
Ù¨ ÙÙÙÙÙ – Ù¡ أغسطس
Ø§ÙØ§ÙØªØªØ§Ø Ù§ Ù
Ø³Ø§Ø¡Ø§ÙØ Ø§ÙØ¯Ùر Ø§ÙØ£ÙÙ
Ù
عرض
Ø¨Ø´Ø§ÙØ± Ù¥
اÙÙÙØ§ÙÙÙ:
ÙØ§Ø²ÙÙ Ø£Ø¨Ø§Ø¸Ø©Ø Ø¥Ø³ÙØ§Ù
Ø´Ø¨Ø§ÙØ©Ø Ø¬ÙØ§Ø¯ Ø£ÙÙØ±Ø Ø£ØÙ
د Ø´ÙÙÙØ Ù
ØÙ
ÙØ¯ Ø·Ø§Ø±ÙØ سÙ
ا ÙØ§ÙÙ
Ø§ÙØªÙسÙÙ Ù Ù§ Ø£ÙØªÙبر Ù
ع اÙÙ
Ø³Ø§ØØ© ÙÙÙ٠اÙÙ
عاصر.
ÙÙ ÙÙÙÙÙ ÙÙÙ
دة Ø«ÙØ§Ø«Ø© Ø£Ø³Ø§Ø¨ÙØ¹Ø ÙØªØ¬Ù
ع ستة ÙÙØ§ÙÙÙ Ù
ازاÙÙØ§ Ø·ÙØ§Ø¨Ø§ Ø£Ù ØªØ®Ø±Ø¬ÙØ§ ØØ¯Ùثا Ù
٠جاÙ
عات اÙÙØ§ÙØ±Ø©Ø ÙÙ Ø§ÙØ·Ø§Ø¨Ù Ø§ÙØ£ÙÙ Ù
Ù Ø§ÙØ¬Ø§ÙÙØ±Ù Ù٠إطار (Ø¨Ø´Ø§ÙØ± Ù¥) ÙÙÙ Ù
عرض ÙÙÙÙ
ب٠تاÙÙ ÙØ§Ùس ÙÙÙÙØ§ÙÙÙ Ø§ÙØµØ§Ø¹Ø¯ÙÙ Ù
رة Ù٠عاÙ
ÙÙ ÙÙØºÙر Ø§ÙØ¹Ø§Ø¯Ø© ÙÙ Ø§ÙØ³ÙÙØ§Øª Ø§ÙØ³Ø§Ø¨ÙØ©Ø ÙÙ
ÙØªÙ
ØªÙØ¸ÙÙ
ÙØ°Ø§ Ø§ÙØØ¯Ø« Ø§Ø±ØªÙØ§Ø²Ø§ عÙÙ ÙØ³ÙØ· ÙÙ٠أ٠Ù
ÙØ¶Ùع Ø£Ù Ù
ÙÙØ¬ Ø£ÙØ§Ø¯ÙÙ
Ù Ø¨Ø°Ø§ØªÙØ ØÙØ« ÙÙ
ث٠اÙÙÙØ§ÙÙÙ Ø§ÙØ°Ù٠تÙ
Ø§Ø®ØªÙØ§Ø±ÙÙ
ÙØ³Ø§Ø¦Ø· تشÙ
Ù Ø§ÙØµÙت ÙØ§ÙÙÙØ¯ÙÙ ÙØ§ÙرسÙÙ
اÙÙ
ØªØØ±ÙØ© ÙØ§ÙÙÙØªÙغراÙÙØ§ ÙØ§ÙÙ
ÙØ³Ùجات ٠أعÙ
ا٠Ù
Ø±ÙØ¨Ø©Ø ÙÙÙ
ÙØªØ¹Ø§Ù
ÙÙÙ Ù
ع Ù
ÙØ§Ø¶Ùع Ù
تÙÙØ¹Ø© Ù
Ù Ø§ÙØÙÙÙ ÙÙÙ
اض٠إÙÙ Ø§ÙØÙ
ÙÙ
ÙØ© ÙÙ
Ù Ø§ÙØ°ÙØ±ÙØ§Øª Ø§ÙØ¯ÙÙÙØ© Ø¥ÙÙ Ù
ÙØ§Ø¶Ùع Ø³ÙØ§Ø³ÙØ© Ù
ث٠اÙÙÙØ© ÙØ§ÙØ³ÙØ·Ø±Ø©.
