Now Online: "Corrected_Slogans," a special issue of Triple Canopy

New projects by Erica Baum, Caroline Bergvall, and Gareth Long

Stéphane Mallarmé, fan for Misia Natanson, 1894.

Triple Canopy is pleased to announce the publication of a special issue of the magazine, Corrected_Slogans, produced in conjunction with the Museum of Contemporary Art Denver’s exhibition “Postscript: Writing after Conceptual Art,” curated by Nora Burnett Abrams and Andrea Andersson, on view from October 12, 2012 until February 3, 2013.

The publication of this special issue, focusing on Triple Canopy’s now five-year engagement with new writing and innovative use of the Web as a literary medium, also constitutes the third act of our ongoing program, Corrected Slogans: A Publication in Four Acts.

In this special issue, readers will find works by Erica Baum, Caroline Bergvall, and Gareth Long, all recently commissioned as part of Triple Canopy’s participation in “Postscript.” The special issue also contains an introduction by editors Lucy Ives and William Smith, discussing Triple Canopy’s role in publication after conceptual art, as well as six relevant pieces drawn from other issues of the magazine. A preview of Triple Canopy’s forthcoming print publication on conceptual poetics—in the form of a series of audience comment cards from our recent symposium, Poems for America—completes the issue.

Featured in this issue:

The Melody Indicator

by Erica Baum

“As it curves near the guide line SING SOFTER.” The player piano roll as poem.

Literary Asses

by Gareth Long

Lucius, Lucian, and Lucius: authors, characters, narrators—all asses. A play that convenes literary donkeys.

Noping

by Caroline Bergvall

A sudden, unexpected tripping into English language history. A poem in which noping is where nothing was. Audio recording by Graham Williams. Animation by Ciarán Ó Meachair.

Triple Canopy is an online magazine, workspace, and platform for editorial and curatorial activities. Working collaboratively with writers, artists, and researchers, Triple Canopy facilitates projects that engage the Internet's specific characteristics as a public forum and as a medium, one with its own evolving practices of reading and viewing, economies of attention, and modes of interaction. In doing so, Triple Canopy is charting an expanded field of publication, drawing on the history of print culture while acting as a hub for the exploration of emerging forms and the public spaces constituted around them. Triple Canopy is a nonprofit 501(c)3 organization.

Triple Canopy gratefully acknowledges The Andy Warhol Foundation for the Visual Arts, The Brown Foundation, Inc. of Houston, CEC ArtsLink, Chamber Music America, The Doris Duke Charitable Foundation, Experimental TV Center, Foundation for Contemporary Arts, Furthermore: A program of the J. M. Kaplan Fund, Lambent Foundation Fund of Tides Foundation, National Endowment for the Arts, New York City Department of Cultural Affairs, New York Council for the Humanities, New York State Council on the Arts, Office for Contemporary Art Norway, Royal Norwegian Consulate General, and the Orphiflamme Foundation, as well as our subscribing members, Publishers Circle, and the many individuals and in-kind contributors who have generously given their support.

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