PERFORMA INSTITUTE PRESENTS
GET READY FOR THE MARVELOUS: BLACK SURREALISM IN DAKAR, FORT-DE-FRANCE, HAVANA, JOHANNESBURG,
NEW YORK CITY, PARIS, PORT-AU-PRINCE, 1932-2013
Conference
Friday, February 8th, 1:00-5:30 p.m.
Saturday, February 9th, 1:00-5:30 p.m.
Special Morning Film Program
Saturday, February 9th, 10:00 a.m. - Noon
NYU Steinhardt School of Culture, Education, and Human Development
Einstein Auditorium, Barney Building, 34 Stuyvesant Street [map]
Free adminission with reservations, email RSVP@performa-arts.org
Indicate the dates you will attend with your reservation. Seating is limited and available on a first-come, first-served basis.
CONFERENCE SCHEDULE
Friday, February 8th
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1:00 â 2:00 p.m.Â
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Welcome Â
RoseLee Goldberg
Founding Director and Curator
Performa
Blues People and the Poetic Spirit:
Recovering Surrealism's Revolutionary Politics
Keynote Address
Robin D.G. Kelley
Gary B. Nash Professor of American History
University of California Los AngelesÂ
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2:00 â 2:30 p.m.
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Performance Honoring Adrienne Kennedy
Adam Pendleton
Artist
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2:30 â 3:00 p.m.
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Break
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3:00 â 4:30 p.m
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Black Surrealist Beginnings: Dance, Theater, and Visual Art
Awam Ampka
Associate Professor of Drama, Tisch School of the Arts andDirector of Africana Studies
New York University
Barbara Browning
Associate Professor, Performance Studies
New York University
Lowery Stokes Sims
Curator
Museum of Art and Design
RoseLee Goldberg
Moderator
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4:30 â 5:30 p.m.
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Divine Horsemen: The Living Gods of Haiti (1985)
Directed by Maya Deren, Cherel Ito, and Teiji Ito, 52 minutesÂ
A documentary film about dance and possession in Haitian Vodoun compiled from footage Maya Deren (1917 -1961) shot during her fieldwork on the island between 1947 and 1954, and posthumously completed by Cherel and Teiji Ito.
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Saturday, February 9th
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10:00 a.m. â Noon
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Morning Film Program                              Â
The First World Festival of Negro Arts (1967)Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â
Directed by William Greaves, 40 minutes
The official documentary film of the 1966 festival held in Dakar, Senegal, which over 2,000 writers, artists, and performers from throughout the African Diaspora attended, including Duke Ellington, Langston Hughes, Alvin Ailey, Léopold Sédar Senghor, and Aimé Césaire, and other artists, performers, and dignitaries from 30 countries.
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Zétwal (2008)
Directed by Gilles Elie-dit-Cosaque, 52 minutes
A documentary film that tells the story of local Martinican legend Robert SaintâRoseâs attempt to propel himself to outer space, through the poetry of Aimé Césaire.
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1:00 â 2:00 p.m.
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Dream, Collage, Lightning: Dark Future for Surrealism
Tavia Nyongâo
Associate Professor, Performance Studies
New York University        Â
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2:00 â 2:45 p.m.
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Portrait of the Artist: Wangechi Mutu
Isolde Brielmaier
Chief Curator
Savannah College of Art and Design
Adrienne Edwards
Associate Curator, Performa Institute
Ph.D. Candidate, Performance Studies
New York University
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2:45 â 3:15 p.m.
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The Blood of a Poet: Poetry, Cinema, and Sampling
Paul D. Miller a.k.a. D.J. Spooky and Melvin Van Peebles
A Conversation
Sampling Jean Cocteau, Duke Ellington, and Fats Waller
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3:15 â 3:45 p.m.
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Break
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3:45 â 5:30 p.m.
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Black Surrealism Now
Simone Leigh
Artist
Gabi Ngcobo
Curator and Founder
Center for Historical Reenactments, Johannesburg
Adam Pendleton
Artist
Greg Tate
Visiting Professor, Africana Studies
Brown University
Musician, Black Rock Coalition and Burnt Sugar The Arkestra Chamber
Cultural Critic
Isolde Brielmaier
Moderator
Closing Remarks
RoseLee GoldbergÂ
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Get Ready for the Marvelous is organized by Adrienne Edwards, Associate Curator, Performa Institute and Ph.D. Candidate, Performance Studies, New York University.
Images: Left:  Journal cover of Légitime Défense (Self-Defense) (1932). Right: Adam Pendleton (American, b. 1984) with Jaan Evart (Estonian, born 1981), Marc Hollenstein (Swiss, b. 1980). Black Dada (Ian Berry, couple dancing, independence celebration Congo, 1960) (2008/2012). Courtesy the artist, Pace Gallery, and Shane Campbell Gallery.
ABOUT THE PERFORMA INSTITUTE
The Performa Institute is a year-round think tank that fosters learning, critical discourse, and deeper engagement in performance by directly supporting its scholarly investigation. The Performa Institute showcases a range of in-depth programs for the presentation and exploration of ideas and the exchange of research and knowledge, with a focus on the study of history and on forging a new intellectual culture surrounding contemporary art. It asks artists, curators, writers, and scholars to function as educators across disciplines to explore innovative visions for the future of art and ideas in New York City and around the world. The Performa Institute was launched on the occasion of the Performa 11 biennial (2011), during which it presented over 50 artist-led classes and workshops.
The Performa Institute is made possible thanks to support from the National Endowment for the Arts, the Andy Warhol Foundation for the Visual Arts, Lambent Foundation for Tides Foundation, Ford Foundation, New York State Council on the Arts, and the NYU Steinhardt Department of Art and Art Professions.
ABOUT PERFORMA
Founded in 2004 by art historian and curator RoseLee Goldberg, Performa is the leading international organization dedicated to exploring the critical role of live visual art performance in the history of the twentieth century and to generating new directions for the twenty-first century, engaging artists and audiences through experimentation, innovation and collaboration. Performaâs unique commissioning, touring, and year-round education programs, involving all disciplines, forge a new course for contemporary art and culture and culminate in the Performa biennial every other November. In 2005, Performa launched the first-ever biennial dedicated to visual art performance, Performa 05, which was then followed by Performa 07 (2007), Performa 09 (2009), and Performa 11 (2011). Performa will present its fifth biennial, Performa 13, November 1-24, 2013.
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