Abstract Art For Sale

Page 9 of 554
Browse 16049 Abstract artworks for sale. Contemporary artists: Luise Andersen, Shelly Leitheiser, Franziska Turek, Edgar Bonne, C. Mari Pack, Shelley Catlin, Michael Garr, Environmental Artist Apollo, Roger Williams, Michael Puya, Suzanne Mcclelland, Jacques Malo, Tamara Sorkin, Rickie Dickerson offering Abstract artworks. Links to more artworks by these contemporary artists and 554 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Abstract art simply click on the image to go to a more detailed page about this work of art.


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Luise Andersen: 'lines  lines emotion lines MIGIII', 2015 Graphite Drawing, Abstract.   Dec. 30, 2015- -  graphite/ pencil leads me. . eraser plays the main tooaEUR| core expresses in symbolic voice/ forms. . ...
Abstract - Drawing
18 x 24 cm (7.1 x 9.4 inches)
Luise Andersen: 'lines  lines emotion lines MIGNON Extreme II', 2015 Graphite Drawing, Abstract.   aEUR|December 29, 2015- - another end. . another beginning. . i thought about that. . not just in regard to emotions . . the experiences. . while drawing a kind of stronger than usual earthquake hit. . several after shocks . . I continue drawingaEUR|so much still to 'do' . . . aEUR|   ...
Abstract - Drawing
18 x 24 cm (7.1 x 9.4 inches)
Shelly Leitheiser: 'Segment of the Lagoon', 2015 Acrylic Painting, Abstract.   This is an abstract nebula scene in bright colors such as oranges, magenta, blues and violets. Painted in 2015, it is 24
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Franziska Turek: 'hiding place', 2015 Other Painting, Abstract.
Abstract - Painting
55 x 75 cm (21.7 x 29.5 inches)
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Franziska Turek: 'hades', 2015 Other Painting, Abstract.
, 2015
Abstract - Painting
90 x 70 cm (35.4 x 27.6 inches)
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Edgar Bonne: 'Ochre II', 2015 Oil Painting, Abstract.
, 2015
Abstract - Painting
66 x 76 cm (26.0 x 29.9 inches)
Edgar Bonne: 'Ochre I', 2015 Oil Painting, Abstract.
, 2015
Abstract - Painting
66 x 76 cm (26.0 x 29.9 inches)
Edgar Bonne: 'Illusion Green', 2015 Oil Painting, Abstract.
Abstract - Painting
61 x 71 cm (24.0 x 28.0 inches)
Edgar Bonne: 'Rouge Belfry', 2015 Oil Painting, Abstract.
Abstract - Painting
84 x 91 cm (33.1 x 35.8 inches)
Shelly Leitheiser: '600 ppm Ocean', 2015 Acrylic Painting, Abstract.  This is an acrylic abstract, blues and other cool colors. Painted in 2015, it is 24 x 24 unframed on a gallery wrapped canvas....
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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C. Mari Pack: 'Meditative Perception', 2014 Acrylic Painting, Abstract.       Original poured acrylic painting. Deep earth tones, with contrasting metallics. Coated with acrylic medium to create a resin like, surfboard finish. All materials used are archival.      ...
Abstract - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Shelley Catlin: 'Wave and boards', 2015 Digital Photograph, Abstract.    California surfboards, vibrant colors, beach     ...
Abstract - Photograph
40 x 30 inches (101.6 x 76.2 cm)
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Shelley Catlin: 'Surfboards for sale', 2014 Digital Photograph, Abstract.   California surfboards, vibrant colors, beach    ...
Abstract - Photograph
50 x 40 inches (127.0 x 101.6 cm)
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Shelley Catlin: 'Surfboards', 2014 Digital Photograph, Abstract.  California surfboards, vibrant colors, beach   ...
, 2014
Abstract - Photograph
40 x 50 inches (101.6 x 127.0 cm)
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Shelley Catlin: 'Firetruck', 2014 Digital Photograph, Abstract.     Firetruck, fisheye, clock, sky, reflections, reds, yellows,  ...
, 2014
Abstract - Photograph
18 x 12 inches (45.7 x 30.5 cm)
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Michael Garr: 'Pinwheel', 2014 Oil Painting, Abstract.       Color Study with motion and a few Zooplankters. ...
, 2014
Abstract - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Environmental Artist Apollo: 'Just Love', 2014 Acrylic Painting, Abstract.  Just LoveAbstract...
, 2014
Abstract - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Roger Williams: 'RAP BOY', 2013 Acrylic Painting, Abstract.
, 2013
Abstract - Painting
54 x 50 inches (137.2 x 127.0 cm)
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Roger Williams: 'LADY GAGA', 2013 Acrylic Painting, Abstract.
, 2013
Abstract - Painting
60 x 42 inches (152.4 x 106.7 cm)
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Roger Williams: 'DECONSTRUCTED ELLIPSE', 2013 Acrylic Painting, Abstract.
Abstract - Painting
60 x 42 inches (152.4 x 106.7 cm)
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Michael Puya: 'Utopia', 2014 Mixed Media, Abstract. This artwork has still to be be corrected/ repaired a little bit on the left side. ...
, 2014
Abstract - Mixed Media
80 x 80 cm (31.5 x 31.5 inches)
Suzanne Mcclelland: 'Interlocking Passages', 2014 Acrylic Painting, Abstract.
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
Jacques Malo: 'Signature', 2013 Bronze Sculpture, Abstract.
, 2013
Abstract - Sculpture
12 x 18 inches (30.5 x 45.7 cm)
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Tamara Sorkin: 'reclaimed plywood', 2013 Mixed Media, Abstract.      old plywood retrieved from the rubbish dump has tons of character in its layers and cracks. All one has to do is enhance it.                    ...
Abstract - Mixed Media
120 x 120 cm (47.2 x 47.2 inches)
Suzanne Mcclelland: 'Sochi 2014', 2014 Acrylic Painting, Abstract.
, 2014
Abstract - Painting
60 x 20 inches (152.4 x 50.8 cm)
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Rickie Dickerson: 'Eye of the Storm', 2007 Computer Art, Abstract.   This is reworking a painting called spew. . .  ...
Abstract - Computer Art
18 x 24 inches (45.7 x 61.0 cm)
Rickie Dickerson: 'First Day', 2000 Acrylic Painting, Abstract.   The first day I painted in acrylics with my mentor, Luise Mignon Andersen. I was enthralled at the way the flowing paint unleashed the subconscious. . . releasing the people. . . look closely for the faces that appeared as the colors flowed together. They came unbidden and perfectly formed. . . I interfered only slightly...
, 2000
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
Rickie Dickerson: 'Through Them', 2008 Acrylic Painting, Abstract.
Abstract - Painting
8 x 10 inches (20.3 x 25.4 cm)
Rickie Dickerson: 'Abduction', 1994 Oil Painting, Abstract.
, 1994
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
Terry Mollo: 'Shades of Light', 2012 Stone Sculpture, Abstract.    Levels of translucent white alabaster carved front and back toward center, leaving a center stage for different shades of light to pass through all sides. Veins in the stone and smokey tones of white, grey and cream are revealed with the help of either natural or artificial lighting. ...
Abstract - Sculpture
10 x 16 inches (25.4 x 40.6 cm)
(Page 9 of 554) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Edgar Bonne - My art practice has its currency deep in the post-modern age, yet flirting in the modernist manner with colour field, and somewhat entrenched in the abstract expressionist approach to deliver what I am about. I paint to elicit and evoke a reaction from the viewer, whatever, some distant memories, and some lost feelings that may be deeply entrenched, but have perhaps been kept subordinate by the passage of time. However, by contemplating and letting go, one begins to comprehend the work and become one with the work. In my painting, I work with abstraction; pulling and pushing the paint to achieve desired results. I paint in a gestural manner; always arranging and scratching if required on different planes that overlap one another and blend into real shapes to create a world of mystery and sensuality from past memories and journeys. This visceral emotional reaction to something in my work comes from somewhere deep within, and it can empathize to the inner recess of each person... My work is intuitive; colour and gestural strokes are the language that I use to express those responses. It is the interaction of colour and gesture that drive me. It is the colour and...

