Abstract Art For Sale

Page 11 of 554
Browse 16049 Abstract artworks for sale. Contemporary artists: Lois Di Cosola, Vincenzo Montella, Lucille Rella, Nicholas Down, Claudia Nierman, Ron Ogle, Kyle Foster, Becky Soria, Kichung Lizee, Robert H. Stockton, Hope Brooks, Michael Pickett, Pilar Pérez-prado offering Abstract artworks. Links to more artworks by these contemporary artists and 554 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Abstract art simply click on the image to go to a more detailed page about this work of art.


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Vincenzo Montella: 'Lady', 2009 Aluminum Sculpture, Abstract.
, 2009
Abstract - Sculpture
22 x 48 cm (8.7 x 18.9 inches)
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Vincenzo Montella: 'Sunset', 2000 Textile Art, Abstract.
, 2000
Abstract - Textile Art
294 x 200 cm (115.7 x 78.7 inches)
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Vincenzo Montella: 'Auguraculum', 1998 Textile Art, Abstract.  painting on material ...
Abstract - Textile Art
152 x 162 cm (59.8 x 63.8 inches)
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Lucille Rella: 'Homage to Mondrian', 2009 Acrylic Painting, Abstract.
Abstract - Painting
60 x 40 inches (152.4 x 101.6 cm)
Lucille Rella: 'Nuts and Bolts', 2009 Acrylic Painting, Abstract.
Abstract - Painting
60 x 40 inches (152.4 x 101.6 cm)
Nicholas Down: 'Numinous Mist', 2007 Oil Painting, Abstract.  Oil on Gesso ...
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
Nicholas Down: 'Hidden Water', 2009 Oil Painting, Abstract.  OIl on Gesso ...
Abstract - Painting
16 x 16 inches (40.6 x 40.6 cm)
Nicholas Down: 'Northern Solitude', 2006 Oil Painting, Abstract.  Oil on Gesso ...
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
Claudia Nierman: 'La maquina de los recuerdos', 1988 Color Photograph, Abstract.
Abstract - Photograph
20 x 24 inches (50.8 x 61.0 cm)
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Ron Ogle: 'April Zen Birdhouse Composition', 2009 Other Photography, Abstract.  yes. ...
Abstract - Photograph
18 x 20 inches (45.7 x 50.8 cm)
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Kyle Foster: 'Communication Number 1', 2009 Oil Painting, Abstract.
Abstract - Painting
22 x 28 inches (55.9 x 71.1 cm)
Kyle Foster: 'Communication Number 2', 2009 Oil Painting, Abstract.
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
Kyle Foster: 'Darkness Falls', 2009 Oil Painting, Abstract.
Abstract - Painting
24 x 16 inches (61.0 x 40.6 cm)
Kyle Foster: 'Event Horizon', 2009 Oil Painting, Abstract.
Abstract - Painting
10 x 26 inches (25.4 x 66.0 cm)
Becky Soria: 'Vinculum I', 2007 Acrylic Painting, Abstract.    Vinculum I ( connecting,  isthmus, link) ...
, 2007
Abstract - Painting
36 x 60 inches (91.4 x 152.4 cm)
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Kichung Lizee: 'Practice Standing  Sitting and Lying Down', 2008 Mixed Media, Abstract. Buddhists practice whether you are lying down, sitting or standing as always...
Abstract - Mixed Media
38 x 21 inches (96.5 x 53.3 cm)
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Kichung Lizee: 'Stream', 2008 Calligraphy, Abstract.  Chinese ink on mulberry paper ...
, 2008
Abstract - Calligraphy
11 x 37 inches (27.9 x 94.0 cm)
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Vincenzo Montella: 'Alien zoology 1', 2008 Aluminum Sculpture, Abstract.  folden aluminium ...
Abstract - Sculpture
26 x 28 cm (10.2 x 11.0 inches)
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Robert H. Stockton: 'Waking Hour', 2008 Collage, Abstract.  This small collage is made from found, worn and weathered papers and fabric, including old letters, maps, botanical illustrations, newspaper, labels, and canvas.  It is matted with white museum board, under glass, in a black metal frame to a finished size of 9 x 12 inches.  The actual size of...
Abstract - Collage
9 x 12 inches (22.9 x 30.5 cm)
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Hope Brooks: 'Earth Collection V', 1976 Collage, Abstract.  The Earth Collection Series is about life and death, life that comes from the earth and goes back to it.  This painting is subtitled Shells and Stones and is a collection of land shells, sea shells and stones laid out in a collectors box.  ...
