Abstract Landscape Art For Sale

Page 12 of 87
Browse 2522 Abstract Landscape artworks for sale. Contemporary artists: Eddie Fordham, Amy Wetterlin, Laurie Macmillan, Linda Paul, Richard Wynne, Khaled Alhamzah, Yeoun Lee, Steve Doan, Dariya Afanaseva, Dorothy Englander, Cesar Veloso, Christine Haehner Murdock, Prabha Shah offering Abstract Landscape artworks. Links to more artworks by these contemporary artists and 87 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Abstract Landscape art simply click on the image to go to a more detailed page about this work of art.


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Eddie Fordham: 'Recollected Reflections 5', 2015 Oil Painting, Abstract Landscape.     This painting was inspired by a fascination with reflections and looking through water to the riverbed. I love how, reflected in the water, the sky and the ground become one entity, changing with the clouds and movement of the water, and becoming almost an abstract painting in constant evolution. These...
Abstract Landscape - Painting
37 x 110 cm (14.6 x 43.3 inches)
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Eddie Fordham: 'Recollected Reflections 4', 2015 Oil Painting, Abstract Landscape.    This painting was inspired by a fascination with reflections and looking through water to the riverbed. I love how, reflected in the water, the sky and the ground become one entity, changing with the clouds and movement of the water, and becoming almost an abstract painting in constant evolution. These...
Abstract Landscape - Painting
61 x 76 cm (24.0 x 29.9 inches)
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Amy Wetterlin: 'Door Four', 2015 Digital Photograph, Abstract Landscape.          Landscape, abstract, artist, doors, photography         ...
, 2015
Abstract Landscape - Photograph
10 x 12 inches (25.4 x 30.5 cm)
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Amy Wetterlin: 'Door Three', 2015 Digital Photograph, Abstract Landscape.         Landscape, abstract, artist, doors, photography        ...
, 2015
Abstract Landscape - Photograph
10 x 12 inches (25.4 x 30.5 cm)
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Amy Wetterlin: 'Door Two', 2015 Digital Photograph, Abstract Landscape.        Landscape, abstract, artist, doors       ...
, 2015
Abstract Landscape - Photograph
10 x 12 inches (25.4 x 30.5 cm)
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Amy Wetterlin: 'Door One', 2015 Digital Photograph, Abstract Landscape.       Landscape, abstract, artist, doors      ...
, 2015
Abstract Landscape - Photograph
10 x 12 inches (25.4 x 30.5 cm)
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Laurie Macmillan: 'Melt Off', 2015 Acrylic Painting, Abstract Landscape.  Laurie MacMillan, abstract landscape, mountains, warm colors, red ...
, 2015
Abstract Landscape - Painting
31.5 x 31.5 inches (80.0 x 80.0 cm)
Linda Paul: 'Ocean Waves large Original Painting', 2015 Acrylic Painting, Abstract Landscape.    By artist Linda Paul Super Amazing deal on this Large Ocean Waves original PaintingIts great for coastal decorating or beach house decor. Great blue and green colors ...
Abstract Landscape - Painting
48 x 36 inches (121.9 x 91.4 cm)
Richard Wynne: 'Untitled Landscape', 2015 Other Painting, Abstract Landscape.  aspens, wild flowers, moon, landscape, clouds, bright, night, pine trees, mountains, plein air, blue, purple, yellow, green, night scene, nature, arizona, full moon, dark, untitledDone on trip from Grand Canyon to Sedona Arizona. A full moon contrasts with the bright colors of the aspens and bright foreground. Painted from...
Abstract Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Khaled Alhamzah: 'Harvest 1', 2014 Mixed Media, Abstract Landscape.        with no drawing preperation, direct on wood, found and chance, creatures, cave panting, Persian miniaturees, cool colors, pale colors, green, yelow, black, shpes, approperiation,        ...
, 2014
Abstract Landscape - Mixed Media
29 x 24 cm (11.4 x 9.4 inches)
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Yeoun Lee: 'Summer Garden', 2015 Acrylic Painting, Abstract Landscape.
Abstract Landscape - Painting
20 x 20 inches (50.8 x 50.8 cm)
Steve Doan: 'CHANGE IN THE SEASONS', 2015 Acrylic Painting, Abstract Landscape.  A CHANGE IN THE SEASONS IN TEXAS, COLD WEATHER ARRIVES AND WARM WEATHER CLASH, CLASH OF TIMES AND TEMPERATURE, MOVEMENT OF COLOURS AND TIME, WATER FALL OF COLOURS, MID LIFE, HALFWAY THERE, HIDDEN BEHIND A MASK THE LIFE IS BEHINDTHE MASK, LIFE IS HIDDEN, WE CAN HIDE BEHIND THINGS, LOOKING...
Abstract Landscape - Painting
24 x 30 inches (61.0 x 76.2 cm)
Dariya Afanaseva: 'autumn rain', 2014 Acrylic Painting, Abstract Landscape.  canvas/ acrylic/ mixed media80cm x 60cm 2014    ...
Abstract Landscape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Dariya Afanaseva: 'Swallows flying low before the rain', 2011 Acrylic Painting, Abstract Landscape.  canvas/ acrylic 60cm x 70cm 2011 ...
Abstract Landscape - Painting
70 x 60 cm (27.6 x 23.6 inches)
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Dorothy Englander: 'While the Gatekeeper Sleeps', 1992 Oil Painting, Abstract Landscape.   Part of a series about storms, this work references a house being hit by a tornado. The theme is a metaphor for domestic disarray, or a home hit by unexpected disaster. twister tornado weather abstract storm impasto expressive energy movement   ...
Abstract Landscape - Painting
60 x 52.5 inches (152.4 x 133.3 cm)
