login    password    artist  buyer  gallery  
Not a member? Register
absolutearts.com logo HOME REGISTER BUY ART SEARCH ART TRENDS COLLECT ART ART NEWS
 
 
Art News:

Jill Daves, Chasing the Sun, installation at Pgh 6th Street, Pittsburgh, 2007, colored pencil on wall and floor.



																									July 5, 2012

 

 Jill Daves

Chasing the Sun

July 14 – August 18, 2012

gallery km

2903 Santa Monica Blvd.

Santa Monica, CA 90404

            310.828.1912

            www.gallerykmLA.com

Opening Reception: Saturday, July 14, 6 – 8pm

Artist Talk: Saturday, July 28, 2pm

 

 

gallery km is pleased to present our first solo exhibition by Los Angeles artist Jill Daves, Chasing the Sun. The exhibition consists of two parts, one in each of the gallery's two exhibition rooms. The east gallery will host a site specific installation in which Daves uses repetitive mark making on the gallery walls, floor, and windows, spending multiple days in the space tracing the shadows created by the sun's movement with colored pencil. In the west gallery, Daves will present several “Wood Grain Paintings” formed with abstracted tracings of oil paint on visibly-grained wood panel, ranging in size between 36 by 48 inches and 48 by 60 inches. The gallery will hold a reception for the artist on Saturday, July 14, from 6-8pm, and an artist talk on Saturday, July 28th at 2pm.

Daves’ work is invested in ideas of history, time and place, and the ways in which transient expressions of time reflect upon and alter physical space and individual patterns. In both her installation work and her discreet works on wood and paper, she explores the notions and sentiments attached to the overarching concepts of time/place—and the framework they create for the process of defining identity and meaning—as a constant nostalgic process of attempting to pin down the ephemeral.  Rather than highlighting the center of any particular temporal narrative, however, Daves works on the margins, focusing on details that usually fall to the background. She describes herself as being “enamored with the unexceptional elements of life which are ignored, discounted, and dismissed” and by bringing focus to those elements, she attempts to “bring reverence to the lost, fleeting, and forgotten”.  

In her site specific installation, part of a series she calls “Chasing the Sun”, Daves literally runs throughout the installation space trying to pin down and ‘catch up’ with shadows created by the sun’s movement before they disappear. Daves begins the process by imposing a set of rules of engagement for the installation, such as that she will draw for the same four hour period over four days. Formal considerations of color choice, thickness of line, and composition, are all subjugated to the primary goal of recording a moment that refuses the stillness necessary for verisimilitude. The resulting drawing is transient, never to be repeated, and thus solely defined by its surroundings within the moments of construction.

In her “Wood Grain Paintings”, Daves uses the existing wood grain patterns from the panels upon which she paints in order to reference the past already visually present in each panel. Again, she begins with a set of rules; in this instance, the number of times that she will trace the wood grain pattern in transparent oil glazes (which is then referenced in the parenthetical number in the title of the paintings). After tracing the initial pattern the specified number of times, she then improvises her own intuitive new pattern between the already existing ones. In so doing, Daves creates a dialogue between the year that is represented by the marks in the wood, and her own internal experience and recording of the present time. That both the original pattern and her improvised one fail as complete representations becomes the starting point for a dialogue about temporality, loss, and growth. As she states, “Referencing the patterns created by the wood panel’s inherent compilation, I expand a convergence of time, space, place, being, and adaptation. By doing this, the representation becomes not of the wood’s history. It becomes a representation of growth and symbiosis.” 

Jill Daves received her MFA from the University of Illinois, and has exhibited her site-specific installations, paintings, and works on paper throughout the United States. She lives and works in Los Angeles. 



For more information, please contact Deb Klowden Mann at deb@gallerykmLA.com, or 917-971-3857.





Jill Daves, Wood Grain (7), 2012, oil on panel, 48'' x 60''




Jill Daves, Wood Grain (11), 2012, oil on panel, 48'' x 60''












gallery km
2903 Santa Monica Blvd.
Santa Monica, CA 90404
310-828-1912
deb@gallerykmLA.com
www.gallerykmLA.com











#

YOUR FIRST STOP FOR ART ONLINE!
HELP MEDIA KIT SERVICES CONTACT


Discover over 150,000 works of contemporary art. Search by medium, subject matter, price and theme... research over 200,000 works by over 22,000 masters in the indepth art history section. Browse through new Art Blogs. Use our advanced artwork search interface.

Call for Artists, Premiere Portfolio sign-up for your Free Portfolio or create an Artist Portfolio today and sell your art at the marketplace for contemporary Art! Start a Gallery Site to exclusively showcase your gallery. Keep track of contemporary art with your free MYabsolutearts account.

 


Copyright 1995-2013. World Wide Arts Resources Corporation. All rights reserved