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Fall 2012 Classes | Announcing <i>Advanced Directions | Two seminars at CCNY this Fall

The Camera Club of New York

This Fall at CCNY:
Advanced Directions seminars


Building a Still and Video Archive


Rona Yefman
Rona Yefman



Advanced Directions: Building a Still and Video Archive

Instructor: Rona Yefman

Five seminars
Wednesdays: Sept 12, Oct 10, Oct 24, Nov 14, and Dec 5.
All seminars are from 7pm to 10pm.
Cost: $300 ($270 CCNY members)
Admission is subject to portfolio review. This seminar course is limited to 10 people.

Class Information:
Rona Yefman, who is recognized for her work in still photography and video, creating strong character portraits over time through developing an archive of both kinds of images, will offer a seminar for advanced students interested in exploring the idea of the personal archive. The class will address the question of how and when an archive can be used for artmaking and how its various materials can be collected, organized, and presented. The three-hour class will meet in CCNY’s studio and will look in depth at two student’s work per session, with a number of guests invited to help in the critiques. This seminar is for the advanced photographer who has obtained a degree or has the equivalent in development and experience and who has produced a body of work or is well into the production of one. The seminar will attempt to offer support and a sense of community to the photographer intent on moving forward.

Instructor Bio:
Rona Yefman was born in Israel, and currently lives and works in New York City. She received her MFA from Columbia University in 2009 and her BFA from Bezalel Academy of Art and Design (Jerusalem) in 1999. She is the recipient of the Ingeborg Bachmann Scholarship, established by Anselm Kiefer and awarded by the Wolf Foundation to a young Israeli artist; the Gerard Levy Prize for a young photographer from the Israel Museum, Jerusalem; and the Lotos Club Award. She recently had solo exhibitions at the Derek Eller Gallery, New York, 2012; SculptureCenter, New York, 2011; Participant, Inc., New York, 2010; and group exhibitions at the Kunsthalle Wien, Vienna, Miami Art Basel, Tel Aviv Museum of Art, and Lombard Fried Projects, New York.


Straddling the Fine Art / Editorial Dilemma


Martine Fougeron
Martine Fougeron



Advanced Directions: Straddling the Fine Art / Editorial Dilemma

Instructor: Martine Fougeron

Five seminars
Tuesdays: Oct 9, Oct 23, Nov 20, Nov 27, and Dec 11.
All seminars are from 7pm to 10pm.
Cost: $300 ($270 CCNY members)
Admission is subject to portfolio review. This seminar course is limited to 10 people.

Class Information:
Martine Fougeron, known for her fine art portraiture of her teenage sons and their friends, and also for her editorial portraiture for The New Yorker, New York, and the NY Times Magazine, will offer a seminar for advanced photographers who are producing a body of personal work that is considered fine art and presented in galleries, while also wanting to work editorially. How does one balance these two intentions? Are they in conflict? How can one think commercially while also making subjective decisions in one’s ongoing work? How does one make these two avenues of production complement each other and work to the photographer’s advantage? The three-hour class will meet in CCNY’s studio and will look in depth at two student’s work per session, helping the students build a stronger fine art/editorial body of work. This course is for the advanced photographer who has obtained a degree or has the equivalent in development and experience and who has produced a body of work or is well into the production of one. Guests will be invited to help in the critiques.

Instructor Bio:
Martine Fougeron began her Téte–á–Téte project in 2005 as a student at the International Center of Photography. In this series of intimate portraits of her two adolescent sons and their friends in New York and in France, she reveals the face-to-face engagement of the mother-photographer with the private world of two brothers and their teen tribe. Curator and critic Charlotte Cotton has called the project “one of the best biographical stories that photography has crafted in the 2000s.”

Fougeron was born and reared in France and studied at l‘Institut d‘Etudes Politiques de Paris and then at Wellesley College. She has been living in New York and working as a photographer for the last ten years, having turned to photography after a successful career as a Creative Director in the fragrance industry. Téte–á–Téte was presented at Peter Hay Halpert Gallery in New York in 2008 and at the Gallery 339 in Philadelphia in 2010. Fougeron has also done editorial assignments for The New Yorker, The New York Times Sunday Magazine and New York Magazine. Her website is www.martinefougeron.com.


REGISTRATION

Class Registration
Register by email at info@cameraclubny.org or by phone at 212–260–9927

Full payment deposit needed to register for any class, lesson, or workshop. Deposit is fully refundable if cancellation occurs two weeks prior to first class session, 25% cancellation fee applicable if less than two weeks notice is given before the first class session.

CCNY accepts cash, checks, and all major credit cards.


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