K e i t h W i l s o n - A r t i s t i n R e s i d e n c e
J u l y - S e p t
Keith Wilson, Calendar (2011) Installation view, British Art Show 7, Tramway, Glasgow
S1 Artspace is delighted to announce that sculptor Keith Wilson is to commence a two-month residency in the main gallery for the duration of summer 2012 following his relocation to Sheffield this year.
Wilson will be utilising the gallery as both a discussion space, working studio and display space. During the residency, Wilson will be working up the final form of Calendar (2011), a large-scale galvanised steel sculpture, which will be installed in the central space of the gallery. This structure, constructed from multiple cubic units, represents the familiar monthly calendar grid system used for wall planners or as computer applications. The shelf-like units of Calendar present a flexible, permeable form for the temporal display of myriad found or donated objects. Each unit holds the potential to be filled with significant events, appointments and reminders, or simply left empty.
As part of his residency, Wilson will be hosting a series of events, screenings and discussions based on the concerns of the original Unit One group founded in 1933 by artist Paul Nash. Unit One sought to champion British modernism, advocate avant-garde practice and revitalise British art. The group included artists, architects and critics including, Barbara Hepworth, Ben Nicholson, Henry Moore, Edward Wadsworth and Herbert Read. Announcing the group’s formation in 1933, Nash wrote ‘The formation of Unit One is a method of concentrating certain individual forces; a hard defence, a compact wall against the tide, behind which development can proceed and experi
ment continue’. The Times, 2 June 1933. Following on from the Unit One group, Wilson’s programme of events and discussions will encourage critical discussion among and between artists and other invited participants.
“ I have been attempting to situate the subject as I understand it here in studioland in more dynamic relation to its various institutional and art historical frameworks. When in the studio you are in the present, in the collective space of the subject as it happens. But when you are there socially, you are in a strangely displaced real time, since any such proper work seems unlikely ”. Keith Wilson
The full schedule of events will be announced shortly
For further information and images please contact Chloe Reith, Communications Coordinator
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