Ø§ÙØªÙسÙ٠اÙÙÙÙ ÙÙØØ¯Ø« تÙ
عÙÙ ÙØ¯ Ù§ Ø§ÙØªÙبر ÙÙ٠جÙ
اعة Ù
٠اÙÙÙØ§ÙÙÙ ÙØ§ÙÙØªØ§Ø¨ Ù
ÙØ±Ùا اÙÙØ§Ùرة ÙØªÙÙÙ
Ø¨ØªÙØ¸ÙÙ
Ù
ØØ§Ø¯Ø«Ø§Øª Ø§Ø³Ø¨ÙØ¹ÙØ© (عادة ع٠اÙÙÙ) ÙØªÙ
تسجÙÙÙØ§ ÙØªØÙ
ÙÙÙØ§ عÙÙ Ø§ÙØ§ÙØªØ±ÙØª. ÙÙ Ø¨Ø¯Ø§ÙØ© Ù¢Ù Ù¡Ù¢Ø Ø±ÙØ²Øª ÙØ§ØØ¯Ø© Ù
٠تÙ٠اÙÙ
ØØ§Ø¯Ø«Ø§Øª عÙÙ Ø¸Ø§ÙØ±Ø© "اÙÙÙØ§Ù Ø§ÙØ´Ø§Ø¨" ÙØ§Ùت٠تÙ
ØªÙØ§ÙÙÙØ§ ÙÙ Ù
ÙØ§Ø³Ø¨Ø§Øª ÙÙÙØ© Ø¹Ø¯ÙØ¯Ø© Ù
ÙÙØ§ اصغر Ù
٠اÙÙ
Ø³ÙØ ÙÙ ÙÙØªÙÙ ÙØ£Ù
اÙÙ Ø§Ø®Ø±Ù Ø£ÙØ±Ø¨ ÙÙØ§Ø ØÙØ« تÙ
ØªÙØ¸ÙÙ
Ù
عارض ÙØ§ ØØµØ± ÙÙØ§ (Ù
ÙÙØ§ اÙÙ
عرض Ø§ÙØØ§ÙÙ) ØªØØª اسÙ
اء Ù
Ø«Ù Ø§ÙØ´Ø§Ø¨ Ø£Ù Ø§ÙØ·Ø§Ùب Ø£Ù Ø§ÙØµØ§Ø¹Ø¯. ÙÙÙÙ Ù
ا ÙÙ ÙØ§Ø¦Ø¯Ø© تÙ٠اÙÙ
سÙ
ÙØ§ØªØ ÙÙÙ ÙØ¬Ø¨ Ø£Ù ÙÙØªÙ
بÙ
ث٠تÙ٠اÙÙ
سÙ
ÙØ§ØªØ
ÙØ¶Ù أعضاء Ù§ Ø§ÙØªÙبر Ø£Ø³Ø§Ø¨ÙØ¹ ÙÙ ÙÙØ§Ø´ Ù
ستÙ
ر ØÙ٠تÙÙ Ø§ÙØ£Ø³Ø¦ÙØ©. ÙØ¨Ø¹Ø¯ Ø£Ù Ø§Ø®ØªØ§Ø±ÙØ§ اÙÙÙØ§ÙÙ٠اÙÙ
شارÙÙÙ Ø¨ÙØ§Ø¡ عÙÙ ØªØ±Ø´ÙØØ§Øª Ù
٠اساتذة ÙÙÙØ§ÙÙ٠عاÙ
ÙÙÙ Ù٠اÙÙ
دÙÙØ©Ø ØªØØ¯Ø« أعضاء Ù§ Ø§ÙØªÙبر Ù
ع اÙÙÙØ§ÙÙÙ ØÙÙ Ø§ÙØ£Ø³Ø¦ÙØ© Ù٠اطار Ø§Ø³ØªÙØ¯ÙÙ Ù
ÙØªÙØ Ø¯Ø§Ù
Ø«ÙØ§Ø«Ø© Ø£Ø³Ø§Ø¨ÙØ¹ ÙÙØªØ±Ø© Ù
Ù Ø§ÙØªØÙÙ٠اÙÙÙØ¯Ù تÙ
ØªÙØ¸ÙÙ
ÙØ§ Ø¨Ø§ÙØªØ¹Ø§ÙÙ Ù
ع Ù
Ø³Ø§ØØ© اÙÙ٠اÙÙ
عاصر ÙØ¨Ù Ø§ÙØ§ÙتتاØ. ØªÙØ¯Ù اÙÙÙØ§Ø´Ø§Øª اÙÙÙÙØ© تÙ٠إÙ٠إعطاء ØµÙØ±Ø© ÙØ¥Ù ÙØ§Ùت Ù
جتزأة ع٠اÙÙÙØ§ÙÙÙ ÙÙ Ù
بدأ ØÙاتÙÙ
اÙÙ
ÙÙÙØ©.
