ALEJANDRO OTERO'S COLORHYTHMS
AT PINACOTECA (SÂO PAULO). CURATED BY RINA CARVAJAL
Instituto de Arte Contemporânea (IAC) is proud to present O Espaço Ressoante. Os Colorítmos de Alejandro Otero (Resonant Space: The Colorhythms of Alejandro Otero).
Spanish version |
|
FRANCIS ALŸS.
FABIOLA
REACHS PUEBLA, MEXICO
Museo Amparo inaugurated the exhibition Francis Alÿs. Fabiola, presented in the museum's Colonial Art and Nineteenth Century galleries. The exhibition features more than four hundred images of St. Fabiola, acquired over more than a decade by Francis Alÿs, the Belgian artist settled in Mexico.
Spanish version |
|
PUERTO RICAN NAYDA COLLAZO-LLORENS AT THE RICHMOND CENTER FOR VISUAL ARTS
Richmond Center for Visual Arts, Kalamazoo, Michigan, Western Michigan University, Gwen Frostic School of Art, presentsAn Exercise in Numbness and Other Tales by the Puerto Rican artist Nayda Collazo-Llorens.
Spanish version |
|
GUILLERMO KUITCA
Hauser & Wirth, London
Guillermo Kuitca’s (Buenos Aires, 1961) London solo show at the prestigious Hauser & Wirth Gallery marked the definitive presence of Latin American art in the British capital. Kuitca, who has shown in the course of his career a growing interest in maps and architectonic diagrams, incorporated on this occasion new central motifs to his cartographic traces aimed at questioning the perception of the social spaces we inhabit.
Spanish version |
|
ISABEL MUÑOZ
Spanish Cultural Center, Miami
The Spanish photographer Isabel Muñoz knew “La Bestia” (“The Beast”) closely and portrayed its entrails. This was the name given by immigrants from Central America – mostly from Honduras, Guatemala and El Salvador – to the freight train which has, for years, transported those who traveled northward through Mexico, trying to reach the border with the United States as stowaways.
Spanish version |
|
MARTA MINUJIN
Fundacion Telefonica, Buenos Aires
After years of mentioning Minuphone every time I wrote about Marta Minujín − for example, in Arte al Día 134, when referring to her retrospective in 2010 −, the author of these lines confirmed the playful sensory effects of the telephone booth created by the artist in 1967.
Spanish version |
|