists with a sense of purpose, mission, and message. In recent years, it has gained a national reputation and increasingly presents artists and exhibitions in cities across the US including the Pulse Fair in Miami and VOLTA NY Fair in New York.


For more information, please contact the gallery via email at nodeadartists@gmail.com



Applications can be downloaded from the gallery's website by clicking here.


 


GALLERY HOURS

Monday - Saturday 11 am to 5pm

Jonathan Ferrara Gallery
400a Julia Street
New Orleans, LA 70130




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