Abstract - Collage
26 x 24 inches (66.0 x 61.0 cm)
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Michael Pickett: 'Lightning', 2008 Acrylic Painting, Abstract.
, 2008
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Pilar Pérez-prado: 'Fear', 2003 Oil Painting, Abstract.   50. 0 ...
, 2003
Abstract - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Pilar Pérez-prado: 'Flower', 2003 Oil Painting, Abstract.   63. 0 ...
, 2003
Abstract - Painting
63 x 80 cm (24.8 x 31.5 inches)
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Ron Ogle: 'Going Postal', 2004 Collage, Abstract.  Oil on collage on canvas. [  President Eisenhower' s farewell address to the nation, January 1961
Abstract - Collage
20 x 16 inches (50.8 x 40.6 cm)
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Ron Ogle: 'the moment you realize you are not present you are present', 2008 Oil Painting, Abstract.
Abstract - Painting
32 x 26 inches (81.3 x 66.0 cm)
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Ron Ogle: 'Dictionary Page', 2008 Collage, Abstract.  Oil on collage on canvas. [ 2008: The Democratic leadership has behaved treacherously, keeping impeachment off the House floor ]...
Abstract - Collage
14 x 11 inches (35.6 x 27.9 cm)
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Hope Brooks: 'Rose Window', 1982 Mixed Media, Abstract.  Rose Window 1 is one of four ecclesiastical windows that form part of the Window Series completed in Baltimore.  Gouache, modeling paste, on canvas. ...
Abstract - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Hope Brooks: 'Clouds and Mountains', 1998 Mixed Media, Abstract.   18 Panels each 18 x 18 inches this painting is from the Clouds and Mountains series completed in the late 1990's which used as its reference the cloud formations over the mountains that surround the city of Kingston.  These formations are among the artists favorite visuals especially in the...
Abstract - Mixed Media
108 x 54 inches (274.3 x 137.2 cm)
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Hope Brooks: 'Early Morning', 1983 Mixed Media, Abstract.   Comprised of 12 panels each measuring 14 X 15 inches in size is part of the Garden Series a series of 13 paintings about the artists indoor garden located next to her studio.  Painted with gouache paint on modeling paste ground on canvas this painting speaks about the light and...
Abstract - Mixed Media
56 x 45 inches (142.2 x 114.3 cm)
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Becky Soria: 'Vinculum III', 2007 Acrylic Painting, Abstract.  Vinculum ( isthmus, Link, connection)series ...
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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(Page 11 of 554) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

    Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...

    Claudia Nierman - Kyle Foster - For a more complete look at Kyle Foster's work:

    Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Kichung Lizee - Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Michael Pickett - I donaEURtmt know how IaEURtmm able to do all of this, but somewhere inside me I know that I stand out from the rest, IaEURtmm unique and have some powers that are beyond comprehension. I stay pretty much to myself and I feel like someone who is not from this planet and that there are differences that I readily perceive. All of this makes me self-conscious and also makes me more critical of myself. I judge and criticize myself a lot which I should not, but I do because I feel alienated at times. IaEURtmm vary humble and definitely not better than anyone else. I have so much to achieve, and thataEURtms why I take my own time to do so, there are times when I get irritated and agitated because of keeping a lot of expectations for myself, and when IaEURtmm not able to execute it, I feel low. However, I have to make sure that all these expectations are achievable, not impractical and unfeasible. As a result, I trust my intuition more which allows me to communicate with others. Self-expression and originality are also associated with me. There is a ...