ÙÙØ¯ ÙØ±Ø±Ùا Ø£Ù ÙØ¶Ø¹ Ø´ÙÙÙÙØ§ عÙ٠اÙÙ
ØÙ Ù ÙØ¹Ù
٠عÙ٠بعض Ù
Ù ØªØ³Ø§Ø¤ÙØ§ØªÙا بطرÙÙØ© تعاÙÙÙØ© ÙÙ «Ø¨Ø´Ø§Ùر Ù¥»Ø ÙØ¨ÙÙØ§ÙÙ ÙÙØ¯Ø±Ø§Ø³Ø© Ø§ÙØ§Ø³ØªÙØµØ§Ø¦ÙØ© ÙÙÙÙØ§ÙÙÙ Ø§ÙØ·Ùاب Ù ØØ¯ÙØ«Ù Ø§ÙØªØ®Ø±Ø¬ Ø¨Ø§ÙØªØ§ÙÙ ÙØ§ÙØ³Ø ÙÙØ¯ Ø·ÙØ¨Ùا Ù
Ù Ø§ÙØ£Ø³Ø§ØªØ°Ø© ٠اÙÙÙØ§ÙÙÙ Ø¨ØªÙØ¯ÙÙ
ØªÙØµÙات ع٠ÙÙØ§ÙÙÙ Ø·ÙØ§Ø¨ Ù
تÙ
ÙØ²ÙÙ ÙÙØ¹Ø±Ø¶Ø Ø§ÙØ¹Ø±Ø¶ Ø§ÙØ£Ø®Ùر Ù٠استÙ
رار ÙØÙØ§Ø±Ùا Ø§ÙØ¬Ø§Ø±Ù ØÙÙ ÙØ°Ù Ø§ÙØªØ³Ù
ÙØ© Ø§ÙØ§Ø´ÙاÙÙØ©.
تÙ
ØªÙØ¸ÙÙ
عرض "Ø¨Ø´Ø§ÙØ± Ù¥" Ø¨Ø§ÙØªÙسÙÙ Ù
ع "اÙÙ
Ø³Ø§ØØ© ÙÙÙÙÙ٠اÙÙ
عاصرة Ù Ø§ÙØªÙÙ
ÙØ© Ø§ÙØ«ÙاÙÙØ©"ØÙ ÙÙ Ù
ÙØµØ© ÙØ´Ø¨Ø§Ø¨ اÙÙÙØ§ÙÙ٠اÙÙØ§Ø´Ø¦Ø© بÙ
ØµØ±Ø ØÙØ« تسع٠إÙÙ Ø§ÙØªØ±ÙÙØ² Ø¨ØµÙØ±Ø© Ù
ÙØ«ÙØ© عÙÙ Ø§ÙØªÙجÙ٠٠دعÙ
اÙÙ
Ù
ارسات اÙÙ
عاصرة ٠تÙÙ
ÙØ© اÙÙ
Ø´Ø§Ø±ÙØ¹ Ù Ø§ÙØ£ÙÙØ§Ø±ØÙ
Ù Ø®ÙØ§Ù ÙØªØ Ù
Ø¬Ø§Ù Ø§ÙØªÙÙÙØ± بÙÙ "اÙÙÙØ±Ø©" Ù "اÙÙ
ÙØªØ¬ اÙÙÙÙ".
|
July 8 – August 1,
Opening 7 PM, First Floor Gallery
Exhibition
The Pick 5
Artists: Nazly Abaza, Gehad Enwar, Islam Shabana, Ahmed Shawky, Mahmoud Tarek, Sama Waly
Curated by Saba3aktouber with Space for Contemporary Art
For three weeks in July, six artists who are current students or recent graduates from Cairo universities will come together in the First Floor Gallery for “The Pick 5,” Townhouse’s semi-annual survey of emerging artists.
Unlike past years, this iteration of the Pick was not curated around a particular medium, theme or specific university course. The selected artists represent media including sound, installation, web art, photography and textiles; and engage with diverse themes from the nostalgia of intimate, partially obscured memories to political issues of power and control.
“The Pick 5” was curated by Saba3aktouber, a loose collective of artists and writers based in Cairo who have weekly conversations (usually about art) that are recorded and put on the internet. Earlier in 2012, one of those conversations focused on the phenomenon of the “young artist” show. From “Younger than Jesus” at the Whitney to a myriad of examples closer to home, exhibitions framed by labels like “youth,” “student” and “emerging” (including this one) are too numerous to count. But how useful are these labels really in bringing work together? Is it still worth it to pay attention to them anymore?
We decided to put our skepticism to the test and work out some of our questions by collaborating on “The Pick 5.” We asked professors and established artists to recommend students to us for the show. The final exhibition is a continuation of our ongoing conversations about this problematic label.
“The Pick 5” was organized in coordination with “The Space for Contemporary Art and Culture Development,” a platform for young emerging artists based in Egypt that focuses intensively on mentorship, supporting contemporary practices, and developing ideas and projects, by opening up the thinking space between “Idea” and “Production.”
|
|
|