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Dorothy Englander: 'Shaking the Foundation', 1991 Oil Painting, Abstract Landscape.  Part of a series about storms, this work references a house being hit by a tornado. The theme is a metaphor for domestic disarray, or a home hit by unexpected disaster. twister tornado weather abstract storm impasto expressive energy movement  ...
Abstract Landscape - Painting
52.5 x 60 inches (133.3 x 152.4 cm)
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Eddie Fordham: 'Transitional Blue Grass Pathway', 2015 Oil Painting, Abstract Landscape.    This painting is a continuation of the Blue Grass / Pathways project, started in 2008 which evolved from my 'Blue String' Photographic project based at the then, derelict Hemerdon mine near Dartmoor. It was the first time I had utilised used cutting discs, that i' d found discarded on the mine...
Abstract Landscape - Painting
142 x 112 cm (55.9 x 44.1 inches)
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Cesar Veloso: 'Le Automne des autres', 2014 Other, Abstract Landscape.
Abstract Landscape - Other
40 x 27 cm (15.7 x 10.6 inches)
Christine Haehner Murdock: 'Oma', 2014 Acrylic Painting, Abstract Landscape.              on canvas             ...
, 2014
Abstract Landscape - Painting
40 x 40 cm (15.7 x 15.7 inches)
Christine Haehner Murdock: 'winter', 2014 Acrylic Painting, Abstract Landscape.             on canvas            ...
, 2014
Abstract Landscape - Painting
50 x 60 cm (19.7 x 23.6 inches)
Christine Haehner Murdock: 'tmw3trip', 2014 Acrylic Painting, Abstract Landscape.            on canvas           ...
, 2014
Abstract Landscape - Painting
100 x 100 cm (39.4 x 39.4 inches)
Christine Haehner Murdock: 'Ray of Light', 2014 Acrylic Painting, Abstract Landscape.         on canvas        ...
Abstract Landscape - Painting
50 x 70 cm (19.7 x 27.6 inches)
Christine Haehner Murdock: 'Yellow Circle ', 2013 Acrylic Painting, Abstract Landscape.
Abstract Landscape - Painting
60 x 80 inches (152.4 x 203.2 cm)
Christine Haehner Murdock: 'Red Square', 2013 Acrylic Painting, Abstract Landscape.
, 2013
Abstract Landscape - Painting
60 x 80 inches (152.4 x 203.2 cm)
Prabha Shah: 'Pick the Leaf', 1998 Oil Painting, Abstract Landscape.  Three vertical strips portraying horizontal ones within sit beside each other. The one on right, with buntings, promise a celebration. They are gone in the left- most strip. But the one in the middle is not from either of these worlds. It strikes out by itself. Only, nature intrudes with...
Abstract Landscape - Painting
60 x 45 inches (152.4 x 114.3 cm)
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Prabha Shah: 'Suburbia', 2011 Oil Painting, Abstract Landscape.  Unpainted cement surfaces, iron and steel, and maybe asbestos, too. All add up to heaped blocks of suburban flats that are a recurrent subject to Prabha. But the hide- and- seek orange that she usually reserves for edges of tiled roof creeps into this impersonal dystopia. The whole surface is...
, 2011
Abstract Landscape - Painting
40 x 40 inches (101.6 x 101.6 cm)
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Prabha Shah: 'Gurgaon', 2011 Oil Painting, Abstract Landscape.   You roll up the tattered blinds to see a new city rising, gleaming with steel and glass. It's like a hologram, an imprint from the future hovering like a mirage in the distance. But it's aspiration or gullibility on this side of the blinds, from the landowner- peasant...
, 2011
Abstract Landscape - Painting
46 x 36 inches (116.8 x 91.4 cm)
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Prabha Shah: 'Requiem', 2008 Oil Painting, Abstract Landscape.  A lyrical call to the fading craftsmanship of Rajasthan. The detailed carvings are made into an abstraction that speaks on its own. The dice and marbles of childhood in the other plain are connected to the past with a white welt down the middle. The brilliant red to the left...
, 2008
Abstract Landscape - Painting
46 x 36 inches (116.8 x 91.4 cm)
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Prabha Shah: 'Reaching for Something in Distance', 2008 Oil Painting, Abstract Landscape.    There's a story behind each window of abstract blocks, many of them structures Prabha would expand upon in other frames. Some of the stories ring truer when framed in sensitive outlines beyond the regulation windows. The most hopeful thing is the blue sky that pierces the frame and, maybe...
Abstract Landscape - Painting
40 x 40 inches (101.6 x 101.6 cm)
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Prabha Shah: 'Emerging Blue', 2008 Oil Painting, Abstract Landscape.   There's a story behind each window of abstract blocks, many of them structures Prabha would expand upon in other frames. Some of the stories ring truer when framed in sensitive outlines beyond the regulation windows. The most hopeful thing is the blue sky that pierces the frame and, maybe...
Abstract Landscape - Painting
60 x 40 inches (152.4 x 101.6 cm)
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(Page 12 of 87) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Eddie Fordham - Degree educated at the University Of Plymouth where I was tutored under John Virtue. I am a full time artist living and working in Devon. I exhibit regularly with the latest being the 161 annual exhibition at the Royal West academy in Bristol, UK. I was editors choice in the june issue of 'The Artist' magazine. www.eddiefordham.com ...

