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In response to popular demand, .NO is pleased


Clockwise from upper left: 
Details from Caritas by Anna Christina Lorenzen, 
Behind the Hedge by Vanna Bowles, Against the Wall by Ellen Bang 
and 9.5 Minutes by Jannicke Låker

Clockwise from upper left:
Details from Caritas by Anna Christina Lorenzen,
Behind the Hedge
by Vanna Bowles, Against the Wall by Ellen Bang
and 9.5 Minutes by Jannicke Låker
to extend the NORTH STARS Series with a bonus round. Having now run the gamut of the official flag colors, this final installment is dedicated to the hue that connotes the very foundation for contemporary Norwegian society: the rich, oily black of the North Sea petroleum industry.

On the surface level, the artists selected for this show have a shared preference for BLACK, as expressed in the minimal, achromatic palette of Ellen Bang's sculptures and of the drawings by Vanna Bowles and Anna Christina Lorenzen, as well as in the dark, offbeat humor conveyed in Jannicke Låker 's videos. Spanning decades in age, the exhibitors have received significant acclaim in both the Norwegian and the international art scene. The youngest among them, Lorenzen will show large-scale drawings from the Evolutionary Line series presented in her solo exhibit at Haugesund Kunstforening earlier this year. Among other pieces, Bang will contribute To the Moon, a sculptural suite consisting of three wooden wolves that have already travelled across the world for shows in Germany, Holland, the UK, Czechoslovakia, Austria and Norway. Låker's video Sunday Mornings won both the Terje Vigen Award and the Film Critics Award in her native Norwayin 2008, and was also nominated for the ARTE Award at the International Short Film Festival in Hamburg in 2009. Fresh from a solo show in Stockholm, Bowles currently holds a one-year residency at the Jacob Weidemann Foundation in Lillehammer and just won a prestigious 3-years artist grant awarded by the Norwegian government.


OPENING RECEPTION: Thursday, May 19, 6-0 pm

as part of the LES Third Thursdays gallery stroll

The 2nd part of the title is meant to convey the friction between seeming opposites: in traditional thinking, Bold is ascribed to the strong male principle, while Beautiful connotes the soft and femi-nine. For the accomplished artists featured in BLACK, such conflicting sets of character-istics are not mutually exclusive. Mining the rich field of copresent opposites, their works have the vital tension thus described by Jung: “Only the paradox comes anywhere near to comprehending the fullness of life.”

The title also reflects these artists' stance in the contemporary artworld. Lorenzen, Låker, Bang and Bowles do not shy away from qualities often scoffed at in certain dominant circles: visual pleasure and solid craft. These women have the audacity to be vulnerable and authentic — opting out on ironic distance, where the laugh is always at somebody else's expense, they dare to lay themselves bare. The results are works that stand up for themselves and on their own two feet, not needing the crutch of an accompanying theoretical manual.

And that is where Badass comes in: according to the Urban Dictionary, "the badass carves his own path. He wears, drives, drinks, watches, and listens to what he chooses, when he chooses, where he chooses, uninfluenced by fads or advertising campaigns. He feels no obligation whatsoever to justify his beliefs, values, convictions, morals et cetera with anyone. He likes his music because it sounds cool to him. Badass style is understated, but instantly recognizable." Silently appropriating an epithet unjustifiably associated with the male gender, Lorenzen, Låker, Bang and Bowles are true badasses, producing the kind of work that .NO wants to show: "awesome to an extreme level" (Urban Dictionary again) — art that kicks ass!
xxx

 
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