Art News:
images available, just ask -dg
RELEASE
COLLEGE OF THE ATLANTIC PRESENTS EXHIBIT OF PRINTS
Collected Prints: A Selection of Works on Paper from the Collection
of Catherine Clinger opens at Blum
CONTACT: Donna Gold, Public Relations: 207-801-5623, 207-266-4470,
dgold@coa.edu
BAR HARBOR, ME—Woodcuts, engravings,
etchings, silkscreens, and lithographs
from the sixteenth to the twenty-first centuries will be on view at College of
the Atlantic’s Ethel H. Blum Gallery. The exhibit, Collected Prints: A
Selection of Works on Paper from the Collection of Catherine Clinger, includes
a wide range of work and subjects. It runs from Feb. 12 through Mar. 1, with an
opening on Friday, Feb. 15 from 4:30-5:30 p.m., and a gallery talk on
Thursday, Feb. 21 at 4:10 p.m. The gallery is open from 11 a.m. until 5 p.m.,
Tuesday through Friday.
The exhibit
is an eclectic mix, says Clinger, COA’s Allan Stone Chair in the Visual Arts. “Really,
what the pieces have in common is the fact
that they are composed of ink on paper.” The prints hail from Europe, Asia, and
the United States. They include a piece by Giovanni Battista Piranesi, an eighteenth
century Italian artist known for his etchings of Rome, several hand-printed
books—among them a version of Lucretius’ “On the Nature of Things,” with wood
engravings by early twentieth century artist Paul Landacret, a print by Kathe
Kollwitz, as well as more contemporary work by Kiki Smith and John Talleur,
Clinger’s mentor. The sixteenth century works are two small images of musicians
by Jacques Callot, an artist who, says Clinger, ran off to live with gypsies—not
once, but twice in his boyhood years. His parents had to send an older brother
to retrieve him.
Clinger came by her prints in various ways. Once, she
was in Dublin admiring what she called “an exquisite mezzotint” that a rather
well-heeled couple was considering—but hesitantly. Clinger’s enthusiasm so
clearly sealed the deal for the dealer that he turned to her and said, “OK
Lassie, is there a print you have an eye on?” And yes, there was. And yes, she
did receive the print.
While serious are viewers certainly will appreciation the
exhibit, Clinger says her main aim is to engage students in prints and
printmaking. She hopes to whet the community’s appetite for prints and
printmaking. Come fall, COA will have its own printing press, and students will
be able to create their own etchings beginning in 2014.
For more information about the exhibit, running from
Feb. 12 to Mar. 1, Tuesday
through Friday, 11 a.m. to 5 p.m., the opening at 4:30 p.m. on Feb. 15, or the talk at 4:10 p.m. on
Feb. 21, contact the college at 207-288-5015, or Clinger at cclinger@coa.edu.
College of the Atlantic was founded in 1969 on the
premise that education should go beyond understanding the world as it is, to
enabling students to actively shape its future. A leader in experiential
education and environmental stewardship, COA has pioneered a distinctive
interdisciplinary approach to learning—human ecology—that develops the kinds of
creative thinkers and doers needed by all sectors of society in addressing the
compelling and growing needs of our world. For more, visit www.coa.edu.
CALENDAR ITEM:
Feb.
12 – Mar. 1: Collected Prints: A
Selection of Works on Paper from the collection of Catherine Clinger, College
of the Atlantic’s Allan Stone Chair in the Visual Arts. Woodcuts,
engravings, etchings, and lithographs
from the 16th to the 21st centuries. Opening reception Friday,
Feb. 15 from 4:30-5:30 p.m. Free. Ethel H. Blum Gallery at College of the
Atlantic. Gallery hours: 11 a.m. until 5 p.m., Tuesday-Friday. 105 Eden St.,
Bar Harbor, ME. 207-288-5015, cclinger@coa.edu. www.coa.edu.
Donna Lauren Gold
College of the Atlantic
Director of Public Relations
Editor, COA Magazine
105 Eden Street, Bar Harbor, Maine 04609
207.801.5623 work // 207.266.4470 cell
dgold@coa.edu www.coa.edu