    Amy Wetterlin - I strive to exalt the human spirit through capturing composition, structures (organic and non)and repeating patterns. The patterns and forms create an abstract while maintaining balance and movement of life force. Life either moves or is stagnant...it's up to you. Thanks for looking! Cheers Amy...

    Laurie Macmillan - Born in Greece, and having also lived in Israel and Nicaragua as a young child, I never felt as if I belonged in the Illinois of my childhood. I was irresistibly drawn to the West, where spaces were large and choices were expansive. To me, that landscape was exotic, and the geology was fascinating. I was also driven to explore the world. In 1973 I visited several third world nations and saw horribly overcrowded slums, realizing then that overpopulation was the world's worst problem. Travel was my focus for thirty years, along with hiking in the jagged, dramatic mountains of California's eastern Sierra. Now, painting has become my new travel, and an even more rewarding path to discovery. Although largely self-taught, I attended a weekly abstract painting workshop for several years, and have participated in numerous other workshops. Probably the artistic movement that has influenced me the most is abstract expressionism, and I love its depictions of pure energy. Tonalist paintings have always appealed to me; realism does not. I'm most interested in the play between color, texture and shape, and I paint with both ends of the brush, a palette knife, combs, sponges, seed pods ...

    Linda Paul - Artists Statement" When asked 'What is your favorite painting', I always say, 'the next one I am going to paint!" Style: I don't paint in any one style, I let inspiration speak to me and I go with the flow. My work runs the gamut from chunky realism to abstract and impressionist painting. I use many different mediums to create my artworks. One of my favorites is egg tempera which I make by crushing stones and minerals and adding egg yolk. Blues come from crushed lapis lazuli, greens from malachite and natural green earth found around Verona Italy. I even use minerals found during hikes in the Rocky Mountains. I am captivated not only by the purity and naturalness of this medium, but by the science of it. Each pigment has its own set of properties and capabilities that must be explored. How better to express visions of the earth than with earth itself. This medium is luminous and lasts for centuries. also make my own acrylic paint in the same manner. By adding pure pigment to a acrylic polymer. I can add thing like crushed mica and pearlescents to make the painting come alive. Lately I have also ...

    Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

    Yeoun Lee - We're all affected by what we see around us, by our experience and also by our moods. My great source of inspiration comes from nature and colors. Through the observation of it, the memory of it, and my imagination of it, nature inspires me. When I look around at the moods and seasons of nature, I feel similarities to the changes in the journey of my life. Our life contains energetic, happy, joyful but also sad, hopeless and fearful moments. When the weather and seasons change, they are like the swing of my feelings, emotions and moods. I express all these changes with different colors which inspire me. I don't paint what I see. I paint what I feel. It's not ordinary landscape. It's imaginary landscape. Each scene calls forth a technique that uniquely fits it. Nature is showing me my life. As I recreate it, I am renewed. I imagine the scene and pick the color I feel like using and start painting. While I paint, I forget unnecessary thoughts and worries and thereby I heal myself. The colors and techniques which make up my own new world depend on my mood and feeling at ...

    Steve Doan - A Precarious Balance For The Abstract Painter "Doan's abstract paintings a precarious balance of abrupt explosions of uncontainable gestural energy and soothing, stabilizing structure, which seem to transcend the painterly marks that constitute it. The best abstract painting manages the doubleness with deceptive ease: this simultaneous sense of equilibrium and disequilibrium--not just 'dynamic equilibrium', as Kandinsky called it, but a double vision in which the picture seems a sum of disequilibrated parts that do not add up to a whole and an organically equilibrated whole that is more than the sum of any of its details. Indeed, it rises above then like a mirage of higher unity. Doan's recent abstractions achieve this complex magic. Whether mimetic of abstract, it is the undercurrent of abstract, seemingly arbitrary vividness-willing intensity--that is Doan's basic subject matter." Andrew Dunning - Blue Sky Creative "Ne au Texas, il a grandi en Afrique et en Arizona. Son travail est tres impregne des lumieres et des couleurs vives de ces regions ensoleillees. Il vit depuis plusieurs annees e Bruxelles, apres avoir parcouru l'Europe. Ces differentes terres d'accueil ont influence des style de cr...

    Dariya Afanaseva - All my works are dedicated to the themes of relationship and sensation translated on a language of painting. For example, relationship between people. Relationships human about him/her self and to outward things. And some of my works are about memories and thoughts. And also it is interesting for me to reproduce an eluding moment, an impression in a matter of seconds, fragments of life. Just because everything depends on nuance. Three main styles I work in are abstractionism, expressionism and a bit of pop-art. But these styles are not just as they are, it`s always a combination of them. Some of my Abstract works represent things that aren't visual, such an emotion, mood, feeling, sound and so on. These works are very association. My figurative abstractions are simplifications of reality, where detail is eliminated from recognisable objects leaving only the essence or some degree of recognizable form. Some works are expressive. I just let my intuition guide me. Not to thinking, not to be doubt of anything. It is about trusting the process and setting free the instincts. And also I like decorativeness and beauty of coloring. My choice of medium are acrylic and mixed media ...

    Cesar Veloso - My painting is my statement. Altough my painting is seen as abstract it's very difficult for me to see it that way. I believe that whatever I do when I'm painting is all but abstract. For me it's very material, palpable and realistic with its colours, shapes and textures. Through these realistic means I try to make a path so that whoever is contemplating can understand the esthetic emotion that only exists in painting....

    Christine Haehner Murdock - IF YOU LIKE THE ARTWORK, WE WOULD LIKE TO INVITE YOU TO PLEASE SIGN UP FOR THE EMAIL OPTION. I predominantly use pen and ink, colored pencil, crayon and acrylic paint on paper or canvas to create art, which educates or I am focusing on the 'feel-good factor': Do not underestimate the effect of a glance at a piece of art. As one may make you angry, another one may sooth your mood or spark a feeling of happiness. And that will effect what you do in a positive way. But what does it require to initiate a certain feeling? Whereas neurobiological and psychological research provides some answers, intuition plays still key role in my exploration of the connections between colors, shapes and emotions. For a full body of work visit:

    Prabha Shah - There's a central theme underlining my work: India, or more specifically Rajasthan, in colours. Cities, streets, people, desert depictions fading rapidly, everything I love and miss. Emotional tension finds an outlet in the process of creation. People and historical events live inside me as shapes and colours. Colour is central to my painting. Life is the epitome of the universe. Through painting I try to stay close to those things I like but can't own. Things which often hurt us but we insist on desiring and loving in a unique way. The mysterious repetition of nothingness that torments us all. --Prabha Shah...