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Art News:
Work by the original bad boys of political satire goes on view August
1 at Stanford University's Cantor Arts Center.
As press coverage of the 2012 American presidential election heats up,
this exhibition explores the art that ignited a 19th-century battle
over politics and freedom of the press. The weekly Paris journal La
Caricature, founded in 1830 shortly after Louis-Philippe I (1773–1850)
took the French throne, quickly became the King’s worst enemy in his
fight for popular approval. It published hundreds of lithographs by
Honoré Daumier (1808–1879) and other artists that thoroughly ridiculed
the July Monarchy, as Louis-Philippe’s reign was known. See how, in
the approximately 50 prints on view, La Caricature used social satire,
visual puns, and physical caricature to mock the July Monarchy’s
ministers, their censorship of the press, and the King’s physical
appearance.
“When Artists Attack the King: Honoré Daumier and La Caricature, 1830–
1835”
August 1–November 11, 2012
Stanford, Calif. — Long before Iranian cartoonist Mahmoud Shokraiyeh
was sentenced to 25 lashings for drawing a parliament member in a
soccer jersey, 19th-century caricaturist Honoré Daumier and his
colleagues at the weekly Paris journal La Caricature endured prison
sentences, fines, and litigation for their scathing portraits of king
Louis-Philippe I of France, who came to power after the Revolution of
1830. The Cantor Arts Center presents 50 of these pioneering satirical
works in “When Artists Attack the King: Honoré Daumier and La
Caricature, 1830–1835,” which opens August 1.
The exhibition, drawn entirely from the collection of the Cantor Arts
Center, also features issues of La Caricature and large Daumier
lithographs published for L’Association Mensuelle, a monthly print
subscription associated with La Caricature.
The show’s most provocative prints represent the king as la poire, a
bulbous pear. But the artists mercilessly lampooned everything about
the July Monarchy, as Louis-Philippe’s reign was known—its ministers,
their censorship of the press, their role in the inequalities of
French society. The tone in the presented works ranges from mocking to
outraged: from depictions of government officials as marionettes to
the gruesome aftermath of government troops shooting an entire working-
class family after a riot.
“Daumier and the other artists at La Caricature were incredible
draftsmen, and they all possessed a gift for using wicked humor to cut
to the heart of controversial issues,” says Elizabeth Kathleen
Mitchell, the Cantor’s Burton and Deedee McMurtry Curator of Prints,
Drawings, and Photographs. Daumier especially has been posthumously
recognized for his wit and technical skill, which he demonstrated in
his more than 4,000 lithographs as well as his sculptures and the
paintings he produced later in life before going blind.
“When Artists Attack the King: Honoré Daumier and La Caricature, 1830–
1835” is made possible through the support of the Halperin Exhibitions
Fund.
The Cantor Arts Center is open Wednesday–Sunday, 11 a.m.–5 p.m.,
Thursday until 8 p.m. Admission is free. The Cantor is located on the
Stanford campus, off Palm Drive at Museum Way. Parking is free after 4
p.m. weekdays and all day on weekends. Information: 650-723-4177,
museum.stanford.edu.
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PUBLICITY IMAGES are available at http://www.stanford.edu/dept/suma/news_room/documents/photos/Daumier_photos/
ONLINE at http://museum.stanford.edu/news_room/daumier.html
VISITOR INFORMATION
Free admission. Open Wednesday–Sunday, 11 a.m.–5 p.m., Thursday until
8 p.m.
Parking is free after 4 p.m. weekdays and all day on weekends.
Public information: 650-723-4177, http://museum.stanford.edu,
Visitor Information: http://museum.stanford.edu/visit/plan_a_visit.html
Let me know if you would like the exhibition checklist or additional
information.
Thank you for your time and attention.
anna
Anna Koster
Head of Communications
Cantor Arts Center at Stanford University
Lomita Dr. at Museum Way
Stanford, CA 94305-5060
650-725-4657 Fax 650-725-0464
Public info line 650-723-4177
akoster@stanford.edu
http://museum.stanford.edu
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