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Art News:
"Invalid Format" events with Tan Lin, The Paris Review, and Project Projects
“Invalid Format is among the most artful new attempts to reinvent the Web by the codex, and the codex by the Web.” —The New York Times
Passive Recreation
A salon with Triple Canopy and the Paris Review
The New York Society Library, 53 East 79th Street, New York, NY
Wednesday, January 18, 6:30 p.m.
$10, tickets are sold out
RSVP for waitlist: events@nysoclib.org
The New York Society Library holds its third annual salon, featuring food and wine, conversation, visual presentations, and readings. Editors of Triple Canopy and the Paris Review will discuss literature old and new, on the page and on the Web. Triple Canopy will present its first literaryâor not not literaryâissue, Counterfactuals. Editors, along with contributor Tan Lin, will read and play audio and video selections from the issue. They will speak to Triple Canopyâs effort to cultivate new forms of literary work online and to undermine generic conventions. They will also present Triple Canopy's first book, Invalid Format: An Anthology of Triple Canopy, which explores how works produced for the screen might fully inhabit the page.Â
How to Print an Internet Magazine
An Evening with Triple Canopy and Project Projects
McNally Jackson Books, 52 Prince Street, New York, NY
Thursday, January 19, 7â8:30 p.m.
Free and open to the public
How to print an Internet magazine is the problem addressed by Invalid Format. Triple Canopy editors Alexander Provan and Peter J. Russo will read selections from Invalid Format and discuss its genesis and form with the bookâs designer, Prem Krishnamurthy, and Adam Michaels of the firm Project Projects. Krishnamurthy and Michaels will, in turn, discuss how Project Projects makes productive use of the tension between new and old print technologies and design conventions in its work, which ranges from exhibitions to pamphlets, websites to catalogues.
With generous support from:
Triple Canopy is an online magazine, workspace, and platform for editorial and curatorial activities. Working collaboratively with writers, artists, and researchers, Triple Canopy facilitates projects that engage the Internet's specific characteristics as a public forum and as a medium, one with its own evolving practices of reading and viewing, economies of attention, and modes of interaction. In doing so, Triple Canopy is charting an expanded field of publication, drawing on the history of print culture while acting as a hub for the exploration of emerging forms and the public spaces constituted around them. Triple Canopy is a nonprofit 501(c)3 organization.
Triple Canopy gratefully acknowledges The Andy Warhol Foundation for the Visual Arts, The Brown Foundation, Inc. of Houston, The Buddy Taub Foundation, CEC ArtsLink, Chamber Music America, The Doris Duke Charitable Foundation, Experimental TV Center, Foundation for Contemporary Arts, New York City Department of Cultural Affairs, New York Council for the Humanities, New York State Council on the Arts, Office for Contemporary Art Norway, and the Orphiflamme Foundation, as well as the many individuals and in-kind contributors who have generously given their support.
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