    C. Mari Pack - I paint with the conviction that color can manipulate the mind; it can make the heart beat faster, whet the appetite, or spark a memory. Much of our reaction to color is subliminal, and we are generally unaware of its pervasive and seductive effects. The colors we see are invariably influenced by what we feel; therefore, we can never really separate what we see from what we know. Contrast and color are essential in my process. I start by selecting two or three colors; I work the canvas from all angles discovering new forms of composition through the use of movement and gravity. I push the paint to its chemical limit allowing it to mutate and evolve. My work is based on the fact that we have become imprinted with a reaction to colors, shapes, and patterns. Through the use of both color psychology and geology, and executed through chemistry I have created visual colorscapes that engage both the conscious and subconscious, provoking the audience to find imagery through movement. Everyone sees something different! What do you see?...

    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity, and have recently teamed with SAVE THE BAY, a local Rhode Island eco-advocate organization, which receives 30 PER CENT of my proceeds. My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. Ive done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorenas studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to ...

    Environmental Artist Apollo - "The beauty of our planet should be held in respect as well as reverence and awe! As the care takers of this precious jewel called Earth it is our duty to become more harmonious with our environment, for what we hold in our hands is a trust for future generations. What we do today, creates tomorrow." APOLLO Internationally Renowned Environmental Artist. Apollo is one of the World's Leading Environmental Artists. Apollo started painting dolphins and whales when He first moved to Maui in 1980. Since that time he has developed a Worldwide Following and has had the privilege to work with several Environmental Groups to raise both funding and awareness. ...

    Suzanne Mcclelland - DESIGNER, ARTIST, INSTRUCTOR, AND MENTOR II am a professional artist and Designer in the Sacramento area. I have a love for being creative with my clients in their home and office projects. Art has always been a love of mine. Because I visit so many homes and office I decided to extend my professional ability to create wonderful spaces for my clients. I want to bring more knowledge to the public on how I create my artwork and how it brings life to their spaces. I love the color, texture and the flow of the Pastel medium that I can use to make the piece fit in that special place. I mostly blend the pastels and use vibrant hughes. I build layer on top of layer to get the effect I want. I use different papers to create different effects that I want and go from there. I am an abstract artist and love the journey it takes me. I also work in Acrylics which I am now working with some new ideas, and will be sharing that with all of you soon. I love the energy that I feel when I work with my paintings which I share with ...

    Jacques Malo - A native of Cap de la Madeleine, Jacques Malo began his studies in fine arts at College and the University of Quebec at Trois-Rivieres, Quebec, Canada. During these years of training, he further explores the materials and assembly techniques of modern sculpture. In 1982 my artistic journey really took off, going away more and more of domination and the influence of my teachers of fine arts. The importance I attach to the spontaneity in the creative process was problematic in sculpture. Then I began to make an approach using Styrofoam as a material and the technique of direct carving, allowed me to shape volumes with a gesture so eager to be possible in size, the images arose in my mind. To get a solid finish and acceptable, I used the fibreglass, resin and paint spray. This artistic journey was the subject of my solo exhibition at the Imagier, gallery of art in Aylmer in 1984. The event'Sculptors at work' allowed me to explore other material, marble. Always with the technique of direct carving, I began to explore this area in order to truly know its challenges and achieve more, to measure my ability to overcome such material. ...

    Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....